teamLab Borderless

Animals of Flowers, Symbiotic Lives Animals are born from Flowers and People and are made from the flowers of the place where they were born. Since the flowers in the places where they are born change over time, the flowers that make up the animals also change. Flowers continue to form animals through a repeated cycle of birth and death. When people touch the flowers of the animals, the flowers scatter. If people touch the animal too much, the animal will die and fade away. 花と共に生きる動物たち / Animals of Flowers, Symbiotic Lives 動物は《花と人、コントロールできないけれども共に生きる》の中から生まれ、その生まれた場所の花々でできている。動物が生まれる場所の花々は、時間とともに移ろうため、動物を形作る花々も変わっていく。花々は、誕生と死を繰り返しながら、動物を形作り続ける。人々が動物の花々に触れると、花々は散っていく。人々が触れすぎて、動物の花々が散りすぎると、その動物は死んで消えていく。他の作品の境界を越え、他の作品に影響を与え、影響を受けながら動物は歩き続ける。 #teamlabborderless #teamlab #azabudaihills #tokyo #artmuseum #artofinstagram #digital_art #exhibition #gallery #art #museum #digitalart #japan_of_insta #instagramjapan #japan #interactiveart #artcollective #チームラボボーダレス #チームラボ #麻布台ヒルズ #東京 #日本 #美術館 #東京旅行 #家族旅行 #東京観光

2025/05/21に公開teamLab Borderless / チームラボボーダレス日本東京都

0.1%

187

1

Memory of Waves: Flowing Beyond Borders This artwork transcends the boundaries of other works, influencing them as it fills the entire space. It also connects to other spaces, forming a continuous new work. The work has no beginning or end, and is made up of one continuous wave that is all connected. All oceans are connected to each other, and so are all the waves in this world. In classical East Asian art, waves are often expressed using a combination of lines. These waves created by lines allow us to realize that each wave is one part of a larger flow, and conveys life as though the waves are a living entity. When the waves rise, we can feel a powerful breath of life, as though life is blooming. It feels as though each wave has a life of its own. But when the waves collapse and disappear, we realize, with a sense of fragility, that they were a part of the ocean. And that ocean is connected to all of the other oceans. In other words, all of the waves in the world are connected to each other. The waves seem alive because life is like a rising wave. It is a miraculous phenomenon that continuously emerges from a single, continuous ocean. The waves are expressed through a continuous body of countless water particles. The interactions of particles are calculated, and then the movement of water is simulated in three-dimensional space. Lines are created along the trajectories of the water particles, and drawn on the surface layer of the three-dimensional waves. The lines are created with what teamLab refers to as Ultrasubjective Space. In contrast to space that is created through, or cut out by, lenses and perspective, Ultrasubjective Space does not fix the viewer’s viewpoint and in turn frees the body. The wall that the waves are seen on does not become a boundary between the viewer and the artwork, and the artwork space is continuous with the space of the viewer’s body. #teamlabborderless #teamlab #azabudaihills #tokyo #artmuseum #artofinstagram #digital_art #exhibition #gallery #art #museum #digitalart #japan_of_insta #instagramjapan #japan #interactiveart #artcollective #チームラボボーダレス #チームラボ #麻布台ヒルズ #東京 #日本 #美術館 #東京旅行 #家族旅行 #東京観光

2025/05/19に公開teamLab Borderless / チームラボボーダレス日本東京都

0.11%

198

3

Proliferating Immense Life - A Whole Year per Year This artwork is part of a series based on Spirits of the Flowers (2018) In the same flow of time as in the real world, flowers change with the seasons. Flowers repeat the cycle of birth and death, proliferation and extinction, changing along with the seasons. When people touch the flowers, they fall and die. The flowers are also influenced by other works, falling and dying due to other works. The world of the artwork is flattened through teamLab's concept of Ultrasubjective Space. Unlike when flattening by lenses or perspective, the viewer's viewpoint is not fixed, and the viewer's body is free to move. The wall on which the world of the work is depicted does not become a boundary between the people and the work; the flowers blur the boundary between the walls, and the world of the work is continuous with the space where the people's bodies are located. 増殖する無量の生命現実世界と同じ時間の流れの中で、花々は季節とともに移り変わっていく。花々は、誕生と死、増殖と死滅を繰り返しながら、季節とともに移り変わっていく。人々が花にふれると、花は倒れて死ぬ。他の作品にも影響を受け、他の作品によって、花は倒れて死ぬ。作品世界は、チームラボが考える「超主観空間」によって平面化しているため、レンズやパースペクティブによる平面化とは違い、鑑賞者は視点が固定されず、身体が自由で動的になる。そして、作品世界が映し出された壁は、人々我々と作品との境界面にならず、花は壁の境界面を曖昧にし、作品世界は、人々の身体のある空間と連続する。 #teamlabborderless #teamlab #azabudaihills #tokyo #artmuseum #artofinstagram #digital_art #exhibition #gallery #art #museum #digitalart #japan_of_insta #instagramjapan #japan #interactiveart #artcollective #チームラボボーダレス #チームラボ #麻布台ヒルズ #東京 #日本 #美術館 #東京旅行 #家族旅行 #東京観光

2025/05/18に公開teamLab Borderless / チームラボボーダレス日本東京都

0.13%

250

0

Infinite Crystal World Pointillism uses an accumulation of distinct dots of color to create a picture. Here, light points are used to create three-dimensional objects. The light sculpture extends infinitely in all directions. Just as the existence of a whirlpool is maintained even if a person enters it, when continuity and structure are formed in a group of points, even if they are spatially and temporally separated, they may be recognised as a single existence. Even if a person enters that existence it is maintained, and at that point, the existence of the person and the sculpture become one. People use their smartphones to select elements to throw into the Infinite Crystal World. These elements are reborn in three dimensions, creating the artwork. The presence of people and their location within the work affect these three-dimensional elements, which in turn influence and are influenced by other elements in the space. This artwork is forever evolving, changing from moment to moment due to the people in the space. This is a continuation of the Light Sculpture - Point series, which began with teamLab Crystal Tree in 2013. 点描は、点の集合で絵画表現を行ったものだが、これは、光の点の集合で立体物を創っている。光の彫刻群が、無限に広がる。渦潮の中に人が入っても、渦の存在は維持されるように、点群が、空間的、時間的に離れていても、点群に連続性や構造が形成された時、一つの存在として認識されるのではないか、そして、人がその存在の中に入っても、存在が維持されるのではないか。その時、その存在は、人と一体となる彫刻となりえる。人々がスマートフォンから自ら選んだ構成要素を投げ込むことで立体物が生まれ、それらの群によってこの作品空間は創られていく。空間に出現した構成要素は互いに影響を受け、また、投げ込んだ場所や人々の存在にも影響を受ける。この作品は人々によって刻々と創られていきながら、永遠に変化していく。 2013年から続く「Light Sculpture - Point」シリーズ。 #teamlabborderless #teamlab #azabudaihills #tokyo #artmuseum #artofinstagram #digital_art #exhibition #gallery #art #museum #digitalart #japan_of_insta #instagramjapan #japan #interactiveart #artcollective #チームラボボーダレス #チームラボ #麻布台ヒルズ #東京 #日本 #美術館 #東京旅行 #家族旅行 #東京観光

2025/05/17に公開teamLab Borderless / チームラボボーダレス日本東京都

0.29%

547

0

反転無分別：虚空の黒 / Reversible Rotation: Emptiness Black 光で描かれる書の黒は、何もないことを意味する。何もない黒は、空っぽゆえに、何でも入る無限大の可能性が開かれる。 Reversible Rotation: Emptiness Black teamLab, 2018/2024-, Digital Work, 7 channels and 12 channels, Continuous Loop The black of the calligraphy drawn with light signifies emptiness. The emptiness of black opens up the infinite possibility of anything entering. The Spatial Calligraphy in this artwork space rotates in the same direction, but because of the characteristics of Ultrasubjective Space, visually, the clockwise and counterclockwise rotation are logically equivalent. Hence, the work can appear to be rotating in either direction depending on how the viewer chooses to look at it. Spatial Calligraphy is a form of calligraphy drawn in space that teamLab has been exploring since it was founded. The artwork reconstructs calligraphy in three dimensional space to express the depth, speed and power of the brush stroke, and that calligraphy is then flattened using the logical structure of space that teamLab calls Ultrasubjective Space. The calligraphy shifts between two and three dimensions. 書かれた「空書」は作品空間の中を全て同一方向に回転しているが、「超主観空間」の特性として、視覚的には、左回転も右回転も論理的に同等となる。そのため、意識によって、書は、左回りにも、右回りにもなる。「空書」とは、チームラボが設立以来書き続けている空間に書く書のこと。書の墨跡が持つ、深さや速さ、力の強さのようなものを、新たな解釈で空間に立体的に再構築し、チームラボの「超主観空間」の論理構造によって2次元化している。書は平面と立体との間を行き来する。 #teamlabborderless #teamlab #azabudaihills #tokyo #artmuseum #artofinstagram #digital_art #exhibition #gallery #art #museum #digitalart #japan_of_insta #instagramjapan #japan #interactiveart #artcollective #チームラボボーダレス #チームラボ #麻布台ヒルズ #東京 #日本 #美術館 #東京旅行 #家族旅行 #東京観光

2025/05/15に公開teamLab Borderless / チームラボボーダレス日本東京都

0.18%

345

0

Universe of Water Particles on a Rock where People Gather The waterfall that pours onto The Rock where People Gather continues to transform, influenced by the presence of the rock and the people within the space, along with the artworks that enter the space. The flow of water itself, will also influence the artworks that enter the space. The picture at this moment can never be seen again. The Rock where People Gather was created by reproducing the artwork in a three-dimensional space. Water was then simulated to fall onto the rock, to depict the movement of water on the rock’s surface. The water is represented by a continuum of countless water particles, and the trajectories of the particles are then calculated. Lines are drawn in the space according to the movement of the water particles. Because the lines are then flattened using what teamLab calls Ultrasubjective Space, unlike images that are flattened by lenses and perspective, a person’s viewpoint is not fixed and their body is free to move. The walls and floor on which the waterfall is depicted do not become a boundary between people and the work, and the space of the waterfall artwork is continuous with the space in which people's bodies are located. 人々のための岩に憑依する滝 / Universe of Water Particles on a Rock where People Gather 「人々のための岩」に降り注ぐ滝は、岩と人々の存在、そして、この空間に入ってくる他の作品の影響を受け、変容し続ける。また、水の流れそのものが、この空間に入ってくる他の作品に影響を与えていく。今この瞬間の絵は二度と見ることができない。「人々のための岩」を仮想の三次元空間に再現し、そこに水を落下させ、岩の形による水の動きをシミュレーションし滝を描いている。水は、無数の水の粒子の連続体で表現し、粒子間の相互作用を計算している。そして、水の粒子の軌跡によって、空間上に線を描く。その線の集合をチームラボが考える「超主観空間」によって平面化し滝を描いているため、レンズやパースペクティブによって平面化した映像とは違い、鑑賞者は視点が固定されず、身体が自由になる。そして、滝が映し出された壁や床は、我々と作品との境界面にならず、滝の作品空間は、人々の身体のある空間と連続する。 #teamlabborderless #teamlab #azabudaihills #tokyo #artmuseum #artofinstagram #digital_art #exhibition #gallery #art #museum #digitalart #japan_of_insta #instagramjapan #japan #interactiveart #artcollective #チームラボボーダレス #チームラボ #麻布台ヒルズ #東京 #日本 #美術館 #東京旅行 #家族旅行 #東京観光

2025/05/13に公開teamLab Borderless / チームラボボーダレス日本東京都

0.21%

389

0

Crows are Chased and the Chasing Crows are Destined to be Chased as well: Flying Beyond Borders teamLab, 2018, Interactive Digital Installation, Endless, Sound: Hideaki Takahashi Crows are rendered in light as they fly around the space, leaving trails of light in their paths and creating spatial calligraphy. The crows chase one another and in turn become chased themselves. When the chased crows crash into one another, they scatter, turning into flowers. The crows attempt to fly around people in the space, but when they crash into a viewer, they scatter, turning into flowers in the same way. When you stand near a certain designated space within the artwork the boundary between the wall and the floor disappears, the real space dissolves, eventually we become immersed in the artwork world and the lines drawn by the trails of the crows appears to be drawn in three dimensions in the space. The installation is rendered in real time by a computer program, it is neither a prerecorded animation nor on loop.The installation as a whole is in constant change, previous states will never be repeated and can never be seen again. 追われるカラス、追うカラスも追われるカラス：境界を越えて飛ぶ / Crows are Chased and the Chasing Crows are Destined to be Chased as well: Flying Beyond Borders teamLab, 2018, Interactive Digital Installation, Endless, Sound: Hideaki Takahashi 各空間から、カラス達が出て、この作品ははじまる。他の作品の境界を越境し、時には他の作品に影響を与えながら、縦横無尽に飛び回る。例えば、カラスが飛ぶことによって、他の作品の花を散らしたり、「世界は暗闇から始まるが、それでもやさしくうつくしい」の文字から文字がもつ世界が現れる。光で描かれた八咫烏が空間を飛び回り、その軌跡が光跡となり光の空間に描く書『空書』を描いている。カラスが互いに追い追われる。追うカラスも、やがて追われる側になり、追いつかれカラス同士ぶつかると、カラスは散って花となる。また、カラスは、鑑賞者を把握しよけながら飛んで行くが、よけきれずに鑑賞者にぶつかると同じように散って花となる。作品はコンピュータプログラムによってリアルタイムで描かれ続けている。あらかじめ記録された映像を再生しているわけではない。全体として、以前の状態が複製されることなく、変容し続ける。今この瞬間の絵は二度と見ることができない。 #teamlabborderless #teamlab #azabudaihills #tokyo #artmuseum #artofinstagram #digital_art #exhibition #gallery #art #museum #digitalart #japan_of_insta #instagramjapan #japan #interactiveart #artcollective #チームラボボーダレス #チームラボ #麻布台ヒルズ #東京 #日本 #美術館 #東京旅行 #家族旅行 #東京観光

2025/05/12に公開teamLab Borderless / チームラボボーダレス日本東京都

0.11%

208

0

Tea Tree When Frozen Green Tea is placed on the table, tea branches grow from it. As you move the Frozen Green Tea, the branches wither and grow again in a new place. When the frozen tea disappears, the tea branches also wither and disappear. Butterflies are born from the tea branches. These butterflies fly through the artwork Flowers Bloom in an Infinite Universe inside a Teacup, in which flowers bloom inside people’s teacups. Flowers bloom from tea branches around the end of autumn. The artwork is forever changing and the picture at this moment can never be seen again. 《凍結された茶》を置くと、そこから茶の木が生えていく。《凍結された茶》を動かすと、茶の木は枯れ、新たな場所で再び生える。凍結された茶がなくなると、茶の木は枯れてなくなっていく。茶の木からは蝶が生まれる。蝶は、まわりの人々の茶に咲いた花々《小さきものの中にある無限の宇宙に咲く花々》へと飛んでいく。茶の木は、秋の終わり頃、花を咲かせる。作品は永遠に変化し続ける。今この瞬間の絵は二度と見ることができない。 #teamlabborderless #teamlab #azabudaihills #tokyo #artmuseum #artofinstagram #digital_art #exhibition #gallery #art #museum #digitalart #japan_of_insta #instagramjapan #japan #interactiveart #artcollective #チームラボボーダレス #チームラボ #麻布台ヒルズ #東京 #日本 #美術館 #東京旅行 #家族旅行 #東京観光

2025/05/11に公開teamLab Borderless / チームラボボーダレス日本東京都

0.11%

213

0

Crows are Chased and the Chasing Crows are Destined to be Chased as well: Flying Beyond Borders Crows are rendered in light as they fly around the space, leaving trails of light in their paths and creating spatial calligraphy. The crows chase one another and in turn become chased themselves. When the chased crows crash into one another, they scatter, turning into flowers. The crows attempt to fly around people in the space, but when they crash into a viewer, they scatter, turning into flowers in the same way. When you stand near a certain designated space within the artwork the boundary between the wall and the floor disappears, the real space dissolves, eventually we become immersed in the artwork world and the lines drawn by the trails of the crows appears to be drawn in three dimensions in the space. The installation is rendered in real time by a computer program, it is neither a prerecorded animation nor on loop.The installation as a whole is in constant change, previous states will never be repeated and can never be seen again. 追われるカラス、追うカラスも追われるカラス：境界を越えて飛ぶ各空間から、カラス達が出て、この作品ははじまる。他の作品の境界を越境し、時には他の作品に影響を与えながら、縦横無尽に飛び回る。例えば、カラスが飛ぶことによって、他の作品の花を散らしたり、「世界は暗闇から始まるが、それでもやさしくうつくしい」の文字から文字がもつ世界が現れる。光で描かれた八咫烏が空間を飛び回り、その軌跡が光跡となり光の空間に描く書『空書』を描いている。カラスが互いに追い追われる。追うカラスも、やがて追われる側になり、追いつかれカラス同士ぶつかると、カラスは散って花となる。また、カラスは、鑑賞者を把握しよけながら飛んで行くが、よけきれずに鑑賞者にぶつかると同じように散って花となる。作品はコンピュータプログラムによってリアルタイムで描かれ続けている。あらかじめ記録された映像を再生しているわけではない。全体として、以前の状態が複製されることなく、変容し続ける。今この瞬間の絵は二度と見ることができない。 #teamlabborderless #teamlab #azabudaihills #tokyo #artmuseum #artofinstagram #digital_art #exhibition #gallery #art #museum #digitalart #japan_of_insta #instagramjapan #japan #interactiveart #artcollective #チームラボボーダレス #チームラボ #麻布台ヒルズ #東京 #日本 #美術館 #東京旅行 #家族旅行 #東京観光

2025/05/09に公開teamLab Borderless / チームラボボーダレス日本東京都

0.1%

179

0

The Way of the Sea: Cosmic Void This work is to be viewed from a position close to the entrance. This work begins when The Way of the Sea: Flying Beyond Borders enters the Cosmic Void. When it ends, The Way of the Sea: Flying Beyond Borders leaves the space. If you stand at the position close to the entrance, the boundary between the wall and the floor disappears, making the lines drawn by the trails of the shoal appear three-dimensional. Eventually your body becomes immersed in the world of the artwork, and the boundary between the artwork world and the viewer dissolves as well. The shoal of fish rendered in light moves freely through the space, leaving trails of light. They sense people’s presence and try to avoid colliding with them. The movement of thousands of fish is beautiful and mysterious, appearing like a single giant life form. The physiological mechanism of the movement of the shoal is shrouded in mystery, but the fact that it feels like a living organism intuitively suggests that there is a high level of order in space and time. teamLab would like to search for a new spatio-temporal form that can have a strong existence and a sense of life even if the constituent elements are temporally and spatially distant from each other. teamLab believes that we can seek a new form that can be felt as the same existence as long as the same order is maintained, even though spatially the same form will never be the same again, and even though the size of the object varies greatly over time. The Way of the Sea: 虚空の宇宙 / The Way of the Sea: Cosmic Void 空間の入口付近中央に立って見る作品。「虚空の宇宙」に、《The Way of the Sea: Flying Beyond Borders》が入ってくると、この作品ははじまる。終わると《The Way of the Sea: Flying Beyond Borders》が出ていく。空間の入口付近中央に立つと、壁と床の境界がなくなり現実空間が消え、群の軌跡が描く線が空間に立体的に描かれはじめ、作品世界に身体ごと没入し、人々は身体と作品世界との境界をも失っていくだろう。 #teamlabborderless #teamlab #azabudaihills #tokyo #artmuseum #artofinstagram #digital_art #exhibition #gallery #art #museum #digitalart #japan_of_insta #instagramjapan #japan #interactiveart #artcollective #チームラボボーダレス #チームラボ #麻布台ヒルズ #東京 #日本 #美術館 #東京旅行 #家族旅行 #東京観光

2025/05/08に公開teamLab Borderless / チームラボボーダレス日本東京都

0.07%

135

1

Infinite Crystal World Pointillism uses an accumulation of distinct dots of color to create a picture. Here, light points are used to create three-dimensional objects. The light sculpture extends infinitely in all directions. Just as the existence of a whirlpool is maintained even if a person enters it, when continuity and structure are formed in a group of points, even if they are spatially and temporally separated, they may be recognised as a single existence. Even if a person enters that existence it is maintained, and at that point, the existence of the person and the sculpture become one. People use their smartphones to select elements to throw into the Infinite Crystal World. These elements are reborn in three dimensions, creating the artwork. The presence of people and their location within the work affect these three-dimensional elements, which in turn influence and are influenced by other elements in the space. This artwork is forever evolving, changing from moment to moment due to the people in the space. This is a continuation of the Light Sculpture - Point series, which began with teamLab Crystal Tree in 2013. 点描は、点の集合で絵画表現を行ったものだが、これは、光の点の集合で立体物を創っている。光の彫刻群が、無限に広がる。渦潮の中に人が入っても、渦の存在は維持されるように、点群が、空間的、時間的に離れていても、点群に連続性や構造が形成された時、一つの存在として認識されるのではないか、そして、人がその存在の中に入っても、存在が維持されるのではないか。その時、その存在は、人と一体となる彫刻となりえる。人々がスマートフォンから自ら選んだ構成要素を投げ込むことで立体物が生まれ、それらの群によってこの作品空間は創られていく。空間に出現した構成要素は互いに影響を受け、また、投げ込んだ場所や人々の存在にも影響を受ける。この作品は人々によって刻々と創られていきながら、永遠に変化していく。 2013年から続く「Light Sculpture - Point」シリーズ。 #teamlabborderless #teamlab #azabudaihills #tokyo #artmuseum #artofinstagram #digital_art #exhibition #gallery #art #museum #digitalart #japan_of_insta #instagramjapan #japan #interactiveart #artcollective #チームラボボーダレス #チームラボ #麻布台ヒルズ #東京 #日本 #美術館 #東京旅行 #家族旅行 #東京観光

2025/05/06に公開teamLab Borderless / チームラボボーダレス日本東京都

0.32%

596

0

Butterflies Falling: Death is Returning to the Flow of this World The artwork begins when Flutter of Butterflies Beyond Borders enters the Dissolving Light space. It ends when, Flutter of Butterflies Beyond Borders leaves. The butterflies are born at one with the space, then scatter and dissolve into the world. Multiple layers of images and lines reach out towards you and the lines also extend to the far side. As a result, the artwork is drawn into the space itself, giving it a three-dimensional presence. There is a continuity between the artwork and the world, and the boundary between the artwork and the viewer’s body is ambiguous. 境界のない群蝶：死とはこの世界の流れに戻ること空間「溶け出す光」に、《境界のない群蝶》が入ってくると、この作品ははじまる。終わると《境界のない群蝶》が出ていく。蝶は空間と一体となって生まれ、散ってこの世界に溶け込んでいく。多層的な像や線、こちら側に伸びる線や向こう側に伸びていく線によって、空間そのものに作品は描かれ、作品は立体の存在となる。作品とこの世界は連続的で、作品と身体との境界は曖昧である。 #teamlabborderless #teamlab #azabudaihills #tokyo #artmuseum #artofinstagram #digital_art #exhibition #gallery #art #museum #digitalart #japan_of_insta #instagramjapan #japan #interactiveart #artcollective #チームラボボーダレス #チームラボ #麻布台ヒルズ #東京 #日本 #美術館 #東京旅行 #家族旅行 #東京観光

2025/05/04に公開teamLab Borderless / チームラボボーダレス日本東京都

0.08%

155

0

The Way of the Sea: Memory of Topography - Colors of Life This work begins when the shoal of fish from The Way of the Sea enters Memory of Topography, a space that consists of different elevations. The work ends when the shoal of fish leaves the space and disappears. The shoal of fish rendered in light swim freely around the space. People who enter this space are assigned a certain color, and when a fish passes by a person, it takes on the same color. The transformative nature of the canvas and the continuous, dynamic behavior allow people to immerse themselves physically in the artwork, and the boundary between their body and the world is lost. As the shared world of the artwork changes due to the presence of each person in the space, everyone in the space begins to dissolve into the same world together. The movement of thousands of fish is beautiful and mysterious, appearing like a single giant life form. The physiological mechanism of the movement of the shoal is shrouded in mystery, but the fact that it feels like a living organism intuitively suggests that there is a high level of order in space and time. teamLab would like to search for a new spatio-temporal form that can have a strong existence and a sense of life even if the constituent elements are temporally and spatially distant from each other. teamLab believes that we can seek a new form that can be felt as the same existence as long as the same order is maintained, even though spatially the same form will never be the same again, and even though the size of the object varies greatly over time. The Way of the Sea: Memory of Topography（地形の記憶） - Colors of Life / The Way of the Sea: Memory of Topography - Colors of Life 《地形の記憶》に、《The Way of the Sea: Flying Beyond Borders》が入ってくると、この作品ははじまる。終わると《The Way of the Sea: Flying Beyond Borders》が出ていく。 #teamlabborderless #teamlab #azabudaihills #tokyo #artmuseum #artofinstagram #digital_art #exhibition #gallery #art #museum #digitalart #japan_of_insta #instagramjapan #japan #interactiveart #artcollective #チームラボボーダレス #チームラボ #麻布台ヒルズ #東京 #日本 #美術館 #東京旅行 #家族旅行 #東京観光

2025/05/03に公開teamLab Borderless / チームラボボーダレス日本東京都

0.26%

485

2

Flowers Bloom in an Infinite Universe inside a Teacup When a cup of tea is made, flowers bloom inside the teacup. When the teacup is lifted, the flower petals scatter and spread outside of the cup. Flowers bloom infinitely as long as there is tea. The tea in the teacup becomes an infinite world in which the flowers continue to bloom. Drink in the infinitely expanding world. Tea is a transformative entity, and the size of the flowers that bloom will change depending on the amount of tea. The artwork is born only when there is tea. Once the tea is drunk, the work no longer exists. The flowers blooming in the teacup change with the passage of real time. The artwork is forever changing and the picture at this moment can never be seen again. 一服の茶を点てると、茶に花々が生まれ咲いていく。器を手に取ると、花は散り、器の外へと広がっていく。花々は茶がある限り無限に咲いていく。器の中の茶は、花々が咲き続ける無限の世界となる。その無限に広がる世界をそのまま飲む。茶は変容的な存在である茶の量によって、生まれる花々の大きさが変わっていく。茶が存在して初めて作品が生まれる。茶を飲み干すともう作品は存在しない。茶に咲く花々は現実の時間の流れと共に移ろっていく。作品は、永遠に変化し続ける。今この瞬間の絵は二度と見ることができない。 #teamlabborderless #teamlab #azabudaihills #tokyo #artmuseum #artofinstagram #digital_art #exhibition #gallery #art #museum #digitalart #japan_of_insta #cafe #instagramjapan #japan #interactiveart #artcollective #チームラボボーダレス #チームラボ #麻布台ヒルズ #東京 #日本 #美術館 #東京旅行 #家族旅行 #東京観光

2025/05/02に公開teamLab Borderless / チームラボボーダレス日本東京都

0.15%

279

0

Tickets for July Now on Sale! 🌺 7月チケット販売開始のお知らせ🌺 Tickets for June will be available starting April. 8月のチケットは6月頭に販売予定 ■Hours 9:00 - 21:00 * Last Entry is one hour before the museum closing time. *EN TEA HOUSE opens 1 hour after the museum opening time. ■Closed May 20, June 17, July 15 ■Admission Adults (18 Years and above)：3,600 JPY ~ Junior high school / High school：2,800 JPY ~ Children (Ages 4-12)：1,500 JPY ~ Under 3 years of age：Free Disability discount：1,800 JPY ~ ■Will tickets be available on the day? If not sold out, tickets can be purchased on the day of the event through the official ticket website. They can also be purchased on site, but at different prices. Tickets may be sold out. ー・ー・ー ■開館時間 9:00 - 21:00 * 最終入館は閉館の1時間前 * EN TEA HOUSEは開館の1時間後にオープン、ラストオーダーは閉館の30分前 ■休館日 5.20(火)、6.17(火)、7.15(火) ■チケット価格大人(18歳以上)：3,600円 ~ 中学生・高校生：2,800円 ~ 子ども(4歳~12歳)：1,500円 ~ 3歳以下：無料障がい者割引：1,800円 ~ ■当日券の販売完売していない場合は当日でも公式チケットサイトから購入が可能です。また、現地でも購入が可能ですが料金が異なり、売り切れる場合があります。 #teamlabborderless #teamlab #azabudaihills #tokyo #artmuseum #artofinstagram #digital_art #exhibition #gallery #art #museum #digitalart #japan_of_insta #instagramjapan #japan #interactiveart #artcollective #チームラボボーダレス #チームラボ #麻布台ヒルズ #東京 #日本 #美術館 #東京旅行 #家族旅行 #東京観光

2025/05/01に公開teamLab Borderless / チームラボボーダレス日本東京都

0.14%

260

0

Universe of Water Particles on a Rock where People Gather The waterfall that pours onto The Rock where People Gather continues to transform, influenced by the presence of the rock and the people within the space, along with the artworks that enter the space. The flow of water itself, will also influence the artworks that enter the space. The picture at this moment can never be seen again. The Rock where People Gather was created by reproducing the artwork in a three-dimensional space. Water was then simulated to fall onto the rock, to depict the movement of water on the rock’s surface. The water is represented by a continuum of countless water particles, and the trajectories of the particles are then calculated. Lines are drawn in the space according to the movement of the water particles. Because the lines are then flattened using what teamLab calls Ultrasubjective Space, unlike images that are flattened by lenses and perspective, a person’s viewpoint is not fixed and their body is free to move. The walls and floor on which the waterfall is depicted do not become a boundary between people and the work, and the space of the waterfall artwork is continuous with the space in which people's bodies are located. 人々のための岩に憑依する滝 / Universe of Water Particles on a Rock where People Gather 「人々のための岩」に降り注ぐ滝は、岩と人々の存在、そして、この空間に入ってくる他の作品の影響を受け、変容し続ける。また、水の流れそのものが、この空間に入ってくる他の作品に影響を与えていく。今この瞬間の絵は二度と見ることができない。「人々のための岩」を仮想の三次元空間に再現し、そこに水を落下させ、岩の形による水の動きをシミュレーションし滝を描いている。水は、無数の水の粒子の連続体で表現し、粒子間の相互作用を計算している。そして、水の粒子の軌跡によって、空間上に線を描く。その線の集合をチームラボが考える「超主観空間」によって平面化し滝を描いているため、レンズやパースペクティブによって平面化した映像とは違い、鑑賞者は視点が固定されず、身体が自由になる。そして、滝が映し出された壁や床は、我々と作品との境界面にならず、滝の作品空間は、人々の身体のある空間と連続する。 #teamlabborderless #teamlab #azabudaihills #tokyo #artmuseum #artofinstagram #digital_art #exhibition #gallery #art #museum #digitalart #japan_of_insta #instagramjapan #japan #interactiveart #artcollective #チームラボボーダレス #チームラボ #麻布台ヒルズ #東京 #日本 #美術館 #東京旅行 #家族旅行 #東京観光

2025/04/28に公開teamLab Borderless / チームラボボーダレス日本東京都

0.22%

406

1

Crows are Chased and the Chasing Crows are Destined to be Chased as Well – Black in White The artwork begins when Crows are Chased and the Chasing Crows are Destined to be Chased as Well enters The Void. Mythical crows (Yatagarasu) drawn in black ink fly around the space, and their trajectories become ink trails of Spatial Calligraphy. A group of crows chases after the first crow. When the crows catch up with the leader, it turns into a flower and scatters, and the chasing crows eventually become the one being chased. The original artwork of the Crows are Chased and the Chasing Crows are Destined to be Chased as Well series was created in 2013. Subsequent installations include, Folding and Enclosing (2013),Dividing (2014), and Mori Art Museum's Space and Art Exhibition (2016), leading to the artwork of the Crows are Chased and the Chasing Crows are Destined to be Chased as well: Cosmic Void exhibited now at teamLab Borderless in The Cosmic Void space. 追われるカラス、追うカラスも追われるカラス《The Void》に、《追われるカラス、追うカラスも追われるカラス：境界を越えて飛ぶ》が入って、この作品ははじまる。墨で描かれたの八咫烏が空間を飛び回り、その軌跡が墨跡となり「空書」を描く。カラス群は、先頭のカラスを追いかける。追いつかれたカラスは花となって散り、追うカラスもやがては追われる側になっていく。 2013年に制作したこの作品は、《追われるカラス、追うカラスも追われるカラス》シリーズの原画のような位置付けになる。折って囲う（2013）、分割する（2014）などを経て、森美術館「宇宙と芸術展」（2016）から、このチームラボボーダレスの空間「虚空の宇宙」に出現する《追われるカラス、追うカラスも追われるカラス：虚空の宇宙》と同じ作品になる。 #teamlabborderless #teamlab #azabudaihills #tokyo #artmuseum #artofinstagram #digital_art #exhibition #gallery #art #museum #digitalart #japan_of_insta #instagramjapan #japan #interactiveart #artcollective #チームラボボーダレス #チームラボ #麻布台ヒルズ #東京 #日本 #美術館 #東京旅行 #家族旅行 #東京観光

2025/04/27に公開teamLab Borderless / チームラボボーダレス日本東京都

0.06%

119

0

People Don’t See the World as through a Camera The words "teamLab Borderless" rise towards the forefront of the entrance space when they are viewed through a camera from a designated position. However, when they are viewed directly with the naked eye from the same position, the letters do not emerge to the front. People do not see the world as through a lens. teamLab is interested in the fact that although the world is continuous and without boundaries, it is cognitively separated, and especially when viewed through a lens, the world in which one's body is located is separated from the world one is seeing. Around 2001 when teamLab was founded, we began to think of lenses and perspective as one of the logical methodologies to turn a space into two dimensions, and began to search for a logic for the flattening of space that was different from that of lenses and perspective. We wanted to know how humans perceive the world and the ways in which perception and the body are related. When the world is seen and captured through a lens: 1. The surface that the world is displayed on becomes a boundary, and the space cut out by the lens appears on the other side of that boundary. Between the world where the physical body is and the world that is being seen, a boundary is formed, and of course, it is cognitively unnatural to touch objects in the image. 2. The viewpoint is fixed, and subconsciously, people lose sense of their body. 3. In actuality, the field of view of humans is wide, and the viewpoint and focus move around a lot, but the world captured by a lens fixes the focus to one point, narrowing the field of view, and leading to a loss of sense of intention. #teamlabborderless #teamlab #azabudaihills #tokyo #artmuseum #artofinstagram #digital_art #exhibition #gallery #art #museum #digitalart #japan_of_insta #instagramjapan #japan #interactiveart #artcollective #チームラボボーダレス #チームラボ #麻布台ヒルズ #東京 #日本 #美術館 #東京旅行 #家族旅行 #東京観光

2025/04/27に公開teamLab Borderless / チームラボボーダレス日本東京都

0.3%

560

0

Bubble Universe: Spherical Crystallized Light, Wobbling Light, and Environmental Light - One Stroke What are you looking at? Where is the focus? And does it exist? Inside the sphere there is a mixture of real, physical light, a strong spherical light that looks like light has crystallized and which instantly breaks down, high up is a faint light like a wobbling lump of jelly, and countless lights are created by the surrounding environment, with alternating moving light and still light. However, spheres of light and light jelly do not exist. There is no glass or other material on the surface of the sphere of light; the sphere is made only of light. In the physical world, light does not solidify and light does not become a spherical mass. In other words, this sphere of light does not exist. The same is true for light jelly. The spheres of light and light jelly do not exist in the physical world, but are Cognitive Sculptures that exist in the world of perception. The materials are light, body, and perception. The shape is created by the dynamic body and perception of the person experiencing it, and it is a sculpture that appears and exists only in the person's own world of perception. When it exists in perception, it exists. The light in each sphere cannot produce all the light by itself; other spheres act as an environment that creates countless lights within each sphere. Each sphere becomes part of the environment that generates the light of the other spheres. The phenomenon created by the environment brings the artwork into existence. Dynamic bodies, perceptions, and environments open up new possibilities for existence that are different from material existence. #teamlabborderless #teamlab #azabudaihills #tokyo #artmuseum #artofinstagram #digital_art #exhibition #gallery #art #museum #digitalart #japan_of_insta #instagramjapan #japan #interactiveart #artcollective #チームラボボーダレス #チームラボ #麻布台ヒルズ #東京 #日本 #美術館 #東京旅行 #家族旅行 #東京観光

2025/04/25に公開teamLab Borderless / チームラボボーダレス日本東京都

0.41%

762

0

Continuous Trajectories: Born in the Darkness, Return to the Darkness Masses of spacetime exist in disarray, and the spacetimes of each mass connect to each other. This work begins when Continuous Trajectories: One Stroke is drawn as far as the space of Megalith Space. The Spatial Calligraphy in this artwork space rotates in the same direction, but because of the characteristics of Ultrasubjective Space, visually, the clockwise and counterclockwise rotation are logically equivalent. Hence, the work can appear to be rotating in either direction depending on how the viewer chooses to look at it. Spatial Calligraphy is a form of calligraphy drawn in space that teamLab has been exploring since it was founded. The artwork reconstructs calligraphy in three-dimensional space to express the depth, speed, and power of the brush stroke, and that calligraphy is then flattened using the logical structure of space that teamLab calls Ultrasubjective Space. The calligraphy shifts between two and three dimensions. 連続する軌跡：闇から生まれ闇に帰る時空の塊が乱在し、それぞれの塊は互いに時空が繋がり合う。《連続する軌跡：One Stroke》が、空間「Megaliths」まで描かれるとこの作品ははじまる。書かれた「空書」は作品空間の中を全て同一方向に回転しているが、「超主観空間」の特性として、視覚的には、左回転も右回転も論理的に同等となる。そのため、意識によって、書は、左回りにも、右回りにもなる。「空書」とは、チームラボが設立以来書き続けている空間に書く書のこと。書の墨跡が持つ、深さや速さ、力の強さのようなものを、新たな解釈で空間に立体的に再構築し、チームラボの「超主観空間」の論理構造によって2次元化している。書は平面と立体との間を行き来する。 #teamlabborderless #teamlab #azabudaihills #tokyo #artmuseum #artofinstagram #digital_art #exhibition #gallery #art #museum #digitalart #japan_of_insta #instagramjapan #japan #interactiveart #artcollective #チームラボボーダレス #チームラボ #麻布台ヒルズ #東京 #日本 #美術館 #東京旅行 #家族旅行 #東京観光

2025/04/23に公開teamLab Borderless / チームラボボーダレス日本東京都

0.08%

141

1

有料会員登録

187,540人

リストに追加するマイリストを作成・編集

インフルエンサーコンテンツCSVダウンロード

システムエラー