Lo, Chan Peng 羅展鵬

コンテンツ種別

関連都道府県

アカウント未登録では最新の動画100件のみ閲覧可能です。

WORKSHOP HK｜Lo Chan Peng Pixel Glazing Many people have been curious about the way I render skin in my works. Over the years, I have merged my studies of the Old Masters with my own experiments, gradually developing a unique method I call “Pixel Glazing.” This approach is not only the transmission of a technique, but also the sharing of a way of thinking — how to move from bone to skin, from color theory to the layers of light. What I wish to share is how I built my own painting “system” from the ground up. This five-day workshop hosted by Artiste Studio in Hong Kong will be an in-depth exploration. I sincerely look forward to exchanging and learning with fellow painters who share the same passion. 🔥 Only 1 seat left — I look forward to meeting this last participant in person. ⸻ WORKSHOP HK｜羅展鵬像素罩染法許多人對我作品中肌膚的表現方式感到好奇。這些年來，我將古典油畫大師的技法研究與自身的實驗融合，逐步發展出一套獨特的方法，我稱之為「像素罩染法（Pixel Glazing）」。這套方法不僅是一種技術的傳授，更是一種思維的分享——如何從骨骼到肌膚，從色彩理論到光的層次。我想與大家分享的，是我如何從零開始建構出屬於自己的繪畫「系統」。這場由香港 @artiste.studio 舉辦的五天工作坊，將是一趟深入的探索。我真誠期待能與同樣熱愛繪畫的朋友們交流、學習。 🔥 目前僅剩最後 1 個名額，非常期待能與這位朋友在現場相遇。 📅 2025.09.15–09.19（09:00–18:00） 📍 Artiste Studio - Art & Coffee（香港炮台山） 👉 報名連結：Artiste Studio

2025/09/04に公開HK 台湾

0.46%

734

When I arrived in the United States, I quickly realized something essential: communication is necessary. I need to engage with this society, to let my work speak and be in dialogue with it. If we think of art as a language, then I must use the cultural language that represents me to communicate and integrate. That is why I introduced the concept of Pan-Asia, weaving my experiences of different Asian cultures into my work. This does not mean that being in America I should only continue telling stories of Asia; on the contrary, I should speak about America itself—but in my own unique way: through an Asian perspective, through my lived experience, to narrate the world I see. This is part of my practice: building bridges between cultures, and transforming differences into a new resonance. My next exhibition will be held in Tokyo. ⸻ アメリカに来て、私はすぐに気づきました。交流こそが必要だということを。私はこの社会と対話し、作品を通じて語りかける必要があるのです。もし芸術を一つの言語と捉えるなら、私は自分を表す文化の言語を用いて、この社会とコミュニケーションし、溶け込まなければなりません。そのために私は「汎アジア」という概念を提示し、アジア各地での体験を作品に融合させています。しかしそれは、アメリカにいながら常にアジアの物語を語り続けるという意味ではありません。むしろ逆に、私は「アメリカ」について語るべきなのです。ただし自分独自の方法で——アジア的な視点を通し、自らの経験を通して、私が見た世界を語るのです。これこそが私の創作の一部。文化と文化の間に橋を架け、違いを新たな共鳴へと変える試みです。次回の展覧会は東京で開催されます。 ⸻ 當我來到美國時，我很快意識到一件重要的事：交流是必要的。我需要與這個社會交流，讓我的作品能與它對話。如果我們將藝術視為一種語言，那麼我必須用屬於我的文化語言，與這個社會溝通並融入其中。因此，我提出了「泛亞洲」的概念，把我對亞洲不同文化的體驗融合進作品裡。但這並不意味著，我在美國只能不停講述亞洲的故事；相反地，我更應該談論「美國」本身，只是以我獨特的方式——透過亞洲的視角、透過我的經驗，去訴說我所見的世界。這正是我創作的一部分：在文化之間建立橋樑，讓差異轉化為新的共鳴。下一場展覽將在東京舉行。 ⸻ 📍 Corey Helford Gallery, Los Angeles 📅 On view through August 23, 2025 💫 The Dream of Yūgen 💌 For the exhibition checklist, please contact: sherri@coreyhelfordgallery COREY HELFORD GALLERY @sherrijtrahan

2025/09/02に公開COREY HELFORD GALLERY アメリカ合衆国

#PR / エンタメ・外食

0.41%

656

The solo exhibition has opened successfully—thank you all for coming! If you’re interested in the works, please email: 💌 sherri@coreyhelfordgallery.com Sherri J. Trahan The Dream of Yūgen– Lo Chan-Peng Solo Exhibition 📍 @coreyhelfordgallery

2025/07/23に公開COREY HELFORD GALLERY アメリカ合衆国

0.5%

808

Exhibition Info The Dream of Yūgen– Lo Chan-Peng Solo Exhibition 📍 @coreyhelfordgallery 🗓 Opening: July 19, 2025 (Saturday) at 7:00 PM 💌 sherri@coreyhelfordgallery.com @sherrijtrahan Homesickness Series Core Concepts: Ⅰ. Pan-Asian Narrative: Through the lines of ukiyo-e, the spatial sensibility of ink painting, and the mineral textures of iwa-enogu pigments, I juxtapose various Eastern elements—not as a superficial cultural collage, but as a way to reexamine the diverse and fluid nature of “Asianness.” Taiwan has undergone multiple colonial histories, and this hybridity has long been part of our cultural DNA. What I present on canvas is a layered narrative that transcends any single viewpoint. Ⅱ. The Moon: A Portable Homeland: The bright moon in my works symbolizes a boundless sense of home. For those living in diaspora, “home” is no longer defined by a physical territory but by a shared gaze that transcends distance and time. Wherever we may be, the moon always reminds us of our roots and our collective longing. Ⅲ. The Beauty of Yūgen: I weave the concept of yūgen—a profound, elusive beauty from Japanese aesthetics—into my paintings, capturing a depth that hovers between the visible and invisible, existence and nothingness. Through my self-developed technique, Pixel Glazing, I create a visual texture that merges the digital with the human, something both honest and fragile. Ⅳ. Burnt Foil: Employing the traditional Japanese yakihaku (burnt foil) technique, I use sulfur and fire on silver leaf to create unique textures and gradients, symbolizing the marks of time and the impermanence of life. This poetic, alchemical process requires not only skill but also intuition and patience, resulting in a quiet yet mysterious Eastern philosophical depth within the work. Ⅴ. Humanity and Craftsmanship: As AI rapidly transforms our visual experience, I choose to layer paint slowly by hand, emphasizing the tactile quality of materials and the depth of human perception. I believe the future core of humanity and the value of art lie in that irreplaceable authenticity and warmth between “humanity” and “craftsmanship.”

2025/07/19に公開COREY HELFORD GALLERY アメリカ合衆国

0.3%

486

Today I took the bus to @coreyhelfordgallery to work on the installation. I’ve always heard that taking public transportation in Los Angeles is almost impossible — even my friends who have lived here for over twenty years have never done it. But after experiencing it myself, it actually felt much better than I expected. It’s no longer just about going from point A to point B, finishing tasks and leaving; it feels more like moving along the veins of the city, letting me experience its rhythm more deeply. Looking for bus stops, avoiding areas that felt a little sketchy, I still found many interesting corners in this enormous city. Of course, because of its sheer size, compared to other major cities in the world, there are still many blank and unfilled spaces. ✨ The opening is this Saturday, and I warmly invite you to join us! ✨ ⸻ Exhibition Info The Dream of Yūgen– Lo Chan-Peng Solo Exhibition 📍 Corey Helford Gallery 571 S Anderson St, Los Angeles, CA 90033 🗓 Opening: July 19, 2025 (Saturday) at 7:00 PM On view: July 19 – August 23, 2025 ⏰ Gallery Hours: Tuesday–Saturday, 12:00 PM – 6:00 PM 💌 sherri@coreyhelfordgallery.com @sherrijtrahan 今天特地搭公車前往 Corey Helford Gallery 進行佈展。以往總聽說在洛杉磯搭乘大眾運輸幾乎是不可能的事，就連住在這裡二十多年的朋友也從未這麼做過。但實際體驗後，感覺比我想像中好得多。這不再只是「從 A 點到 B 點，辦完事就離開」的狀態，而是跟著城市的血脈脈動，讓我更真切地感受到這座城市的節奏。找尋公車站、避開看起來稍微詭譎的區域，在這座龐大的城市裡依然能發現許多有趣的角落。當然，因為城市規模實在太大，相較於世界上其他的大都會，還是有許多未被填滿的空白之處。 ✨ 本週六即將開幕，誠摯邀請您的到來！ ✨

2025/07/18に公開COREY HELFORD GALLERY アメリカ合衆国

1.16%

1,894

“The Dream of Yūgen” — Lo Chan-Peng Solo Exhibition🤗 Opening：SAT July 19 PM 7:00 Exhibition Dates: 2025.07.19 –8.23 @coreyhelfordgallery COREY HELFORD GALLERY ALLERY 571 S Anderson St Los Angeles, CA, United States, California +1 310-287-2340 For collector previews: sherri@coreyhelfordgallery.com

2025/07/10に公開COREY HELFORD GALLERY アメリカ合衆国

0.58%

935

📍The Dream of Yūgen is about to open! This will be my very first solo exhibition in the United States, and it’s finally coming to life in Los Angeles. You’re warmly invited to step into a world of quiet mystery and subtle beauty. 📅 Opening Reception｜7/19 (Sat) 7:00 PM 📍 Corey Helford Gallery, Los Angeles 🖼 On view through 8/23 571 S Anderson St Los Angeles, CA, United States, California 📞 +1 310-287-2340 📩 For collector previews: sherri@coreyhelfordgallery.com I look forward to meeting you in front of the paintings. #TheDreamofYūgen #LoChanPeng #coreyhelfordgallery

2025/07/04に公開COREY HELFORD GALLERY アメリカ合衆国

https://www.instagram.com/explore/tags/TheDreamofY#TheDreamofYhttps://www.instagram.com/explore/tags/LoChanPeng#LoChanPenghttps://www.instagram.com/explore/tags/coreyhelfordgallery#coreyhelfordgallery

0.79%

1,284

“The Dream of Yūgen – Lo Chan-Peng Solo Exhibition” It has now been more than half a year since I arrived in Los Angeles. Amid the dissonance between languages and cultures, the silence and waiting of the art market, and the uncertainties of what lies ahead, I am sincerely grateful to @coreyhelfordgallery coreyhelfordgallery for offering me the opportunity to hold my first solo exhibition in the United States. Coming from Taiwan to America was a journey not only for the sake of my art, but also a pursuit toward a more complete self. What I wish to speak of is not the noise of the world, but those distant, almost forgotten things—the memory of flesh, the remnants of the soul, those fleeting moments that drift between presence and disappearance, and the sum of layered cultural experiences I have encountered along my artistic path. To many Western audiences, “Asia” is often perceived as a blurred, indistinct totality. Yet in our contemporary era, culture itself is fluid and chaotic. This ambiguity aptly mirrors the place I come from—Taiwan, a magical island shaped by multiple layers of colonial rule and cultural convergence. After nearly a century of struggle, Taiwan has emerged as a key force in global technology through its development of semiconductors. It has also become, for me, a metaphor through which I interpret identity and cultural movement. In Japanese aesthetics, yūgen is defined as a profound beauty that resides in the subtle and the unseen—a quiet that hovers between the visible and invisible. In my paintings, this sensibility is not expressed directly, but permeates the layers of color and texture like a delicate breath. Through my technique of “Pixel Glazing,” I attempt to depict a surface that feels both digital and human—fragile, yet sincere. In this age when AI rapidly consumes all things, to create by human hands is both an act of resistance and a return. Through painting, I explore the redefinition of what it means to be human—something I believe will come to embody humanity and craftsmanship, two qualities we may come to long for deeply in the decade to come. 🤌🏼Opening：Saturday July 19 PM 7:00

2025/07/01に公開COREY HELFORD GALLERY アメリカ合衆国

1.3%

2,053

110

「Humanity and Craftsmanship」 WEB: lochanpeng.com IG: https://www.instagram.com/lochanpeng/ #art #artist #lochanpeng #painting #羅展鵬 #藝術 #藝術家 #HumanityCraftsmanship

2025/06/27に公開- 指定なし

https://www.instagram.com/explore/tags/art#arthttps://www.instagram.com/explore/tags/artist#artisthttps://www.instagram.com/explore/tags/lochanpeng#lochanpenghttps://www.instagram.com/explore/tags/painting#paintinghttps://www.instagram.com/explore/tags/羅展鵬#羅展鵬https://www.instagram.com/explore/tags/藝術#藝術https://www.instagram.com/explore/tags/藝術家#藝術家https://www.instagram.com/explore/tags/HumanityCraftsmanship#HumanityCraftsmanship

2.4%

3,931

🗓I’m delighted that my work has returned to Tokyo to be shown alongside four fantastic artists. See you this Saturday, June 28, at S_R gallery in Kayabachō!  Phenomenal world June 28 (Sat) – July 12 (Sat), 2025 Hours | 12:00 – 18:00 Closed | Sundays, Mondays & national holidays Venue | 2F Dai-ni Inoue Building, 2-17-13 Nihonbashi-Kayabacho, Chuo-ku, Tokyo Artists | Takafumi Ohba, Osamu Obi, Yuna Tsuru, Emi Hiroto, Lo Chan Peng  ⸻  🗓私の作品が再び東京に戻り、4人の素晴らしいアーティストとともに展示できることをとても嬉しく思います。今週土曜、6月28日に茅場町の S_R gallery でお待ちしています！現象界 /Phenomenal world 2025.6.28 (Sat) – 7.12 (Sat) ⏰ 12:00 – 18:00 ❌ 日・月・祝休廊 📍 東京都中央区日本橋茅場町 2-17-13 第二井上ビル 2F 出展作家｜大庭孝文、小尾修、鶴友那、廣戶絵美、羅展鵬 ⸻ 🗓很開心我的作品再次來到東京與四位精彩的藝術家一起展出，本週六 6 月 28）在茅場町 S_R gallery，歡迎你的蒞臨！！  《現象界》 2025 年 6 月 28 日（六）– 7 月 12 日（六）開放時間｜12:00 – 18:00 休廊｜週日、週一暨國定假日地址｜東京都中央區日本橋茅場町 2-17-13 第二井上大樓 2F 參展藝術家｜大庭孝文、小尾修、鶴友那、廣戶絵美、羅展鵬 ⸻ WEB: lochanpeng.com IG: https://www.instagram.com/lochanpeng/ #art #artist #realism #contemporaryart #painting #羅展鵬 #藝術 #藝術家 #繪畫 #當代藝術 #Kunst #Ölgemälde #ZeitgenössischeKunst #現象界 #Phenomena #SRgallery #TokyoArt #GroupExhibition #HumanityCraftsmanship

2025/06/23に公開Tokyo Japan 日本東京都

2.47%

4,087

🎨 5-Day Oil Painting Workshop in LA — Learn Pixel Glazing with Lo Chan Peng 🖌️ Join internationally acclaimed Taiwanese artist Lo Chan Peng this summer for an intimate, 5-day oil painting workshop in Los Angeles. Discover his signature Pixel Glazing technique — a method developed to create hauntingly lifelike skin tones and spiritual depth in portraiture. Lo Chan Peng will also share the shifts in mindset he experiences during different stages of a painting, based on his own artistic journey, to help you break through your own blind spots. ✨ What you’ll learn: ✔ Hue, chroma, and value from the ground up ✔ The hidden structure of transparent vs. opaque colors ✔ “Fishing net” composition strategy ✔ Lo’s personal approach to palette mapping and layering 📍 Where: Brewery Arts Complex, Downtown LA 🗓️ When: July 27–31, 2025 (10am–5pm) 👥 Limited to 12 students 🎟️ Sign up now — registration closes July 1! 👉 [Link in bio] or visit: https://jesscurrier.com/blogs/news/lo-chan-peng-workshop-2025   🎨 5天洛杉磯油畫密集課｜羅展鵬《像素罩染法》Workshop 開放報名！國際藝術家羅展鵬將於今年夏天親自授課，在洛杉磯開設他首度公開的密集工作坊，分享他獨創的「像素罩染法」──透過細膩的分層疊色與色彩地圖邏輯，打造出有如皮膚呼吸般的寫實人物畫。並且羅展鵬會根據他的繪畫經驗與你分享在畫面的不同階段時的心境變化，幫助你突破自己的盲點。本課程適合希望精進油畫技法、尋找突破風格、建立個人繪畫語言的創作者，不論是藝術學生、插畫家或職業藝術家，都將在課程中獲得扎實養分。 ⸻ 🖌️ 課程內容包含： ✔ 油畫三大核心（色相、明度、彩度） ✔ 透明色與不透明色的運用原則 ✔ 「色彩地圖」與「埋色技巧」 ✔ 「漁網構圖法」與人物立體結構 ✔ 羅展鵬親自示範與指導，完成一幅完整人物作品 ⸻ 📍地點：Brewery Arts Complex，洛杉磯市中心 🗓️日期：2025年7月27日（日）至31日（四），每日10AM–5PM 👥招生人數：限額12位 📬報名截止：2025年7月1日止 — 📣 立即報名 → 🔗 https://jesscurrier.com/blogs/news/lo-chan-peng-workshop-2025 📩 如有疑問請洽：studio@jesscurrier.com

2025/06/20に公開- 指定なし

0.51%

835

Homesickness 2: 194x120cm (72.3x47.2in) Ink, oil, Eastern gouache, and silver leaf on canvas: 2025 This series of works is neither a reproduction of Eastern aesthetics nor merely an extension of Western academic techniques, but rather a hybrid language that fuses the spiritual structures of East and West. The techniques are rooted in the West (classical oil painting, realistic composition, anatomy), while the spirituality is deeply influenced by Eastern thoughts on silence, nothingness, and introspection. In this era of shifting and blended cultures, I have integrated cultural characteristics from various Asian civilizations to create a “pan-Asian” aesthetic style. In the painting, the moon is crafted with silver leaf, employing a technique from classical Japanese painting—Hakuyaki—to evoke an ancient, weathered beauty. ホームシックネス2: 194x120cm (72.3x47.2in) インク、油彩、東洋水彩、銀箔を使用したキャンバス: 2025 このシリーズの作品は、東洋の美学の再現でも、単なる西洋の学術技術の拡張でもなく、東と西の精神構造を融合させたハイブリッドな言語です。 技法は西洋（古典油絵、写実的な構図、解剖学）に根ざしており、精神性は東洋の静寂、無、内省についての思想に深く影響されています。 この混ざり合いと変化する文化の時代に、私はさまざまなアジア文明の文化的特徴を統合し、「汎アジア」の美学スタイルを生み出しました。 絵画では、月は銀箔で作られ、古典的な日本絵画の技法であるHakuyakiを用いて、古代の風化した美しさを引き出しています。思鄉症2: 194x120cm (72.3x47.2in) 墨、油畫、東方水彩與銀箔於畫布上: 2025 這系列作品既非東方美學的再現，也不僅是西方學院技術的延伸，而是一種融合東西精神結構的混成式語言。 技法來自西方（古典油畫、寫實構圖、解剖學），精神性則深受東方對靜默、虛無與內觀的思維影響。 在這個時代文化是游移且混淆的，我融合了亞洲不同文明的文化特徵形成一種「泛亞洲」的美學風格。 畫面中的月亮使用銀箔，並透過一種來自日本古典繪畫的技術- Hakuyaki，使其產生古老的斑駁美感。 WEB: lochanpeng.com #art #artist #realism #contemporaryart #painting #羅展鵬 #藝術 #藝術家 #繪畫 #當代藝術 #Kunst #Ölgemälde #ZeitgenössischeKunst #fineart #culturalfusion #asianart #mixedmedia #artisticjourney #creativity #visualart

2025/06/17に公開- 指定なし

0.83%

1,371

“LO CHAN PENG LOS ANGELES WORKSHOP 2025” 10am–5pm, July 27th–31st, 2025 Brewery Artist Lofts, Los Angeles, CA Limited to only 12 students More info is available at https://bit.ly/3FjrQ7H (BIO) – contact us to reserve your spot at studio@jesscurrier.com

2025/06/12に公開- 指定なし

1.3%

2,150

I’m hosting a workshop this July in Los Angeles, and it’s just around the corner. For this workshop, I’ve documented demonstration videos and photos, and I’d be happy to send them to you via email. If you’re interested, please DM me your email address — I’ll be sending everything out next week. We still have a few spots left for the workshop. If you’re interested, you can find the link in my BIO.

2025/06/09に公開- 指定なし

0.56%

919

Shōhaku | The Poetic Alchemy of Fire and Silk In the world of Eastern painting, Yaki-haku (burnt silk) is a profoundly spiritual and poetic technique rooted in Japanese tradition. It involves oxidizing silver leaf with sulfur, creating delicate textures and layered effects. The very surface of the painting becomes an expressive element, as if time itself has left its trace upon the canvas. Artists skillfully control heat and sulfur to induce chemical reactions that produce subtle gradations and scorch marks on the fabric. These are then combined with mineral pigments or ink lines to form a mysterious and ethereal image. Mastery of Yaki-haku requires not only technical precision but also a balance of patience and intuition. In today’s fast-paced art world, this technique serves as a meditation on silence, impermanence, and restraint. It is a dance with natural elements, an embrace of beauty born from unpredictability. ⸻ 焼帛｜火と絹による詩的な錬金術東洋絵画の世界において、「焼帛（やきはく）」は日本の伝統に根ざした、精神性と詩情に富んだ技法です。硫黄で銀箔を酸化させ、繊細な質感と層を生み出し、まるで時間がキャンバスに痕跡を残したかのように、絵の表面自体が表現の一部となります。アーティストは熱と硫黄を精密にコントロールし、化学反応によって微妙なグラデーションや焦げ跡を生み出します。それらに岩絵具や墨の線を重ね、神秘的で幽玄な画面を構築します。焼帛には高度な技術だけでなく、忍耐と直感のバランスも求められます。現代の変化の激しい芸術の場において、この技法は静けさ、無常、そして抑制の美を見つめる瞑想のような存在です。自然の要素との共演であり、予測不可能性の美を受け入れる創作です。 ⸻ 燒帛｜火與絹的詩意鍊金術在東方繪畫的世界裡，燒帛是一種源自日本傳統的深具精神性與詩意的技法。它是以硫磺氧化的方式處理銀箔，產生細膩的肌理與層次，使畫作的表面本身成為表達的一部分，彷彿時間在畫布上留下痕跡。藝術家透過精準地控制熱度與硫磺，在畫布上化學變化出微妙的漸層與焦痕，接著再結合岩彩或墨線，構築出神祕而空靈的畫面。燒帛不僅需要技術純熟，還需要耐心與直覺的平衡。在現今快速變動的藝術場域中，這項技法如同一場對於靜默、無常與節制之美的冥想。它是與自然元素共舞的創作，是對不可預測性的美學擁抱。 WEB: lochanpeng.com #art #artist #realism #contemporaryart #painting #羅展鵬 #藝術 #藝術家 #繪畫 #當代藝術 #Kunst #Ölgemälde #ZeitgenössischeKunst

2025/06/02に公開- 指定なし

1.22%

2,009

A Dream of yūgen 幽玄の夢 Oil on canvas:50X74cm:2025 “LO CHAN PENG LOS ANGELES WORKSHOP 2025” 10am–5pm, July 27th–31st, 2025 Brewery Artist Lofts, Los Angeles, CA Limited to only 12 students More info is available at https://bit.ly/3FjrQ7H (BIO)👆🏼👆🏼 – contact us to reserve your spot at studio@jesscurrier.com

2025/05/28に公開- 指定なし

1.38%

2,276

#Homesickness In this series, I conducted a variety of experiments, including painting oil over mineral pigment layers and incorporating the traditional Chinese ink technique of “baimiao” (line drawing), blending them together in my creative process. #ホームシックこのシリーズでは、さまざまな実験を行いました。たとえば、岩絵具の上に油絵を重ねたり、中国水墨画の伝統的な技法である「白描（はくびょう）」を取り入れて融合させたりしています。 #思鄉症在這個系列中我進行了許多實驗，包含將油畫畫在岩彩畫上，以及使用中國水墨畫的「白描」技術，將其進行混合使用。 WEB: lochanpeng.com #art #artist #realism #contemporaryart #painting #羅展鵬 #藝術 #藝術家 #繪畫 #當代藝術 #Kunst #Ölgemälde #ZeitgenössischeKunst

2025/05/22に公開- 指定なし

1.42%

2,345

homesickness #5 Living in Los Angeles has made me acutely aware of the multiplicity and fluidity of my cultural identity. In contemporary society, culture is no longer confined by fixed borders—it is continuously reshaped and transformed through human movement and exchange. Through travel and life abroad, I have encountered diverse cultures, prompting me to reflect on my own Taiwanese heritage and how Taiwan might engage in dialogue with the global context. In this light, I began experimenting by incorporating traditional materials emblematic of Eastern painting—namely, mineral pigments—into my ink-based works, further layering them with Western oil painting techniques. This cross-medium approach not only demonstrates a formal exploration, but also embodies the cultural convergence that I experience within myself. This creative journey is a direct response to the theme of “nostalgia.” For me, nostalgia does not merely refer to a physical longing for one’s homeland; it signifies an ongoing search for cultural identity and its reconstruction. Amid the intersections of various cultural contexts, I seek to forge a new visual language through painting—one that speaks to the issues of identity and emotional experience I face as an artist from Taiwan living abroad in the contemporary world. ⸻ 郷愁症候群 #5 ロサンゼルスでの生活は、私に自身の文化的アイデンティティの多層性と流動性を強く意識させました。現代社会において、文化はもはや固定された境界ではなく、人々の移動と交流によって絶えず再構築され、変容していくものです。旅と異国での生活を通じて多様な文化に触れることで、私は台湾出身としての文化的背景を改めて見つめ直し、台湾がどのように国際的文脈において対話を展開できるのかを考えるようになりました。このような文脈の中で、私は東洋画を象徴する伝統的な素材——岩絵具——を墨による作品に取り入れ、それに西洋の油彩技法を重ねるという試みを始めました。このメディウムを越えた表現は、形式的な探究を示すと同時に、私の中にある文化の融合をも体現しています。この創作の過程は、「郷愁」というテーマへの深い応答です。私にとって郷愁とは、単なる地理的な帰属への思慕ではなく、文化的アイデンティティの追求と構築の営みそのものです。異なる文化的文脈が交差する中で、私は絵画を通じて新たな視覚言語を模索し、現代において異国に暮らす台湾出身の創作者として直面するアイデンティティと感情の経験に応えようとしています。 ⸻ 思鄉症 #5 在洛杉磯的生活經驗，使我深刻地意識到自身文化身份的多重性與流動性。在當代社會中，文化不再是固定的疆界，而是隨著人群的移動與交流不斷重構與轉化。透過旅行與異地生活，我接觸了多元文化，這不僅促使我重新思考自己來自台灣的文化背景，也思索台灣如何在國際語境中展開對話。在此脈絡下，我開始嘗試將傳統東方繪畫中代表性的材料——岩彩——應用於墨水創作之中，並進一步與西方油畫媒材進行融合與實驗。這種跨媒材的創作實踐，不僅展現了形式上的探索，也反映了文化融合在我身上的具體呈現。這項創作的歷程，是我對「思鄉」這一主題的深入回應。對我而言，思鄉並非單指地理上的歸屬，更是一種對文化認同的追尋與建構。在不同文化語境交錯之中，我試圖透過繪畫尋找一種新的視覺語彙，以此回應我身為一位來自台灣、現居異地的創作者在當代所面臨的身份議題與情感經驗。

2025/05/20に公開- 指定なし

https://www.instagram.com/explore/tags/5#5

0.72%

1,193

We’ll be sharing how I paint hair during the workshop this July.🤟🏼 “LO CHAN PENG LOS ANGELES WORKSHOP 2025” 10am–5pm, July 27th–31st, 2025 Brewery Artist Lofts, Los Angeles, CA Limited to only 12 students More info is available at https://bit.ly/3FjrQ7H (BIO)👆🏼👆🏼 – contact us to reserve your spot at studio@jesscurrier.com WEB: lochanpeng.com #art #artist #realism #contemporaryart #painting #羅展鵬 #藝術 #藝術家 #繪畫 #芸術 #油絵 #現代アート#Kunst #Ölgemälde #ZeitgenössischeKunst

2025/05/16に公開- 指定なし

58.33%

96,461

509

“Ink Painting “ WEB: lochanpeng.com IG: https://www.instagram.com/lochanpeng/ #art #artist #realism #contemporaryart #painting #羅展鵬 #藝術 #藝術家 #繪畫 #芸術 #油絵 #現代アート#Kunst #Ölgemälde #ZeitgenössischeKunst

2025/05/07に公開- 指定なし

2.36%

3,885

コンテンツをCSVでダウンロード

有料会員登録

166,243人

リストに追加するマイリストを作成・編集

インフルエンサーコンテンツCSVダウンロード

システムエラー