MOA美術館

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📣蔦重の眼　歌麿・写楽と浮世絵黄金時代蔦重こと蔦屋重三郎（1750−97）は、浮世絵黄金期の文化を創出した出版人（版元）で、浮世絵最盛期の立役者です。本展では、蔦重出版の歌麿・写楽の錦絵をはじめ江戸中期から後期にかけて活躍した絵師たちの錦絵や肉筆美人画を展観します。また、蔦重の生まれ育った江戸名所を独自に取材し、現在の風景写真とともに比較展示、江戸町人文化とともに花開いた黄金期の浮世絵の魅力を紹介します。蔦重の眼　歌麿・写楽と浮世絵黄金時代 🗓️2025.07.25(金) - 2025.09.09(火) 🔗https://www.moaart.or.jp/ お盆期間中は休まず開館！ Tsutaju, also known as Tsutaya Jūzaburō (1750–97), was a pioneering publisher who helped shape the golden age of ukiyo-e. This exhibition features nishiki-e prints by Utamaro and Sharaku published by Tsutaju, as well as works by other prominent artists from the mid to late Edo period, including hand-painted bijinga (portraits of beautiful women). We also present a unique comparison of historical Edo landmarks tied to Tsutaju's life with current photographs, highlighting the lively townspeople culture and the brilliance of ukiyo-e’s golden era. Discovering Utamaro and Sharaku: Tsutaya’s discerning eyes and the Golden Age of Ukiyoe 🗓️2025.07.25(金) - 2025.09.09(火) 🔗https://www.moaart.or.jp/ #熱海 #atami #moa美術館 #moamuseumofart #浮世絵 #ukiyoe #日本 #japan #japanese #夏 #summer #travel #japantravel #旅行 #夏休み #summervacation

2025/08/05に公開MOA MUSEUM OF ART 日本静岡県

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🎐浴衣でご来館キャンペーン開催中🎐 7/25(金)〜9/9(火)の期間、浴衣・着物（甚兵衛・作務衣もOK）でご来館の方に、MOA美術館オリジナルポストカードをプレゼント！茶の庭では和傘を無料で貸し出しています☂️ 素敵な写真を撮って、ぜひSNSでシェアしてください✨ さらに、熱海では海上花火大会も開催中！花火大会の日に合わせてのご来館もおすすめです🎆 【熱海海上花火大会開催日】8/5(火)、8/8(金)、8/18(月)、8/25(月) ポストカードの配布場所：MOA美術館受付 🎐 Yukata Visit Campaign Now On! 🎐 From July 25 (Fri) to September 9 (Tue), visit MOA Museum in a yukata, kimono, jinbei, or samue and receive an original MOA Museum postcard! Free Japanese umbrellas are available to borrow in the Tea Garden ☂️ Take beautiful photos and share them on SNS!✨ Plus, the Atami Ocean Fireworks Festival will be held on several dates! We recommend visiting the museum on a fireworks day for an extra special experience 🎆 [Fireworks Dates] 8/5 (Tue), 8/8 (Fri), 8/18 (Mon), 8/25 (Mon) Where to get your postcard: MOA Museum Reception #moa美術館 #moamuseumofart #熱海 #atami #着物 #浴衣 #kimono #夏 #summer #花火 #夏休み #japan #japantravelphoto

2025/08/05に公開MOA MUSEUM OF ART 日本静岡県

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【#土用の丑の日うなぎ出前の「福山」】歌川豊国《中村座場内・場外図》（国立劇場蔵）中村座とその芝居町のにぎわいを描いた作品。劇場の前には、当時うなぎの出前で知られる「福山」の姿も！🍱焼き魚や寿司、お菓子にお酒——江戸の観劇は、食の楽しみも欠かせませんでした🍣🍶芝居小屋に訪れた人々の熱気あふれる様子が、６枚続きの大作で細やかに、そして生き生きと描かれています。開催中の「蔦重の眼　歌麿・写楽と浮世絵黄金時代」では、本作や写楽をはじめとする芝居に関する浮世絵を多数展示しています。 #Doyō no Ushi no Hi – Eel Delivery by “Fukuyama” Utagawa Toyokuni, Interior and Exterior Views of the Nakamura Theater (Collection of the National Theatre of Japan) This lively six-panel print vividly captures the bustling scene in and around the Nakamura Theater in Edo. In front of the theater, you can even spot “Fukuyama,” a well-known eel delivery shop of the time! 🍱 From grilled fish and sushi to sweets and sake, food was an essential part of the theater-going experience in Edo. The print teems with the energy of excited spectators, and every detail—down to the vendors and their wares—is brought to life with remarkable intricacy. This work is on view in the ongoing exhibition Discovering Utamaro and Sharaku: Tsutaya’s Discerning Eyes and the Golden Age of Ukiyo-e, which features many prints related to kabuki theater, including works by Sharaku and others. #熱海 #atami #moa美術館 #moamuseumofart #蔦屋重三郎 #蔦重 #summer #夏

2025/07/31に公開MOA MUSEUM OF ART 日本静岡県

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🎐江戸時代の夏の風物詩　【📢明日から！「蔦重の眼　歌麿・写楽と浮世絵黄金時代」展】針箱にもたれてうたた寝をしている母のそばで、子どもが水盤をひっくり返していたずらをしています。江戸時代中期になると庶民の間で金魚ブームが訪れ、金魚は夏の風物詩となりました。喜多川歌麿は晩年に母と子の微笑ましい日常をよく描いています。本展では最盛期から晩年までの歌麿作品を２４点公開いたします。風流子宝合　金魚遊喜多川歌麿江戸時代　享和年間（1801～04）頃「蔦重の眼　歌麿・写楽と浮世絵黄金時代」７月２５日〜９月９日 #熱海 #atami #moa美術館 #moamuseumofart #蔦屋重三郎 #蔦重 #summer #夏 🎐Edo-Era Summer Scenes: Goldfish Mischief 【Exhibition Preview📢 Discovering Utamaro and Sharaku: Tsutaya’s Discerning Eyes and the Golden Age of Ukiyo-e】 A child playfully tips over a goldfish bowl beside a dozing mother resting on her sewing box. By the mid-Edo period, goldfish had become a cherished symbol of summer for the common people. In his later years, Kitagawa Utamaro often captured warm, everyday moments between mother and child. This exhibition features 24 of Utamaro’s works, spanning from his artistic peak to his final years. "Elegant Comparisons of Motherly Blessings: Playing with Goldfish" Kitagawa Utamaro Edo Period, Kyōwa era (c. 1801–1804)

2025/07/24に公開MOA MUSEUM OF ART 日本静岡県

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【誰の衣装？誰ヶ袖図屏風展示風景】展覧会予告📢「蔦重の眼　歌麿・写楽と浮世絵黄金時代」展誰ヶ袖図屏風は、衣桁にかけられた衣装からその持ち主を想像させる作品です。今回は誰ヶ袖図屏風の展示風景を公開します。誰ヶ袖図屏風江戸時代17世紀蔦重の眼　歌麿・写楽と浮世絵黄金時代 🗓️2025.07.25(金) - 2025.09.09(火) 🔗https://www.moaart.or.jp/ #誰ヶ袖図屏風 #誰袖 #moa美術館 #moamuseumofart #熱海 #atami [Whose Robe? “Tagasode” Folding Screen on Display] Exhibition Preview 📢 "Discovering Utamaro and Sharaku: Tsutaya’s Discerning Eyes and the Golden Age of Ukiyo-e" The Tagasode folding screen, featuring garments draped over a kimono stand, invites viewers to imagine the identity of the unseen wearer. We're pleased to share a glimpse of this elegant work as it appears in the exhibition! The Tagasode folding screen Edo period 17c. Discovering Utamaro and Sharaku: Tsutaya’s discerning eyes and the Golden Age of Ukiyoe 🗓️2025.07.25(金) - 2025.09.09(火) 🔗https://www.moaart.or.jp/ #Tagasode #WhoseRobe #Ukiyoe #ExhibitionView #DiscoveringUtamaroAndSharaku

2025/07/23に公開MOA MUSEUM OF ART 日本静岡県

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今日は#海の日熱海MOA美術館からの景色とガーデンをご覧ください🌊 Today is #SeaDay See the view and gardens from the Atami MOA Museum of Art! #熱海 #atami #moa美術館 #moamuseumofart #海 #sea #夏 #summer #夏休み #japantrip

2025/07/21に公開MOA美術館日本静岡県

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🖌細密描写がみどころ【7月25日(金)から📢「蔦重の眼　歌麿・写楽と浮世絵黄金時代」展　展示作品「青楼名君自筆集　丁子屋ひなつる」】出版人蔦屋重三郎が老舗本屋が立ち並ぶ日本橋進出を記念して出版した作品をご紹介✨ 北尾政演（＝山東京伝）による「丁子屋ひなつる」です。北尾政演は、江戸を代表する作家・山東京伝の浮世絵師としての名前です。町人でありながら武士とも交流し、多才な作品を残した政演の、緻密な描写は必見です。螺鈿細工の机、遊女宛の手紙など細部までこだわりが光ります👀さらに注目すべきは、遊女自身の筆跡をそのまま彫って摺ったところです。雛鶴が詠んだのは、夏の夜明けの一瞬をとらえた一首：ほととぎす　なきつるかたを　ながむれば　ただ有明の　月ぞのこれる（『新古今和歌集』より）儚い情景が心に響きます🌙 「青楼名君自筆集　丁子屋ひなつる」北尾政演江戸時代　天明４年　蔦屋重三郎回向院蔵 #蔦重の眼展 #浮世絵 #山東京伝 #北尾政演 #日本橋 #展覧会情報 #歌麿 #写楽 #有明の月 #新古今和歌集 🖌Exquisite Details to Discover 【Exhibition notice 📢 “Discovering Utamaro and Sharaku: Tsutaya’s discerning eyes and the Golden Age of Ukiyoe”] Featured Work: Seirō Meikun Jihitsu-shū: Hinatsuru of Chōjiya This elegant print was published by Tsutaya Jūzaburō to mark his bold expansion into the bustling book district of Nihonbashi✨ Created by Kitao Masanobu (better known as the celebrated writer Santō Kyōden), this work showcases the artist’s remarkable eye for detail. From the mother-of-pearl inlaid writing desk to a letter addressed to the courtesan, every element reflects Masanobu’s refined sensibility and craftsmanship👀 What makes this print even more special is the inclusion of the courtesan’s actual handwriting, carefully carved and printed as-is — a rare and intimate touch. The poem, composed by the courtesan Hinatsuru, captures a fleeting summer dawn: "As I gaze toward where the cuckoo once cried, All that remains— The moon in the lingering light of dawn." (from the Shin Kokin Wakashū, a classical imperial anthology) 🌙 A haunting scene, beautifully preserved in line and verse. 📍Seirō Meikun Jihitsu-shū: Hinatsuru of Chōjiya By Kitao Masanobu (a.k.a. Santō Kyōden) Edo period, 1784 (Tenmei 4) Published by Tsutaya Jūzaburō Collection of Ekōin Temple #TsutayasEye #Ukiyoe #SantoKyoden #KitaoMasanobu #Utamaro #Sharaku #JapaneseArt #ShinkokinWakashu #AriakeMoon #EdoCulture #ExhibitionPreview

2025/07/20に公開MOA MUSEUM OF ART 日本静岡県

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【7月25日(金)から！　「蔦重の眼　歌麿・写楽と浮世絵黄金時代」展】　貴重な北斎の「大首絵」「無くて七癖」は、癖がないと言われる人でも、最低七つの癖はある、という意味のシリーズ。背景には白雲母が摺られた豪華な版です。髪を下ろした娘がほおずきを口にくわえており、手前の娘は歯を拭いている画です。非常に希少な北斎美人大首絵の名品で、現在世界で本作とニューヨークのメトロポリタン美術館の２点しか確認されていません。お見逃しなく！「風流無くてなゝくせ　ほおずき」葛飾北斎享和期（一八〇一−〇四）頃個人蔵 Exhibition notice “Discovering Utamaro and Sharaku: Tsutaya’s discerning eyes and the Golden Age of Ukiyoe”] Rare Hokusai “Ookubu-e” (Large Head Painting) "Even the Most Modest Have Their Quirks" — This artwork is part of a series inspired by the Japanese proverb that says even someone who seems to have no quirks has at least seven. The background features kirazuri, a traditional technique where mica powder (a natural mineral) is sprinkled to create a subtle, elegant shimmer. A young woman with her hair down holds a ground cherry (hōzuki) in her mouth, while another wipes her teeth — capturing a quiet, intimate moment of daily life. This is an extremely rare bijin ōkubi-e (large-head portrait of a beauty) by Katsushika Hokusai. Only two impressions are known to exist in the world — this one and another held by The Metropolitan Museum of Art in New York. A true masterpiece — don’t miss the chance to see it. “Fūryū Nakute Nanakuse: Hōzuki” By Katsushika Hokusai Ca. 1801–1804 (Kyōwa era) Private Collection

2025/07/18に公開MOA MUSEUM OF ART 日本静岡県

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📣人間国宝展7月22日(火)まで！竹工芸🎋 竹工芸は、豊富な素材に恵まれて古くから発達しました。細く割った竹の編みと組みを併用して造形する編組物（へんそもの）、円筒形のまま竹を用いる丸竹物（まるたけもの）などに分類され、素材の簡素な美しさと強靭で弾力性に富む特質を活かした制作が行われています。藤沼昇　根曲竹花籠「春潮」徳島県鳴門市の沖合に出現する渦潮のエネルギーを表象した作品です。藤沼さんは制作のテーマに「気」を挙げて、「竹の繊細さと強靭さを気と呼んでいる」「私の気と竹の気を合体させた時、人に何かを伝えられる」と語っています。 📣WAZA: the Artistry of Living National Treasures Exhibition through Tuesday, July 22! Bamboo Crafts Bamboo crafts have developed since ancient times thanks to the abundance of materials available. Bamboo crafts are classified into two categories: braided bamboo, in which thinly split bamboo is woven and assembled together, and marutakemono, in which bamboo is used in its cylindrical form. Noboru Fujinuma Nemagari Bamboo Flower Basket "Harushio This work represents the energy of the whirlpools that appear off the coast of Naruto City, Tokushima Prefecture. Fujinuma cites “Ki” as the theme of his work, saying, “I call the delicacy and toughness of bamboo Ki,” and "When I combine my Ki with the Ki of the bamboo, I can convey something to people.

2025/07/18に公開MOA MUSEUM OF ART 日本静岡県

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次回展覧会　「蔦重の眼　歌麿・写楽と浮世絵黄金時代」展　２種類の「文読美人」恋文を読む女性が描かれている本作💌 一枚一枚手作業で摺られた浮世絵は、版を重ねるごとに変更や省略が行われ、同じ図でも色彩や衣装の模様等に違いがあります。本展では２種の「文読美人図」を並べて公開します。「婦女人相十品　文読美人」喜多川歌麿寛政4～5年(1792~1793)頃 MOA美術館蔦重の眼　歌麿・写楽と浮世絵黄金時代 2025.07.25(金) - 2025.09.09(火) Discovering Utamaro and Sharaku: Tsutaya’s Discerning Eyes and the Golden Age of Ukiyo-e Two Impressions of Ten Physiognomic Types of Women: A Beauty Reading a Letter This print depicts a woman reading a love letter 💌. Since ukiyo-e prints were produced by hand-printing each sheet, variations and omissions often occurred over successive printings. As a result, differences in color, kimono patterns, and other details can be seen even among prints with the same design. In this exhibition, we present two different impressions of A Beauty Reading a Letter side by side for close comparison. •Ten Physiognomic Types of Women: A Beauty Reading a Letter Kitagawa Utamaro c. 1792–1793 (Kansei 4–5) MOA Museum of Art Exhibition Dates: July 25 (Fri) – September 9 (Tue), 2025

2025/07/08に公開MOA MUSEUM OF ART 日本静岡県

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今日は #七夕🎋 現在開催中の「技 -WAZA-　人間国宝展」より、七夕にちなんだ作品のご紹介です💫 梻拭漆嵌装箱「銀漢」　2009年須田賢司「銀漢【ぎんかん】」は中国語で「天の川」を意味し、古来詩文などにも用いられてきた言葉です。梻の強い杢目に貝を嵌め込んで夜空の星を表しています。「技 -WAZA-　人間国宝展」は7月22(火)まで！自然の素材を活かした魅力あふれる優品の数々を是非展示室でお楽しみください。 🎋 Today is Tanabata, the Star Festival! ⁣ ⁣ From the ongoing exhibition WAZA: Masterpieces by Living National Treasures, we’re introducing a work inspired by this special day. 💫⁣ ⁣ "Ginkan" (The Milky Way), 2009 by Suda Kenji , Living National Treasure ⁣ The word Ginkan is the Chinese term for the Milky Way, often seen in classical poetry. This piece features rich tamo wood grain, inlaid with shell to evoke the stars scattered across the night sky. ⁣ WAZA: Masterpieces by Living National Treasures is open until Tuesday, July 22. Come explore exceptional works that bring out the natural beauty of traditional materials—on view now in the gallery!

2025/07/07に公開MOA MUSEUM OF ART 日本静岡県

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【展覧会予告　「蔦重の眼　歌麿・写楽と浮世絵黄金時代」展】写楽の名品！「市川鰕蔵の竹村定之進」「恋女房染分手綱」のうちの「道成寺」に取材した作品です。能役者・竹村定之進が、娘・重の井の道ならぬ恋の責めを負って切腹する場面を描いています。江戸の歌舞伎界で最高位に評価された市川蝦蔵の迫真の演技がその表情や風格から伝わってきます。「市川鰕蔵の竹村定之進」東洲斎写楽寛政６年（1794）個人蔵蔦重の眼　歌麿・写楽と浮世絵黄金時代 2025.07.25(金) - 2025.09.09(火) Exhibition notice “Discovering Utamaro and Sharaku: Tsutaya’s discerning eyes and the Golden Age of Ukiyo-e” A must-see Sharaku masterpiece on view! This striking portrait shows Ichikawa Ebizo in the role of Takemura Sadanoshin, a Noh actor who takes his own life after being blamed for his daughter Shigenoi’s forbidden love — a scene from the kabuki play Koi Nyobo Somewake Tazuna (The Dyed Reins of a Beloved Wife), based on the Dojoji legend. The intensity and gravitas of Ebizo’s performance — praised as the highest in the Edo kabuki world — are powerfully conveyed through Sharaku’s bold lines and expressive realism. Don’t miss this iconic work, on view from July 25! 👀 “Takemura Sadanoshin of Ichikawa Ebizo” by Toshusai Sharaku 1794 (Kansei 6) Private Collection Discovering Utamaro and Sharaku: Tsutaya’s discerning eyes and the Golden Age of Ukiyo-e 2025.07.25 (Fri) – 2025.09.09 (Tue)

2025/07/03に公開MOA MUSEUM OF ART 日本静岡県

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【次回展覧会　「蔦重の眼　歌麿・写楽と浮世絵黄金時代」展】世界に１枚❗️貴重な作品を公開❗️ このシリーズは踊りを得意とした芸者を描いています。「石橋」は能から影響を受けた獅子の舞踊で、牡丹の花の作り物と紅の八巻、長く垂れた髪で獅子を表現しています。本作は世界にこの一枚しか存在が確認されていない貴重な歌麿の名品。7月25日より展示いたします。お見逃しなく👀 「當世踊子揃　石橋」喜多川歌麿寛政5-6年（1793-94）頃個人蔵 Exhibition notice “Discovering Utamaro and Sharaku: Tsutaya’s discerning eyes and the Golden Age of Ukiyie”] One of a kind in the world! Rare works on view. This series depicts geisha who excelled at dancing. In “Stone Bridge” a Noh-inspired lion dance, a lion is depicted with a peony flower decoration, eight red scrolls, and long, drooping hair. This rare Utamaro masterpiece, the only one known to exist in the world, will be on display beginning July 25. Don't miss it ! “Stone Bridge”from the series An Array of Dancing Girls of the Present Day (Tôsei odoriko zoroe)" by Kitagawa Utamaro ca. 1793-94 Private Collection

2025/06/24に公開MOA MUSEUM OF ART 日本静岡県

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📣技 -WAZA-人間国宝展開催中　色絵磁器釉薬をかけて本焼した磁器の表面に赤・黄・緑・紫・藍などの上絵の具で文様を描き、さらに上絵窯で700～800度の低下度で焼き付ける技法です。14代今泉今右衛門は、家伝の鍋島焼の技法を中心に「墨はじき」と周囲の光を取り込む「プラチナ彩」を色絵磁器に導入して陶芸表現に新生面を開きました。 14代今泉今右衛門　色絵薄墨墨はじき時計草文鉢「墨はじき」は墨で文様を描きその上を染付で塗ると、墨の膠分が染付の絵具をはじき、窯で焼くと墨が焼き飛んで白抜きの文様が現われるという技法。この作品は雪華文様を幾何学的に発展させたデザインです。今右衛門さんは、「墨はじきのように目に見えないところへの神経と手間を大事にしたい」と語っています。 Iroe porcelain Iroe porcelain is a technique in which patterns are painted on the surface of glazed porcelain using overglaze paints such as red, yellow, green, purple, and indigo, and then fired in an overglaze kiln at 700 to 800 degrees C. Imaizumi Imaemon the 14th introduced sumi-hajiri, a technique inherited from Nabeshima ware, and platinum color, which captures the surrounding light, to the art of iroe porcelain. This opened up a new dimension in ceramic expression. Imaizumi Imaemon XIV, Bronze and Sumi-Hajiki Clockwork Bowl with Design of Clock Grass in Iroe Sumi-Hajiki" is a technique in which a pattern is drawn in sumi ink and painted over it with underglaze blue, the glue in the sumi ink repels the underglaze blue paint, and when fired in a kiln, the sumi ink is burned off to reveal a white pattern. The design of this piece is a geometric development of the snowflake pattern. Imaemon says, "I want to value the nerve and effort that goes into invisible areas like sumi-hajiki.

2025/06/21に公開MOA MUSEUM OF ART 日本静岡県

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【次回展覧会　「蔦重の眼　歌麿・写楽と浮世絵黄金時代」展】蔦重こと蔦屋重三郎（1750−97）は、浮世絵黄金期の文化を創出した出版人（版元）です。現在世界的人気を集めている歌麿や、写楽を起用するなど、新しい才能を見出す慧眼に長けていました。歌麿が確立した上半身をクローズアップした「美人大首絵」や、写楽の大判役者絵は、その後の浮世絵界にも大きな影響を与え、蔦重は浮世絵最盛期の立役者となります。本展では、蔦重の功績がわかる蔦重出版の歌麿・写楽の錦絵をはじめ江戸中期から後期にかけて活躍した絵師たちの錦絵や肉筆美人画を展観します。また、蔦重の生まれ育った江戸名所を独自に取材し、現在の風景写真とともに比較展示、江戸町人文化の賑わいとともに花開いた黄金期の浮世絵の魅力を紹介いたします。 7月25日より開幕です📣お楽しみに！ Discovering Utamaro and Sharaku: Tsutaya’s Discerning Eye and the Golden Age of Ukiyo-e Step into the vibrant world of Edo-period Japan and discover the golden age of ukiyo-e through the eyes of visionary publisher Tsutaya Jūzaburō (1750–1797). Known for his exceptional eye for talent, Tsutaya played a key role in launching the careers of two of the most celebrated artists in Japanese art history: Kitagawa Utamaro and Tōshūsai Sharaku. Utamaro’s elegant okubi-e (close-up portraits of women) and Sharaku’s bold, dramatic portraits of kabuki actors brought fresh perspectives to the art world of their time. Their works, brought to the public by Tsutaya, left a lasting impact and helped define the visual culture of Edo-era Japan. This exhibition features a stunning collection of nishiki-e (multi-colored woodblock prints) and hand-painted bijinga (images of beautiful women), showcasing the dynamic and expressive art of late 18th to mid-19th century Edo—the golden era of ukiyo-e. Opening July 25, don’t miss this rare opportunity to experience the timeless beauty and cultural richness of ukiyo-e at its peak.

2025/06/17に公開MOA MUSEUM OF ART 日本静岡県

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📣期間限定　金箔羊羹本日から〈茶室一白庵〉にて、展覧会「技 -WAZA- 人間国宝展」にあわせて「金箔水羊羹」の提供が始まりました！なめらかな水羊羹の上に、“蒔絵”をイメージして金箔を贅沢にあしらった逸品です。 7月22日（火）までの限定販売。展示とあわせて、ぜひお楽しみください！ 📣 Limited-Time Only: Gold Leaf Mizuyokan Starting today, Tea Room Ippaku-an is offering a special Gold Leaf Mizuyokan to complement the exhibition WAZA: the Artistry of Living National Treasures! This refined dessert features smooth mizuyokan delicately topped with gold leaf, inspired by the elegance of the traditional makie lacquer technique. Available only until Tuesday, July 22 — don’t miss this chance to enjoy both the exhibition and this exclusive seasonal treat! #moamuseumofart #wagashi #LimitedEditionSweets #japanesefood #JapanTrip #JapanTravel

2025/06/16に公開MOA MUSEUM OF ART 日本静岡県

https://www.instagram.com/explore/tags/moamuseumofart#moamuseumofarthttps://www.instagram.com/explore/tags/wagashi#wagashihttps://www.instagram.com/explore/tags/LimitedEditionSweets#LimitedEditionSweetshttps://www.instagram.com/explore/tags/japanesefood#japanesefoodhttps://www.instagram.com/explore/tags/JapanTrip#JapanTriphttps://www.instagram.com/explore/tags/JapanTravel#JapanTravel

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📣技 -WAZA-　人間国宝展　開催中豊かな自然を背景に、高度な技術を惜しみなく注がれて発展してきた伝統工芸は、現在も私たちの日常生活をより豊かに彩ってくれます。なかでも人間国宝（重要無形文化財保持者）の作品は、伝統を踏まえた確かな技術と格調高い芸術性を有し、わが国の文化を牽引する存在です。本展では、伝統工芸において各分野を代表する人間国宝の方々を取り上げ、その作品を展観します。陶芸、染織、漆芸、竹工芸など、自然の素材を活かした魅力あふれる優品の数々を是非お楽しみください。技 -WAZA-　人間国宝展 2025.06.13(金) - 2025.07.22(火) WAZA: the Artistry of Living National Treasures 2025.06.13(Fri) - 2025.07.22(Tue) Works of kōgei developed through their respective traditions against the background of Japan’s rich culture. Behind each item are highly sophisticated skills, and their utility and beauty enrich our everyday lives. Living National Treasures are individuals who embody the techniques and traditions cultivated over centuries having attained the highest levels of mastery and sophistication. They are recognized by the government as holders of important intangible cultural properties—the nation’s pride and joy, and key figures at the forefront of Japanese culture. The exhibition curates work of several prominent Living National Treasures, each representing the finest artistry in their fields. The items of kōgei, ranging from ceramics to textiles, urushi lacquerware and bamboo art, entice visitors into the world of excellent craftworks and beauty of nature.

2025/06/14に公開MOA MUSEUM OF ART 日本静岡県

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📢6月11日、12日は休館日 6月11日(水)、12日(木)は展示替えのため休館いたします。6月13日(金)からは「技 -WAZA-　人間国宝展」です。陶芸、染織、漆芸、竹工芸など、自然の素材を活かした魅力あふれる優品の数々を展観します。お楽しみに！ Closed on June 11 and 12 The museum will be closed on June 11 (Wed.) and 12 (Thu.) for exhibition changes, and will open the “WAZA: the Artistry of Living National Treasures” exhibition on June 13 (Fri.). The exhibition will feature a wide variety of fascinating and excellent works of ceramics, textiles, lacquerware, bamboo crafts, and other art forms that make use of natural materials. Enjoy! #moa美術館 #moamuseumofart #熱海 #atami #工芸 #kogei #日本 #japan

2025/06/10に公開MOA MUSEUM OF ART 日本静岡県

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📣「北斎 The Great Wave×Digital 2.0」6月10日まで！江戸を生きる人々：日本橋今昔アワビやカツオらしき魚を入れた籠を担ぐ人、大きな風呂敷を肩にかけた少年、天秤棒を担ぐ行商人など、さまざまな職業や年齢の人でごったがえしています。日本橋は全国へ通ずる街道の基点であり、江戸の商業の中心でもありました。本図は、この日本橋から望む富士で、往来の激しい橋上の様子を画面前方に沈めて人間の頭部だけを描いているところに北斎の個性が光ります。川や白壁の倉庫には遠近法を用いて、町の奥行きを強調しています。 “Hokusai The Great Wave x Digital 2.0” through June 10! People Living in Edo: NIHONBASHI IN EDO People of various occupations and ages crowd the streets, including a man carrying a basket of abalone or bonito-like fish, a boy with a large furoshiki (wrapping cloth) over his shoulder, and a peddler carrying a balance pole. Nihonbashi was the base of the highway leading to the rest of the country and the center of commerce in Edo (present-day Tokyo). In this painting, Hokusai's individuality shines through in his depiction of Fuji as seen from the Nihonbashi Bridge, in which he has subdued the busy traffic on the bridge to depict only the human head in the foreground. The river and the white-walled warehouses are in perspective, emphasizing the depth of the town.

2025/06/06に公開MOA MUSEUM OF ART 日本静岡県

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📣「北斎　The Great Wave×Digital 2.0」　6月10日まで開催中山下白雨雲を突き抜けて富士がそびえ立ち、山裾には稲妻が光っています。天上の快晴と、雲下の薄暗い夕立（白雨）という、相反する気候を一図に込めた作品です。雷鳴のとどろく中に屹立する富士の姿からは、高さと迫力が感じられます⚡️🗻 Hokusai The Great Wave x Digital 2.0 on view through June 10 RAINSTORM BENEATH THE SUMMIT Fuji rises through the clouds and lightning flashes at the foot of the mountain. This work captures in a single image the opposing climates of clear skies above and a dim evening shower below the clouds. Fuji's towering figure amidst the roar of thunder gives the viewer a sense of height and power.

2025/05/30に公開MOA MUSEUM OF ART 日本静岡県

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