コンテンツ種別写真動画複数枚｢#PR｣つき投稿 関連投稿国 指定なしイギリス 日本 関連都道府県 指定なし 並び替え投稿日順 ライク数順 コメント数順 エンゲージメント率順Watch the Book Talk – Link in bio @parisphotofair ♥️ [Book Talks] → Synthesis by @katayamari In conversation with @paulinevermare Published by @mack_publishing At Paris Photo 2025, Marie Katayama presented Synthesis, a book developed over several years, bringing together staged self-portraits produced within her studio. Working across photography, sculpture and installation, Katayama constructs each image from hand-made objects, using her own body within carefully composed environments. Through long-exposure, single-shot images, she expands the possibilities of portraiture approaching the body as something shaped over time and in relation to its surroundings. Presented in collaboration with @printedmatterinc Watch the Book Talk – Link in bio. _ → Synthesis par @katayamari En conversation avec @paulinevermare Publié par @mack_publishing À Paris Photo 2025, Marie Katayama a présenté Synthesis, un ouvrage développé sur plusieurs années, réunissant des autoportraits mis en scène réalisés dans son studio. À la croisée de la photographie, de la sculpture et de l’installation, elle construit chaque image à partir d’objets fabriqués à la main, en mettant en scène son propre corps dans des environnements soigneusement composés. À travers des images réalisées en pose longue, en une seule prise, elle élargit les possibilités du portrait — envisageant le corps comme une forme qui se construit dans le temps et en relation avec son environnement. Présenté en collaboration avec @printedmatterinc Découvrez le Book Talk – Lien dans la bio _ Images: Marie Katayama, images the book from Synthesis, 2025. Courtesy of the artist & @mack_publishing #parisphotofair #parisphoto20252026/04/13に公開- 指定なしhttps://www.instagram.com/explore/tags/parisphotofair#parisphotofairhttps://www.instagram.com/explore/tags/parisphoto2025#parisphoto20250.02%-9【NHK WORLD JAPAN】Direct Talk Going Beyond Social Norms: Katayama Mari / Artist https://www3.nhk.or.jp/nhkworld/en/shows/2105250/ (You can watch it via the link in my profile! Available until February 2027 ✨) Katayama Mari has earned international acclaim for her self-portraits with hand-sewn objects she made herself. She talks about her creative origins and producing work that challenges social norms.2026/04/09に公開- 指定なし0.01%-5Currently on view: Mari Katayama tree of life Yutaka Kikutake Gallery Roppongi @yutakakikutakegallery March 19 (Thu) - May 16 (Sat), 2026 12:00 - 19:00 Closed on Sun, Mon and National Holidays With her own physicality and its relationship to the wider world as her central motif, Mari Katayama (b.1987 in Saitama Prefecture, raised in Gunma Prefecture; currently lives and works in Gunma Prefecture) produces an eclectic oeuvre that encompasses a wide range of fields from intricately crafted handsewn objects to photographic works, video, and art projects. Katayama’s work is autobiographical yet evokes universal empathy, questioning how the “roles” and “frameworks” society imposes upon individuals shape the boundaries between self and other, as well as what constitutes “correctness.” In 2025, Katayama produced commissioned works for the Victoria and Albert Museum in the UK (supported by the V&A Parasol Foundation Women in Photography project). This exhibition, which marks the opening of Yutaka Kikutake Gallery’s new Roppongi space, will be the first opportunity to present the artist’s latest body of work in Japan, including the “tree of life” series newly acquired by the V&A. To whom does one’s body belong? Revealing the ambiguous boundaries between things through the multiplying mirror reflections, Katayama’s gaze, cast upon living in the here and now while subjected to roles, labels, and various other designations, is also directed at each viewer who stands before her work. Her image persistently questions the relationship between society and the world, self and other, as well as the connections between the world and the self with its many aspects and roles. However, her figure, distorted and disrupted within infinite reflections, also suggests how things are relative to one another. The images that appear before our eyes resemble tree roots and branches, with flowing rivers reminiscent of blood vessels, all of which evoke the cycle of life. We welcome visitors to take this opportunity to view Mari Katayama’s new work “tree of life”—an extensive project conceived over a period of five years, and a true milestone in her artistic practice.2026/04/07に公開- 指定なし0.01%-3『VOGUE JAPAN』5月号！Maya Nagoの美しいテキスト、Theo Liuの遊び心とスタイリッシュな撮影で8ページ(&目次！)😭ありがとうVOGUE JAPAN！ テキストはVogue Japanのwebサイトからもお読みいただけますが、是非とも地元の本屋さんでゲットしてください！ https://www.vogue.co.jp/article/mari-katayama-walking-in-heels-at-times VOGUE JAPAN May issue! The English version is now added to the link in my profile. Featuring a beautiful text by Maya Nago and playful yet stylish photography by Theo Liu — across 8 pages (and the table of contents, too!) 😭 Thank you so much, VOGUE JAPAN! The text is also available via the link below, but I would truly love it if you could pick up a copy at your local bookstore! Thanks to @voguejapan @linakutsovskaya @theo___liu @takaresaka @mayanago @sergiorossi @simoneborgognoni @shiori.osk @kazue_naka @naokomabon2026/04/03に公開- 指定なし0.06%-26【攻殻機動隊展 Ghost and the Shell】は4月5日まででございます！ トークセッションでは片岡さん、桑名さん、足を運んでくださった皆様、ありがとうございました。豊かな時間を共有できたこと、とても嬉しく思います。あぁ、楽しかった！ A DIALOGUE of Ghost and the Shell @theghostintheshellofficial 『攻殻機動隊』の制作陣をはじめ、本作に強く共鳴するアーティスト、文化人、研究者、表現者などがジャンルを超えて集い、対話を通して作品の核心に迫るトークセッションシリーズ。 3月12日（木）｜片山真理@katayamarix 片岡真実 @mami_kataoka_2018 MC：桑名功 @wanna_ku 【攻殻機動隊展 Ghost and the Shell】 原作・土郎正宗氏による世界から始まり、30年にわたり展開されてきた「攻殻機動隊」@theghostintheshellofficial アニメシリーズ 全作品を横断する史上初の大規模展覧会がTOKYO NODEにて開 催！ 「Ghost」と「Shell」、その関係を紐解き、「人間とは何か？」を見つめ直す、未知の体験へダイブ。 日程：2026年1月30日（金）～4月5日（日） 会場：TOKYO NODE （虎ノ門ヒルズ）2026/03/31に公開- 指定なし0.01%-5Dear Nao Takekoshi, thank you so much for the beautiful skirt for such a special moment — it made the day even more special. ✨ @naotakekoshi Artist @katayamari at her incredible opening at @yutakakikutakegallery — congratulations on such a stunning and well-deserved moment. Thank you for wearing a new skirt from @naotakekoshi with a @wolford bodysuit, and for looking so beautiful.2026/03/28に公開- 指定なし0.06%-27本日12時より、六本木のYutaka Kikutake Gallery @yutakakikutakegallery にて個展がスタートいたします。 Mari Katayama "tree of life" 19 March – 16 May 2026 Yutaka Kikutake Gallery Roppongi ギャラリーの移転に伴うこけら落としの展でもあり、新たな船出のような節目に、このような機会をいただけましたことを大変光栄に思っております。 Yutaka Kikutakeさん、Kayoko Yuki @kayokoyukigallery さん、本当におめでとうございます！ 本日18時からは、合同オープニングレセプションが開催されます。ぜひお立ち寄りいただけましたら幸いです。 わたくしは🥰Nao Takekoshi @naotakekoshi さんのスカートを身にまとい、皆さまをお迎えいたします。今日のような特別な日にふさわしく、シャープで軽やかでありながら、豊かなドレープがとても美しく、身につけるたびに気持ちが引き締まる一着です。Naoさん、ありがとうございます！！ 皆さまと会場でお目にかかれますこと、心よりお待ち申し上げております。 @kazue_naka @naokomabon My solo exhibition opens today at 12:00 at Yutaka Kikutake Gallery @yutakakikutakegallery in Roppongi. Mari Katayama "tree of life" 19 March – 16 May 2026 Yutaka Kikutake Gallery Roppongi This exhibition also marks the gallery’s relocation and inaugural opening. My heartfelt congratulations to Yutaka and Kayoko san @kayokoyukigallery ! I feel deeply honored to be given the opportunity to present my work at such a meaningful moment—like setting sail on a new journey. An opening reception will be held today from 6:00 PM together with KAYOKOYUKI. I would be delighted if you could join us. I will be there to welcome you wearing a skirt by Nao Takekoshi @naotakekoshi 🥰 It is a piece perfectly suited for a special day like this—sharp and light, yet with beautifully rich drapery. Each time I wear it, I feel both uplifted and composed. Thank you so much, Nao!! I very much look forward to welcoming you at the gallery. tree of life #004, #011, #012, #013, #017, and 018 were commissioned by the V&A Parasol Foundation Women in Photography project with support from the Parasol Foundation Trust. @vamparasolwomenphoto @vamuseum2026/03/19に公開- 指定なしhttps://www.instagram.com/explore/tags/004#004https://www.instagram.com/explore/tags/011#011https://www.instagram.com/explore/tags/012#012https://www.instagram.com/explore/tags/013#013https://www.instagram.com/explore/tags/017#0174.73%2,15827I ♥️ Tate 🫶 @tate Japanese artist Mari Katayama creates hand-sewn objects and living sculptures that prompt conversations and challenge misconceptions about our bodies. 🧵✨ Her wearable sculptures, which also feature in her self-portraits, often include limbs, hands and embellished hearts. She uses everyday materials that she finds around her – including her own body, clothes and newspaper clippings – to construct her images. Commenting on her process, Katayama says: ‘I make objects with a needle and thread because I believe they are the most powerful mediums. Compared to plaster, wood or metal, they are light, easy to handle and accessible to everyone.’ 📷 @katayamari, bystander #23 2016, printed 2020. Tate. © Mari Katayama2026/03/15に公開- 指定なしhttps://www.instagram.com/explore/tags/23#230.07%-32Happy International Women’s Day! Let’s begin again. この10日間、今回の出来事が本当に現実なのだと、少しずつ実感していました。授賞式の翌日渡英し、つい先日帰国したばかりです。 そのため、お礼のご挨拶が少し遅れてしまいましたことをお詫びいたします。 改めまして、このたびは森アートアワードのグランプリという大変光栄な賞をいただき、誠にありがとうございました。また、多くのお祝いのメッセージや電報、温かいお言葉をお寄せいただきましたこと、心より御礼申し上げます。 ロンドンでの時間があったからこそ、これまでの歩みとこれからの生き方について、静かに熱く思いを巡らせることができました。 今回のアワード審査では、この十年を振り返る内容をまとめ、臨みました。言葉を何度も見つめ直し、何度も反芻し、「もしこれでだめでも悔いはない」そう思えるところまで考え抜いたつもりです。 また、この十数年の集大成ともいえる新作《tree of life》個展の準備も進めていました。(3月19日から六本木のYutaka Kikutake Gallery @yutakakikutakegallery でスタートします！) ですから、「これから」のための賞をいただいたその瞬間は、嬉しさと同時に、正直なところほんの少しだけ弱音を吐きたくなるような気持ちもありました。「これからのことだなんて、まだ頭が真っ白……」なんて。 授賞式の夜、八城さんにご招待いただき、森美術館のガラディナーに出席しました。ご招待いただいたのは選考前だったので、マネージャーの中さんは少し心配していましたが、私にとってはむしろ審査の緊張を和らげてくれる大きな楽しみでもありました。 とはいえ当日は受賞直後のプレッシャーで心はそわそわ。GIORGIO ARMANIさん @giorgioarmani の素晴らしいドレスに力を借りて、目いっぱいお洒落をして会場へ向かいました。 会場はとても華やかで、アワードのお知らせのあとは皆さまから温かいお祝いの言葉をいただき、幸せな気持ちでいっぱいでした。八城さん、本当にありがとうございました。 ロンドンではVAで展示中のコミッションワークを再訪し、いくつかの打ち合わせと友人との再会、ちょっとだけ自分へのご褒美を。 今日3月8日は国際女性デーということで家中にミモザの花を飾り、家族と友人たちと娘の雛祭りのお祝いをしました。日本ではモクレンが満開になり、桃の蕾がほころび始めています。空港から帰る車窓では菜の花の黄色いカーペットが土手に広がって、思わず「わあっ」と声をあげてしまいました。毎年の光景ですが、何度観ても新鮮な喜びを感じます。 「これから」再び始まるということは、春の花々のように、また出会うということなのでしょう。奇跡のような「これまで」に出会ってこれたのだから、私たちはこれからもきっと大丈夫。何が起きても、前より少しだけ強く賢く楽しめるようになってるはず。こうやって人生の喜びや宝物を一つずつ集めていくのね。 まだ頭の中は真っ白です。でもそれは、太陽が私の目の中で輝いているから。たとえ下を向いたとしても、あなたの優しさと眼差しを抱きしめ、長く伸びる影を追って前へ進んでいく。 とにかく行こう。きっと何かが起きるはず。 質実剛健！MKスタジオ、アクセル全開！！！ "Irgendwie, irgendwo, irgendwann seh ich dich wieder" (どういう形かで、どこかで、いつか またあなたに会う) "Irgendwie, irgendwo, irgendwann" by NENA tree of life #004, #011, #012, #013, #017, and 018 were commissioned by the V&A Parasol Foundation Women in Photography project with support from the Parasol Foundation Trust.2026/03/09に公開- 指定なしhttps://www.instagram.com/explore/tags/004#004https://www.instagram.com/explore/tags/011#011https://www.instagram.com/explore/tags/012#012https://www.instagram.com/explore/tags/013#013https://www.instagram.com/explore/tags/017#0170.02%-11❤️🔥"GIFT” by Mari Katayama (United Vagabonds) has now sold out❤️🔥 Everything began with the word “GIFT.” In German it means poison, while in English it means a gift. My grandfather loved the color yellow. He would always bring me bouquets of yellow flowers, and we would paint them together. Yet I was often warned that the pigment itself was poisonous. When I was pregnant with my daughter, the more I thought about my love for her and my hopes for her future, the more I feared they might become expectations — even a burden she would have to carry. I climbed Mount Ashio, where I learned about hope and its consequences. Love and hope can also become poison. Since releasing “GIFT” seven years ago, I have kept asking myself how one might keep them from turning into poison. And now I think this: precisely because they can become poison, we must continue to love and to hope without fear. Let us live together. Thank you, Sugatsuke san! @unitedvagabonds “GIFT” has brought me to many different worlds. すべては、《GIFT》という言葉から始まりました。ドイツ語では「毒」を意味し、英語では「贈り物」を意味する言葉です。 祖父は黄色が好きで、黄色い花々を一緒に描きました。けれど、黄色い絵の具には毒があるのだとよく注意されました。 娘を妊娠し、彼女への愛や将来への希望を思えば思うほど、彼女への期待にも重しにもなりそうでとても悩みました。 足尾銅山へ登り、希望とその結果を学びました。 愛も希望も、毒になり得る。 では毒にならないためにはどうすればいいのかと、《GIFT》を発表してから7年、考え続けてきました。 そして今、思うのです。 毒になり得るものだからこそ、恐れずに愛し、希望を持ち続けるしかないのだと。一緒に生きていこう。 管付さん、ありがとうございました！ 《GIFT》がいろんな世界へ連れて行ってくれました。 @unitedvagabonds 片山真理写真集『GIFT』（ユナイテッドヴァガボンズ）が完売いたしました。 木村伊兵衛写真集を受賞した今作。ユナイテッドヴァガボンズの本の中でも最も海外からのオーダーが多く、たくさんの方に手に取っていただきました。本作がこれからも、それぞれの場所で読み継がれていくことを願っています。 —————— “GIFT” by Mari Katayama (United Vagabonds) has now sold out. The publication, which received the Kimura Ihei Photography Award, became the most internationally ordered title among United Vagabonds’ publications, reaching a wide audience both in Japan and abroad. We hope this work will continue to be read and lived with, in many different places, for years to come. #marikatayama #japaneseart #japaneseartist2026/03/05に公開- 指定なしhttps://www.instagram.com/explore/tags/marikatayama#marikatayamahttps://www.instagram.com/explore/tags/japaneseart#japanesearthttps://www.instagram.com/explore/tags/japaneseartist#japaneseartist0.77%3570Thank you ♥️ ART news Japan!! @artnewsjapan https://artnewsjapan.com/article/64161 みんなとお祝いしたいです！2026/02/27に公開- 指定なし0.05%-22I am deeply honoured to have received the Grand Prix at the Mori Art Award. I would also like to extend my heartfelt congratulations to my fellow finalists — Koizumi Meiro, 目[mé], and Yamashiro Chikako. It was a privilege to stand alongside such remarkable artists. The Mori Art Award decorates mid-career contemporary artists in Japan to further their international status. 2026 International Jury Kataoka Mami Director, Mori Art Museum; Chair, International Jury Rhana Devenport Former Director, Art Gallery of South Australia, Adelaide Glenn D. Lowry Director Emeritus, The Museum of Modern Art, New York Frances Morris Former Director, Tate Modern, London Suhanya Raffel Museum Director, M+, Hong Kong Eugene Tan Director, The National Gallery Singapore and Singapore Art Museum — — — With profound gratitude, I share the speech I delivered at the award ceremony. I would also like to thank Eriko Kimura, who believed in me and nominated me for this award, my family, friends, everyone at MK Studio, and Naka, who runs beside me through every step. Your words always light the way forward for me. And to Takashi Azumaya and Kazue Kobata — your presence is still alive within me. Thank you to the members of the jury for listening so carefully to my presentation. I am grateful that I never stopped moving forward. I want to tell everyone who is still moving forward, even quietly and invisibly, that effort does bear fruit. To me, this Grand Prix is not only an award — it is the opportunity to carry that message further. For the past six years, I have been asking myself a question: How do we survive in a multilayered society while holding diverse roles in different communities? The hand-sewn objects I create sometimes resonate with sounds — echoes of human presence. They remind us that no presence ever truly disappears. Even when our days feel repetitive, both our bodies and the world are constantly changing. We can never truly be alone. So please, do not carry everything by yourself. The truth is — we are many. The world itself is a stage of reflection. This world is our vast, living self-portrait. With love and peace. Mari K2026/02/27に公開- 指定なし0.06%-28At last, the 2.4m “tree of life” is unveiled. 📍Victoria and Albert Museum The Parasol Foundation Gallery (G97), V&A Photography Centre @vamuseum 🗓️15 November 2025 – 27 September 2027 The display of my commission for the V&A Parasol Foundation Women in Photography Project has begun. I’m deeply grateful to the V&A and the Parasol Foundation Trust for their care and support in bringing this work to life. Travel support was provided by the Toshiaki Ogasawara Memorial Foundation. --- The opening was an overwhelming and joyful moment. My heart was full. And yet, one thing lingered in my heart: Naka @kazue_naka , who has stood beside me through every step, wasn’t there. I stood there because you carried it with me. Next time, we’ll stand there together. The photograph was taken in 2022, during a site visit to the Photography Centre while it was still under construction. I still vividly remember the day I first presented “tree of life” to Fiona Rogers @firecracker_foto . It had been a work I had envisioned for nearly a decade, and yet, looking back, that first presentation was so dense and complex that I can’t help but smile at it now. Still, thank you for patiently untangling each thread of understanding, for taking the time to sit with it, to meet it halfway, and to allow the work to grow. Thank you for believing in it, Fiona. Through her introduction, I met Bruno Ceschel, and from that encounter, Synthesis was born. I will never forget our first meeting in a café in Milan, the dinner he kindly hosted, the promised lemon risotto. The meetings in my Gunma studio, and the sight of Bruno elegantly editing the L-size prints with such precision and intuition. It is a profound honour to have unveiled tree of life alongside Synthesis @selfpublishbehappy @mack_publishing . The speech at the V&A felt relaxed and joyful—and I was told I’m the first artist to sing at Photography Centre, VA. London is the city where things begin. I will be back very soon. tree of life #004, #011, #012, #013, #017, and 018 were commissioned by the V&A Parasol Foundation Women in Photography project with support from the Parasol Foundation Trust.2026/02/25に公開Victoria and Albert Museum イギリス https://www.instagram.com/explore/tags/004#004https://www.instagram.com/explore/tags/011#011https://www.instagram.com/explore/tags/012#012https://www.instagram.com/explore/tags/013#013https://www.instagram.com/explore/tags/017#0170.09%-42今回滞在したアパートはエレベーター無し3階で、一度家に帰ったら外に出たくなくなるほど急勾配。帰りはジュリアンに来てもらってスーツケースをおろしました。ジュリアンありがとう。 日々のご飯。上記の理由で出かけるより家で作ったり、テイクアウトしてきてもらったり。シナモンバン何個食べただろうね……。 帰国後、この食欲のまま動かないで食べていたら8キロ太りました。義足が抜けなくなる状態から、最終段階の「はみ出る肉で奥まで入らなくなり抜けやすくなる」事態が発生し、現在絶賛健康的なダイエット中です。今日も歩いてます。はやくブレードで走りたい！2026/02/16に公開- 指定なし0.0%-1World Tour Reflections 9. I really walked so much. My V&A commission actually went on view before the party, so I went to see it as soon as I arrived in London. I also made a final visit to Tate—one last goodbye. At Tate, my early works were on display; at the V&A, my most recent work. To see these works—no longer in my hands, having taken flight—at the same time, both as their maker and as a viewer, was an incredibly rare experience. Even when they are works I created myself, each encounter brings new discoveries. The works always give me something I hadn’t noticed before. (I’ve been writing rather long texts about the V&A, Synthesis, and my new work tree of life, so please bear with me a little longer as I continue this small London adventure.) ほんとによく歩きました。VAのコミッションワーク、実はパーティ前に展示スタートしておりまして、ロンドン着いてすぐ観に行きました。テートへも見納めに。 テートでは初期作品が、VAでは最新作が同時に展示されていて、自分の手元を離れ巣立っていった作品たちを、作家として、一鑑賞者として観られたことは貴重な体験でした。たとえ自分が作った作品でも、作品は出会うたびいつも新しい発見を贈ってくれる。 (VAやSynthesis 、新作"tree of life"については、たらたらと長いテキストを書いているので、もう少しロンドン珍道中にお付き合いください。)2026/02/10に公開- 指定なし0.0%-0World Tour Reflections 8. After the Paris Photo talk, Ryo and I caught the last train to London. This stay was for unveiling my commissioned work at the Victoria and Albert Museum, a signing for synthesis, and a lecture at the Royal College of Art. After the lecture at RCA, the conversations with the students were incredibly stimulating. “Let’s meet again on site” isn’t just a polite phrase—I truly mean it. I’m really looking forward to what’s ahead. We stayed near the V&A and settled into a very healthy routine: cinnamon buns from GAIL’S for breakfast (the number somehow increased day by day), walks through Hyde Park, grilling meat, and an early bedtime by 9pm. Maybe the New York–Paris stretch finally caught up with me—because for the first time ever in London, I didn’t go clubbing even once. The wildest nights were spent watching The Boys and Teenage Mutant Ninja Turtles… and that was about it. パリフォトトーク直後の終電でりょくんとロンドンへ。 今回の滞在はVictoria & Albert Museumでのコミッションワークお披露目とsynthesisのサイン会、RCAでのレクチャーのためでした。 RCAのレクチャー後、学生さんとの会話がとても刺激的でした。次は現場で会おう！というのは本気の挨拶です。楽しみにしてます。 VA近くの滞在となり、朝食にGAIL’Sのシナモンバンを食べ（日に日に個数が増えていく）、ハイドパークへ散歩し、肉を焼き、21時には就寝という健康的生活。ニューヨーク・パリ明けで疲れが溜まっていたのか、ロンドン滞在中に一度もクラブへ行かなかった初の快挙です。夜やったことといったらThe Boysとタートルズを観たくらい……？2026/02/10に公開- 指定なし0.0%-1Thank you, Tate!2026/02/09に公開- 指定なし0.01%-4What started as a simple idea—to write a diary post about my world tour to New York, Paris, and London—quickly got out of hand… I wrote over 30,000 characters just for the New York chapter alone! So I thought, why not make my very first snap ZINE instead? During the trip, I carried my LUMIX GX7 with me for once, shooting casually along the way. I never liked being photographed, so whenever someone tried to take my picture on this trip, I was basically hiding behind my own camera every time. 😆 I’ve now digitally developed and edited the photos, and if everything goes well, the ZINE will be placed at the very end of the Yutaka Kikutake Gallery @yutakakikutakegallery booth at the Tokyo Art Book Fair @tokyoartbookfair starting next week. Fingers crossed! I shared so many gentle, joyful moments with wonderful people along the way — so naturally, I took a lot of lovely portraits. But since this was a solo journey with plenty of time to look inward, I decided to remove most of the people from the ZINE this time. It’s just my quiet point of view — no text, and no self-portraits either. (Hard to imagine me being quiet, right?) So I guess that means I’ll still be writing about things here on Instagram. I was actually sick in bed until the day before yesterday, but now I’m slowly getting back to everyday life… baking cookies 🍪 and reflecting on the trip little by little. (And on December 7, I’ll be speaking at Tokyo Biennale! @tokyobiennale Come say hi if you’re around!) ニューヨーク、パリ、ロンドンのワールドツアーを日記に書いてInstagramに投稿しようと思ったらニューヨーク篇だけで3万字超えてしまって、それなら人生初のスナップZINEを作ってみようかと、デジタルカメラの写真を現像、編集しました。 今回、単独渡航につきなるべく不安要素を無くしたかったのでフィルムカメラではなく、機能と相性、機動性に優れたマイクロフォーサーズのLUMIX GX7を持っていきました。 ちなみに、テートに収蔵されてる写真作品2点と映像作品はこのカメラで撮ってるので、なかなかやれるカメラです。LumixはGF1からS1Rまで使ってましたが、私にはGX7が一番合ってるみたいです。 ZINE制作が間に合えば、来週から開催されるトーキョーアートブックフェア、ユタカ キクタケ ギャラリーブースの一番端っこに置いてもらえる予定です。よろしくお願いいたします。 写真を眺めているうちに結局コンセプトが浮かんできて、テキストや、見ているだけで笑顔が溢れる甘く優しい人物写真をあえて入れないことにしました。もちろんセルフポートレートもないです。(どうしても外せなかった人物写真は2点入ってるけど)。 なので、やっぱりInstagramに日記を書こうかなと思いつつ、数日前まで寝込んでおりやっと起き上がれた状態でして、クッキーを焼くなどして少しずつ日常に戻りながら、振り返っていきたいと思います。 (12月7日は東京ビエンナーレでトークです！)2025/12/02に公開- 指定なし0.32%1481London♥️ The display at Tate Modern is on until next January. And definitely visit Tate and the V&A too! 🫧 テートモダンの展示は来年1月までです。テートのコレクション展、VAのコミッションワーク展、同じくVAの企画展と3つ展示が重なってます。是非みてね🫧2025/12/02に公開- 指定なし1.47%6738Thanks @naokomabon ✨ For the last 6 years, artist Mari Katayama has questioned: “How do we survive in a multilayered society while holding diverse roles in different communities?” One answer was realised as a new photographic series “tree of life”. 6 works from the series were produced as commissioned pieces for the V&A Parasol Foundation Women in Photography Project @vamparasolwomenphoto, and unveiled Tuesday night at @vamuseum. Mari is the first woman to be commissioned by this curatorial program, originated in 2022 to promote women behind and in front of the camera. Mari’s new artist’s book “Synthesis” is key to diving in and deepening the experience of this immersive series of images. “Synthesis” brings together her works from the last 6 years, 2019-2025, produced in her home studio in Gunma. The studio was established in 2019 too and has become a site of reflection and transformation for Mari.(“Synthesis” was produced @selfpublishbehappy , designed @brianpaullamotte, published @mack_publishing) In a philosophical dialectical sense, where Mari’s reference comes from, synthesis is explained as “the process and outcome of combining opposing ideas or forces (a thesis and an antithesis) to form a new, higher-level truth or a more complete system”. Indeed, in each image of “tree of life” and in how Mari’s practice was developed over the 6 years, all sorts of different or opposite ideas and elements have lived together simultaneously and have been constantly renewed. In this jumbled whole, there is a feeling of instability and disorientation. Yet at the same time, there is a sense of comfort and freedom—as if you are firmly embraced as an individual community member of a never-ending mishmash but utterly beautiful cycle of life in this universe. Mari’s “tree of life” pieces are on display in The Parasol Foundation Gallery (G97) at V&A South Kensington until September 2027. Congrats @katayamari & 👏🙌to all involved, namely @kazue_naka @galerie_suzanne_tarasieve @yutakakikutakegallery tree of life #004, #011, #012, #013, #017, and #018 were commissioned by the V&A Parasol Foundation Women in Photography project with support from the Parasol Foundation Trust.2025/12/02に公開- 指定なしhttps://www.instagram.com/explore/tags/004#004https://www.instagram.com/explore/tags/011#011https://www.instagram.com/explore/tags/012#012https://www.instagram.com/explore/tags/013#013https://www.instagram.com/explore/tags/017#017https://www.instagram.com/explore/tags/018#0180.58%26331234...20>次へ×インフルエンサーコンテンツCSVダウンロードフォロワー総数、フォロワー増減数、エンゲージメント数、エンゲージメント率ダウンロード※ データには投稿ID, キャプション, LIKE数, コメント数の他、投稿日, 投稿URL, Reel再生数, Reel動画尺, スクリーンネーム, 名前, 自己紹介, フォロワー数, ユーザーURLが含まれます。 コンテンツをCSVでダウンロード
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