Keita Matsunaga / 松永圭太

心象工芸展［参加作家］沖潤子、佐々木類、髙橋賢悟、中川衛、中田真裕、松永圭太 ⁡ 会期：2024年9月6日（金）-12月1日（日）休館日：月曜日開館時間：午前9時30分-午後5時30分 ※入館時間は閉館30分前まで ⁡ 会場：国立工芸館石川県金沢市出羽町3-2

2024/11/22に公開国立工芸館日本石川県

1.24%

138

0

心象工芸展［参加作家］沖潤子、佐々木類、髙橋賢悟、中川衛、中田真裕、松永圭太 ⁡ 会期：2024年9月6日（金）-12月1日（日）休館日：月曜日開館時間：午前9時30分-午後5時30分 ※入館時間は閉館30分前まで ⁡ 会場：国立工芸館石川県金沢市出羽町3-2

2024/11/21に公開国立工芸館日本石川県

1.79%

200

0

心象工芸展［参加作家］沖潤子、佐々木類、髙橋賢悟、中川衛、中田真裕、松永圭太 ⁡ 会期：2024年9月6日（金）-12月1日（日）休館日：月曜日開館時間：午前9時30分-午後5時30分 ※入館時間は閉館30分前まで ⁡ 会場：国立工芸館石川県金沢市出羽町3-2

2024/11/17に公開国立工芸館日本石川県

2.59%

288

1

心象工芸展［参加作家］沖潤子、佐々木類、髙橋賢悟、中川衛、中田真裕、松永圭太 ⁡ 会期：2024年9月6日（金）-12月1日（日）休館日：月曜日開館時間：午前9時30分-午後5時30分 ※入館時間は閉館30分前まで ⁡ 会場：国立工芸館石川県金沢市出羽町3-2

2024/11/15に公開国立工芸館日本石川県

2.31%

255

3

心象工芸展［参加作家］沖潤子、佐々木類、髙橋賢悟、中川衛、中田真裕、松永圭太 ⁡ 会期：2024年9月6日（金）-12月1日（日）休館日：月曜日（ただし9月16日、23日、10月14日、11月4日は開館）、9月17日、24日、10月15日、11月5日開館時間：午前9時30分-午後5時30分 ※入館時間は閉館30分前まで ⁡ 会場：国立工芸館石川県金沢市出羽町3-2 ⁡ 蛻　2024年撮影：野村知也画像提供：国立工芸館

2024/09/05に公開国立工芸館　National Crafts Museum 指定なし

3.2%

354

3

大地からの恵みⅡ展 ⁡ 伊藤慶二三原研五味謙二阿曽藍人松永圭太会期：2024年8月3日(土)〜8月25日(日) 10:00-18:00 月・火曜日休廊会場：ギャラリー数寄〒483-8061 愛知県江南市高屋町清水105番地

2024/08/04に公開ギャラリー数寄日本愛知県

1.62%

181

0

Last day ・・・松永圭太展会期：2024年6月28日(金)〜7月2日(火) 11:00-19:00 会場：しぶや黒田陶苑　@shibuya_kurodatoen 〒150-0002 東京都渋谷区渋谷1-16-14 メトロプラザ1F

2024/07/02に公開しぶや黒田陶苑　Shibuya kurodatoen 日本東京都

2.33%

257

3

茶碗（2枚目）は繭型（1枚目）からカットして制作しています。・・・松永圭太展会期：2024年6月28日(金)〜7月2日(火) 11:00-19:00 会場：しぶや黒田陶苑　@shibuya_kurodatoen 〒150-0002 東京都渋谷区渋谷1-16-14 メトロプラザ1F

2024/07/01に公開しぶや黒田陶苑　Shibuya kurodatoen 日本東京都

3.68%

403

7

松永圭太展会期：2024年6月28日(金)〜7月2日(火) 11:00-19:00 会場：しぶや黒田陶苑　@shibuya_kurodatoen 〒150-0002 東京都渋谷区渋谷1-16-14 メトロプラザ1F

2024/06/30に公開しぶや黒田陶苑　Shibuya kurodatoen 日本東京都

2.36%

261

2

松永圭太展会期：2024年6月28日(金)〜7月2日(火) 11:00-19:00 会場：しぶや黒田陶苑　@shibuya_kurodatoen 〒150-0002 東京都渋谷区渋谷1-16-14 メトロプラザ1F

2024/06/30に公開しぶや黒田陶苑　Shibuya kurodatoen 日本東京都

1.68%

185

2

松永圭太展会期：2024年6月28日(金)〜7月2日(火) 11:00-19:00 会場：しぶや黒田陶苑　@shibuya_kurodatoen 〒150-0002 東京都渋谷区渋谷1-16-14 メトロプラザ1F

2024/06/29に公開しぶや黒田陶苑　Shibuya kurodatoen 日本東京都

1.14%

122

5

しぶや黒田陶苑の個展が本日からはじまります。新しい試み多めでバタバタです。・・・松永圭太展会期：2024年6月28日(金)〜7月2日(火) 11:00-19:00 会場：しぶや黒田陶苑　@shibuya_kurodatoen 〒150-0002 東京都渋谷区渋谷1-16-14 メトロプラザ1F

2024/06/28に公開しぶや黒田陶苑　Shibuya kurodatoen 日本東京都

2.62%

288

4

@koplusgei 最終日17時までです。

2024/05/26に公開東京美術倶楽部 Tokyo Art Club 日本東京都

2.58%

285

3

#Repost @nonakahillgallery ・・・ Nonaka-Hill is pleased to present, Accumulation Flow, Keita Matsunaga’s second solo exhibition in Los Angeles. The exhibition opens January 20th and will be on view through March 9, 2024. An opening reception will be held for the artist on Saturday, January 20, from 5-8 pm. Keita Matsunaga has long been fascinated by renewal, remixing, and reuse which traces to his training in architecture. His ceramics, like human-made structures, are made from his analyzation of its region’s raw materials. Both must be rooted in and sit atop a ground that is physically and symbolically understood. This gives Matsunaga a heightened sensitivity to his materials, his methods of layering predict the extent to which the ceramic’s distortion and cracking will guide his plans. The work depends on accumulations, dense strata that reaches into the past and decides the future on which his objects emerge and rest. Matsunaga realizes his new series of ceramics both by hand and from a unique casting process; the casts are hollowed out by Matsunaga’s hand and kiln fired, altering and vitrifying them into their final forms. All his objects, regardless of their incarnations, are the direct results of sedimentation: its raw materials are excavated through layers of sediment in his local region and its geological behaviors are organically reconstructed in the studio. By pouring layers of liquified clay into his molds, he allows pebbles and sand to settle as water runs through capillaries in the drying matrix, leading to cracks, fissures, and striations. The latter of which is analogous to tree rings, pond ripples, or the wrinkling of human skin, compounding a century, a moment, or lifetime into one object. ⁡ #keitamatsunaga #ceramic #nonakahill

2024/02/28に公開Nonaka-Hill アメリカ合衆国

https://www.instagram.com/explore/tags/Repost#Reposthttps://www.instagram.com/explore/tags/keitamatsunaga#keitamatsunagahttps://www.instagram.com/explore/tags/ceramic#ceramichttps://www.instagram.com/explore/tags/nonakahill#nonakahill

3.47%

387

0

#Repost @nonakahillgallery ・・・ Nonaka-Hill is pleased to present, Accumulation Flow, Keita Matsunaga’s second solo exhibition in Los Angeles. The exhibition opens January 20th and will be on view through March 9, 2024. An opening reception will be held for the artist on Saturday, January 20, from 5-8 pm. Keita Matsunaga has long been fascinated by renewal, remixing, and reuse which traces to his training in architecture. His ceramics, like human-made structures, are made from his analyzation of its region’s raw materials. Both must be rooted in and sit atop a ground that is physically and symbolically understood. This gives Matsunaga a heightened sensitivity to his materials, his methods of layering predict the extent to which the ceramic’s distortion and cracking will guide his plans. The work depends on accumulations, dense strata that reaches into the past and decides the future on which his objects emerge and rest. Matsunaga realizes his new series of ceramics both by hand and from a unique casting process; the casts are hollowed out by Matsunaga’s hand and kiln fired, altering and vitrifying them into their final forms. All his objects, regardless of their incarnations, are the direct results of sedimentation: its raw materials are excavated through layers of sediment in his local region and its geological behaviors are organically reconstructed in the studio. By pouring layers of liquified clay into his molds, he allows pebbles and sand to settle as water runs through capillaries in the drying matrix, leading to cracks, fissures, and striations. The latter of which is analogous to tree rings, pond ripples, or the wrinkling of human skin, compounding a century, a moment, or lifetime into one object. ⁡ #keitamatsunaga #ceramic #nonakahill

2024/02/28に公開Nonaka-Hill アメリカ合衆国

https://www.instagram.com/explore/tags/Repost#Reposthttps://www.instagram.com/explore/tags/keitamatsunaga#keitamatsunagahttps://www.instagram.com/explore/tags/ceramic#ceramichttps://www.instagram.com/explore/tags/nonakahill#nonakahill

1.65%

184

0

#Repost @nonakahillgallery ・・・ Nonaka-Hill is pleased to present, Accumulation Flow, Keita Matsunaga’s second solo exhibition in Los Angeles. The exhibition opens January 20th and will be on view through March 9, 2024. An opening reception will be held for the artist on Saturday, January 20, from 5-8 pm. Keita Matsunaga has long been fascinated by renewal, remixing, and reuse which traces to his training in architecture. His ceramics, like human-made structures, are made from his analyzation of its region’s raw materials. Both must be rooted in and sit atop a ground that is physically and symbolically understood. This gives Matsunaga a heightened sensitivity to his materials, his methods of layering predict the extent to which the ceramic’s distortion and cracking will guide his plans. The work depends on accumulations, dense strata that reaches into the past and decides the future on which his objects emerge and rest. Matsunaga realizes his new series of ceramics both by hand and from a unique casting process; the casts are hollowed out by Matsunaga’s hand and kiln fired, altering and vitrifying them into their final forms. All his objects, regardless of their incarnations, are the direct results of sedimentation: its raw materials are excavated through layers of sediment in his local region and its geological behaviors are organically reconstructed in the studio. By pouring layers of liquified clay into his molds, he allows pebbles and sand to settle as water runs through capillaries in the drying matrix, leading to cracks, fissures, and striations. The latter of which is analogous to tree rings, pond ripples, or the wrinkling of human skin, compounding a century, a moment, or lifetime into one object. ⁡ #keitamatsunaga #ceramic #nonakahill

2024/02/27に公開Nonaka-Hill アメリカ合衆国

https://www.instagram.com/explore/tags/Repost#Reposthttps://www.instagram.com/explore/tags/keitamatsunaga#keitamatsunagahttps://www.instagram.com/explore/tags/ceramic#ceramichttps://www.instagram.com/explore/tags/nonakahill#nonakahill

3.0%

331

4

#Repost @nonakahillgallery ・・・ Nonaka-Hill is pleased to present, Accumulation Flow, Keita Matsunaga’s second solo exhibition in Los Angeles. The exhibition opens January 20th and will be on view through March 9, 2024. An opening reception will be held for the artist on Saturday, January 20, from 5-8 pm. Keita Matsunaga has long been fascinated by renewal, remixing, and reuse which traces to his training in architecture. His ceramics, like human-made structures, are made from his analyzation of its region’s raw materials. Both must be rooted in and sit atop a ground that is physically and symbolically understood. This gives Matsunaga a heightened sensitivity to his materials, his methods of layering predict the extent to which the ceramic’s distortion and cracking will guide his plans. The work depends on accumulations, dense strata that reaches into the past and decides the future on which his objects emerge and rest. Matsunaga realizes his new series of ceramics both by hand and from a unique casting process; the casts are hollowed out by Matsunaga’s hand and kiln fired, altering and vitrifying them into their final forms. All his objects, regardless of their incarnations, are the direct results of sedimentation: its raw materials are excavated through layers of sediment in his local region and its geological behaviors are organically reconstructed in the studio. By pouring layers of liquified clay into his molds, he allows pebbles and sand to settle as water runs through capillaries in the drying matrix, leading to cracks, fissures, and striations. The latter of which is analogous to tree rings, pond ripples, or the wrinkling of human skin, compounding a century, a moment, or lifetime into one object. ⁡ #keitamatsunaga #ceramic #nonakahill @urushi_freaks

2024/02/26に公開Nonaka-Hill アメリカ合衆国

https://www.instagram.com/explore/tags/Repost#Reposthttps://www.instagram.com/explore/tags/keitamatsunaga#keitamatsunagahttps://www.instagram.com/explore/tags/ceramic#ceramichttps://www.instagram.com/explore/tags/nonakahill#nonakahill

3.11%

345

2

#Repost @nonakahillgallery ・・・ Nonaka-Hill is pleased to present, Accumulation Flow, Keita Matsunaga’s second solo exhibition in Los Angeles. The exhibition opens January 20th and will be on view through March 9, 2024. An opening reception will be held for the artist on Saturday, January 20, from 5-8 pm. Keita Matsunaga has long been fascinated by renewal, remixing, and reuse which traces to his training in architecture. His ceramics, like human-made structures, are made from his analyzation of its region’s raw materials. Both must be rooted in and sit atop a ground that is physically and symbolically understood. This gives Matsunaga a heightened sensitivity to his materials, his methods of layering predict the extent to which the ceramic’s distortion and cracking will guide his plans. The work depends on accumulations, dense strata that reaches into the past and decides the future on which his objects emerge and rest. Matsunaga realizes his new series of ceramics both by hand and from a unique casting process; the casts are hollowed out by Matsunaga’s hand and kiln fired, altering and vitrifying them into their final forms. All his objects, regardless of their incarnations, are the direct results of sedimentation: its raw materials are excavated through layers of sediment in his local region and its geological behaviors are organically reconstructed in the studio. By pouring layers of liquified clay into his molds, he allows pebbles and sand to settle as water runs through capillaries in the drying matrix, leading to cracks, fissures, and striations. The latter of which is analogous to tree rings, pond ripples, or the wrinkling of human skin, compounding a century, a moment, or lifetime into one object. ⁡ #keitamatsunaga #ceramic #nonakahill

2024/01/21に公開Nonaka-Hill アメリカ合衆国

https://www.instagram.com/explore/tags/Repost#Reposthttps://www.instagram.com/explore/tags/keitamatsunaga#keitamatsunagahttps://www.instagram.com/explore/tags/ceramic#ceramichttps://www.instagram.com/explore/tags/nonakahill#nonakahill

1.96%

217

1

最終日です。伊藤慶二と薫陶を受けた作家たち樂翠亭美術館〒930-0857 富山県富山市奥田新町2-27 伊藤慶二板橋廣美加藤委川端健太郎新里明士桑田卓郎松永圭太

2023/08/29に公開樂翠亭美術館日本富山県

2.3%

252

4

伊藤慶二と薫陶を受けた作家たち ⁡ 2023年6月16日 (金)〜8月29日 (火) 10:00-17:00 樂翠亭美術館〒930-0857 富山県富山市奥田新町2-27 ⁡ 伊藤慶二板橋廣美加藤委川端健太郎新里明士桑田卓郎松永圭太

2023/08/27に公開樂翠亭美術館日本富山県

1.84%

204

1

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