コンテンツ種別写真動画複数枚｢#PR｣つき投稿 関連投稿国 指定なし 関連都道府県 指定なし 並び替え投稿日順 ライク数順 コメント数順 エンゲージメント率順 ×アカウント未登録では最新の動画20件のみ閲覧可能です。【#電影節發燒友 5/6/7月】伊奧塞里安尼：守護過去的美好 【#CineFan May/Jun/Jul】Iosseliani's Cinema: Retaining the Beauty of the Past 《#最後的蝴蝶》及《#三世唔修》是 #伊奧塞里安尼 法國時期其中兩部最出色的作品，兩部傑作共通之處，是對舊日社會傳統價值與過去美好的依戀與緬懷。《最後的蝴蝶》裏一對來自白俄的耄耋堂姐妹，本想於法國鄉郊古堡安享晚年，可惜始終敵不過時代變遷；《三世唔修》更貫穿三個時代，見證歷史悲劇重蹈覆轍，人類劣根性永劫回歸。 伊奧塞里安尼自言其電影許多時都回望過去：「對於捕捉行將湮沒的事物，我興趣大極了，以致其他類型的電影，我統統都提不起勁。念及將來，我便渴望要把今世的模樣繪畫下來。那非抱負使然，而是職責所在——好讓大家都能感受失去了的東西……我不相信有璀璨未來，也不相信人類有美滿明天。我相信個人命運——個人必須在好與壞之間，作出取捨。如能笑看周遭荒唐事，意味着大家內心深處也閃現丁點希望。」 #CHASINGBUTTERFLIES and #BRIGANDSCHAPTERVII are two of #OtarIosseliani's finest works during his French period, both share a common thread of attachment and nostalgia for the traditional values of the old society and the beauty of the past. CHASING BUTTERFLIES revolves around two elderly Russian aristocrats who retire to a French chateau, but their hope of living a quiet life is shattered by the changes of the times. BRIGANDS, CHAPTER VII weaves stories from three eras, observing how history, tragedies, and human follies often repeat themselves. Like many of Iosseliani’s films, these two films look towards the past, focusing on the moment when a part of the past still exists. It is best described in an article on Cahiers du Cinéma: ‘The interest of focusing on something which is going to disappear is so strong in Iosseliani that he does not need to resort to working with common themes in filmmaking such as love, jealousy, rivalry or bloody crime. Instead he answers to the need of painting a picture of our present while thinking of the future, of making his audience feel what we have lost.’ Iosseliani did not believe there is a radiant future; yet he had faith in the destiny of each individual who must strive for himself, to sort out the good from the evil: ‘Being able to laugh about the trash that surrounds us means that there is still a ray of hope within our hearts.’ ———————————————————————— 🎬電影節發燒友 CineFan May/Jun/Jul🎬： https://cinefan.hkiff.org.hk/period/2025/may-jun-jul-2025 #HKIFF #香港國際電影節：https://www.hkiff.org.hk/ #CineFan #電影節發燒友：https://cinefan.hkiff.org.hk/2025/05/21に公開- 指定なしhttps://www.instagram.com/explore/tags/電影節發燒友#電影節發燒友https://www.instagram.com/explore/tags/CineFan#CineFanhttps://www.instagram.com/explore/tags/最後的蝴蝶#最後的蝴蝶https://www.instagram.com/explore/tags/三世唔修#三世唔修https://www.instagram.com/explore/tags/伊奧塞里安尼#伊奧塞里安尼https://www.instagram.com/explore/tags/CHASINGBUTTERFLIES#CHASINGBUTTERFLIEShttps://www.instagram.com/explore/tags/BRIGANDSCHAPTERVII#BRIGANDSCHAPTERVIIhttps://www.instagram.com/explore/tags/OtarIosseliani#OtarIosselianihttps://www.instagram.com/explore/tags/HKIFF#HKIFFhttps://www.instagram.com/explore/tags/香港國際電影節#香港國際電影節0.18%630CineClub會員優先場：《腓尼基大作戰》 CineClub Exclusive Free Preview Screening: THE PHOENICIAN SCHEME CineClub又再為會員免費優先帶來萬眾期待的新作──鬼才導演 #韋斯安德遜 的《#腓尼基大作戰》！這部糅合間諜驚慄的黑色喜劇一如以往陣容鼎盛，班尼斯奧狄多路、湯漢斯、施嘉莉祖安遜、班尼迪甘巴貝治、馬修亞瑪希及米亞薛爾波頓等巨星雲集。故事聚焦一位軍火與航空界巨擘，六次逃過致命危機後，指定身為修女的唯一女兒為遺產繼承人。他為力保「畢生最重要的計劃」順利實現，聯同女兒及家庭教師踏上一趟驚險而奇異的旅程。繼《法蘭西諸事週報》及《小行星都市》後，安德遜獨特色調、對稱構圖的美學風格以及詭秘奇趣敘事再度發揮得淋漓盡致。 日期：2025年5月27日（星期二） 時間：7:55pm 地點：英皇戲院 Plus+ (大圍圍方) CineClub會員可由5月23日（星期五）早上10時起網上登記，先到先得，額滿即止。 詳情請留意 https://cinefan.hkiff.org.hk/zh 。 CineClub is back with another exciting preview screening - the highly anticipated #THEPHOENICIANSCHEME by #WesAnderson, exclusively for our subscribers! This espionage thriller-cum-black comedy features a stellar ensemble cast, starring Benicio del Toro, Tom Hanks, Scarlett Johansson, Benedict Cumberbatch, Mathieu Amalric, and Mia Threapleton, to name a few. The story centres on a derring-do millionaire, who has survived six plane crashes, designating his only daughter, a nun, as the sole heir to his estate. To secure the future of his business ventures, they embark on an intriguing quest with a tutor. Following THE FRENCH DISPATCH and ASTEROID CITY, Anderson’s extravagant visual style and distinctive aesthetics are once again in full display in this latest work. Date: 27.5.2025 (Tue) Time: 7:55pm Venue: Emperor Cinemas Plus+ (Tai Wai) CineClub subscribers can register online from 23 May (Fri) at 10:00am. Limited tickets are available on a first-come, first-served basis. For more information, please visit https://cinefan.hkiff.org.hk/ . ———————————————————————— 🎬電影節發燒友 CineFan May/Jun/Jul🎬： https://cinefan.hkiff.org.hk/period/2025/may-jun-jul-2025 #HKIFF #香港國際電影節：https://www.hkiff.org.hk/ #CineFan #電影節發燒友：https://cinefan.hkiff.org.hk/2025/05/20に公開- 指定なしhttps://www.instagram.com/explore/tags/韋斯安德遜#韋斯安德遜https://www.instagram.com/explore/tags/腓尼基大作戰#腓尼基大作戰https://www.instagram.com/explore/tags/THEPHOENICIANSCHEME#THEPHOENICIANSCHEMEhttps://www.instagram.com/explore/tags/WesAnderson#WesAndersonhttps://www.instagram.com/explore/tags/HKIFF#HKIFFhttps://www.instagram.com/explore/tags/香港國際電影節#香港國際電影節https://www.instagram.com/explore/tags/CineFan#CineFanhttps://www.instagram.com/explore/tags/電影節發燒友#電影節發燒友0.92%3291【#第49屆香港國際電影節】「火鳥大獎」頒獎禮 - 精華片段重溫 🎬 【#HKIFF49】FIREBIRD AWARDS CEREMONY - Highlights Video 🎬 香港國際電影節協會假香港文化中心大劇院，舉行本年度「火鳥大獎」競賽頒獎典禮。《一匹白馬的熱夢》及《黑之牛》分別勇奪「新秀電影競賽」華語及世界組別的火鳥大獎最佳電影。「紀錄片競賽」及「國際短片競賽」的大獎得主，則分別為《加沙飛躍道》及《我是你的眼》。 The 49th Hong Kong International Film Festival (HKIFF49) announced the Firebird Awards and FIPRESCI Prize winners at a ceremony held at the Hong Kong Cultural Centre, with To Kill a Mongolian Horse and Black Ox taking the top prizes in the Young Cinema Competition. ———————————————————————— 🎬電影節發燒友 CineFan May/Jun/Jul🎬： https://cinefan.hkiff.org.hk/period/2025/may-jun-jul-2025 #HKIFF #香港國際電影節：https://www.hkiff.org.hk/ #CineFan #電影節發燒友：https://cinefan.hkiff.org.hk/2025/05/19に公開- 指定なしhttps://www.instagram.com/explore/tags/第49屆香港國際電影節#第49屆香港國際電影節https://www.instagram.com/explore/tags/HKIFF49#HKIFF49https://www.instagram.com/explore/tags/HKIFF#HKIFFhttps://www.instagram.com/explore/tags/香港國際電影節#香港國際電影節https://www.instagram.com/explore/tags/CineFan#CineFanhttps://www.instagram.com/explore/tags/電影節發燒友#電影節發燒友0.09%320【#電影節發燒友 5/6/7月】伊奧塞里安尼靜觀文明的自相矛盾 【#CineFan May/Jun/Jul】The Contradictions of Civilisation under Iosseliani's Lens 因創作自由被打壓，#伊奧塞里安尼 於1982年移居法國，為電影事業開啟新里程。首部法國長片《#月神的寵兒》，靜觀八十年代巴黎街頭的躁動不安，人際關係的離合、變質與瓦解。「這部戲的起點，是『色即是空』及『人貪求物質世界的東西，但佔有愈多，孤單感卻愈強』。我腦海總盤旋着這樣的一個嚴肅問題，可是太嚴肅了，不可能寫成悲劇。我們只能嘲弄，才可免除內心的忐忑不安。」這種詩意洋溢的荒誕喜感，正成了其獨一無二的電影風格。 從巴黎走到非洲，《#然後有了光》細看一個停留於母系社會的原始部落，抵受不住西方文明的誘惑和衝擊。伊奧塞里安尼稱片名有兩重意思：世界給創造出來，乃是福份，是上天之光；但我們今天以為，文明結下的果子便是那福份。這兩道光自相矛盾，互不相容。其實，世界決非為文明之光而來：「《然後有了光》的名字略帶諷刺，諷刺是藝術的古老表達方式，箇中有着傷感與無奈，但也讓我們舉重若輕，並明白事物的相對意義。」（註：片中土語對白並無任何字幕，只以字幕卡交代，此乃導演原意）。 As his creative freedom was being suppressed, Otar Iosseliani moved to France in 1982 and turned a new page in his filmmaking career. His first French feature film, #FAVOURITESOFTHEMOON, is an amusing comedy featuring an ensemble of thieves and lovers, offering an examination of the fragility of human relationships. ‘For this film, I started with the phrase “the vanity of vanities”, and “people try to get something in the material world, and the more things they get, the more they remain lonely.”… These have always been serious questions for it, and while laughing, touch the theme without being annoying.’ Such abstract comedy has become an indelible signature of the Iosseliani cinema. From Paris to Africa, Iosseliani turned his lens on Africa in #ANDTHENTHEREWASLIGHT, observing how the arrival of western civilisation gradually changes the traditional values and ways of living of a matriarchal village. Iosseliani said that the film’s title has two meanings: the world was created as a blessing, as a light from above, but today we think that the fruits of civilisation are that blessing. These two lights are self-contradictory and incompatible with each other. In fact, the world did not come into being for the light of civilization. AND THEN THERE WAS LIGHT sounds ironic - irony is an old form of artistic expression, one that embodies sadness and hopelessness, but also one that is at once heavy and light, enabling us to understand the relative significance of our world. (Note: it is the director’s intention not to provide subtitles for the dialogues, which are presented in intertitles only).2025/05/19に公開- 指定なしhttps://www.instagram.com/explore/tags/電影節發燒友#電影節發燒友https://www.instagram.com/explore/tags/CineFan#CineFanhttps://www.instagram.com/explore/tags/伊奧塞里安尼#伊奧塞里安尼https://www.instagram.com/explore/tags/月神的寵兒#月神的寵兒https://www.instagram.com/explore/tags/然後有了光#然後有了光https://www.instagram.com/explore/tags/FAVOURITESOFTHEMOON#FAVOURITESOFTHEMOONhttps://www.instagram.com/explore/tags/ANDTHENTHEREWASLIGHT#ANDTHENTHEREWASLIGHT0.12%430【#電影節發燒友 5/6/7月】伊奧塞里安尼蘇聯時期最後之作 【#CineFan May/Jun/Jul】Otar Iosseliani's Last Two Films in the USSR 作品屢遭蘇聯當局審查，#伊奧塞里安尼 有見於創作自由被打壓，於1982年毅然移居法國。在蘇聯時期最後兩部作品，雖無任何政治諷刺意味，但依然難逃被禁映命運。《#有隻黑鳥在唱歌》以格魯吉亞童話命名，以輕鬆幽默的筆觸描寫一位第比利斯樂團鼓手三十六小時的生活，在街頭巷尾遊移晃蕩，呼朋喚友的美好時光，無憂無慮的姿態與費里尼的《浪蕩兒》異曲同工。全片甚少對白，以聲音、寂靜及樂韻，串連出詼諧妙趣眾生相。 伊奧塞里安尼曾是畫家及職業樂手，在《#田園樂韻》寫四重奏樂團從城市來到田園寓排練於度假，以音樂映照城鄉差異，自然手到拿來。城市樂手對着樂譜默默反覆練習，村民卻愛與親友在飯桌上即興而歌，兩種不同的生活態度相映成趣。伊奧塞里安尼的女兒飾演鄉村少女，情竇初開，可惜愛情只是曇花一現。如斯田園牧歌竟被當權者評為「不夠啟發性」及「過度風格化」，其風格實驗及含蓄喻意亦被批偏離社會寫實主義的路線，難怪此片在柏林影展獲獎後，伊奧塞里安尼選擇遠走他方。 As his works were heavily censored by the Soviet authority, #OtarIosseliani grew sceptical about getting any artistic freedom in his homeland. Disillusioned with the creative suppression of filmmakers in Georgia, he eventually left for France in 1982. His last two works in the USSR were not politically satirical, but they were still banned. Mockingly named after a Georgian fairy tale, #ONCEUPONATIMETHEREWASASINGINGBLACKBIRD depicts 36 hours in the life of a young musician from the Tbilisi orchestra. The world of this hedonist percussionist is masterfully created with magical sequences of sound, silence and music, and his happy-go-lucky attitude calls to mind the characters in Fellini’s I VITELLONI. With little dialogue, the film takes a freewheeling approach to observe a shapeshifting society. A former painter and professional musician, Iosseliani painted a wry and poetic portrait of urban-rural discrepancy through the story of a city string quartet coming to the countryside for a summer holiday. While the city musicians practise repeatedly in isolation, the villagers love to sing impromptu at the dinner table with friends and relatives, reflecting their different attitudes towards life. Iosseliani's daughter plays a village girl who falls for a musician in a short-lived romance. #PASTORALE was shelved by Soviet censors on account of its ‘formalist aesthetic’, marked by stylistic experiments and obliqueness that run afoul of the Socialist Realist vein. Following PASTORALE's success at Berlinale, Iosseliani decided to leave his homeland. 2025/05/16に公開- 指定なしhttps://www.instagram.com/explore/tags/電影節發燒友#電影節發燒友https://www.instagram.com/explore/tags/CineFan#CineFanhttps://www.instagram.com/explore/tags/伊奧塞里安尼#伊奧塞里安尼https://www.instagram.com/explore/tags/有隻黑鳥在唱歌#有隻黑鳥在唱歌https://www.instagram.com/explore/tags/田園樂韻#田園樂韻https://www.instagram.com/explore/tags/OtarIosseliani#OtarIosselianihttps://www.instagram.com/explore/tags/ONCEUPONATIMETHEREWASASINGINGBLACKBIRD#ONCEUPONATIMETHEREWASASINGINGBLACKBIRDhttps://www.instagram.com/explore/tags/PASTORALE#PASTORALE0.27%960【#電影節發燒友 5/6/7月】真赫曼的雙重面相 【#CineFan May/Jun/Jul】The Double Faces of Gene Hackman 一個是沉實穩重的老派私家偵探，專門從事竊聽任務，事事提防處處戒心；一個是攬權縱暴的小鎮警長，自詡是秩序維持者，以恫嚇手段威權執法。#真赫曼 在《#竊聽大陰謀》及《#豪情蓋天》飾演性格截然不同的人物，判若兩人，同樣令人信服，他更憑後者的精湛演出勇奪奧斯卡最佳男配角。 哥普拉在兩齣《教父》之間就交出政治驚慄傑作《竊聽大陰謀》，一舉拿下康城金棕櫚獎。影片問世之時正值美國七十年代初水門事件後，個人私隱被監察及竊取的議題在社會引起極大震盪。哥普拉以私家偵探真赫曼為主幹，偷聽人者人亦偷聽之，到最後在疑神疑鬼下神經質崩潰，折射一個時代的迷亂與失落。獨行俠奇連伊士活自導自演《豪情蓋天》，既是向恩師兼好友沙治奧里昂尼與唐薛高致敬，亦是向傳統西部片訣別，來一趟最後的反英雄自我修正；正邪沒有批判，錯對亦難分辨，交出了錯綜複雜的道德寓言，對美國歷史以至美英雄主義來一趟反思。5月18日《豪情蓋天》設映後談，由影評人張偉雄主講。 One is a shy, reclusive private detective specialising in surveillance; the other is a loathsome, sadistic sheriff, taking the law into his own hands. In #THECONVERSATION and #UNFORGIVEN, #GeneHackman was equally convincing as two entirely different characters, and won the Oscar for Best Supporting Actor for his distinctive performance in the latter film. Filmed between the GODFATHER crime epics, Francis Ford Coppola delivered THE CONVERSATION, a political thriller that won the Palme d’Or at Cannes. In the wake of the Watergate scandal in the United States in the early seventies, the film tapped into the issue of surveillance and privacy that came into public focus for the first time. Through Hackman’s role as a surveillance expert who becomes paranoid about his own privacy, the film reflects on the confusion and disillusionment of a generation. Hailed as one of Hollywood’s great revisionist westerns, UNFORGIVEN is Clint Eastwood’s tribute to his mentors and friends, Sergio Leone and Don Siegel, and a farewell to his iconic screen persona of the lone gunslinger. It is a magisterial film, a lean fable of great moral complexity, without any confrontation between good and evil; the meaning of right and wrong changes as the tale unfolds. It is a meditation on history and the American experience, while questioning the notion of heroism. ———————————————————————— 🎬電影節發燒友 CineFan May/Jun/Jul🎬： https://cinefan.hkiff.org.hk/period/2025/may-jun-jul-2025 #HKIFF #香港國際電影節：https://www.hkiff.org.hk/ #CineFan #電影節發燒友：https://cinefan.hkiff.org.hk/2025/05/14に公開- 指定なしhttps://www.instagram.com/explore/tags/電影節發燒友#電影節發燒友https://www.instagram.com/explore/tags/CineFan#CineFanhttps://www.instagram.com/explore/tags/真赫曼#真赫曼https://www.instagram.com/explore/tags/竊聽大陰謀#竊聽大陰謀https://www.instagram.com/explore/tags/豪情蓋天#豪情蓋天https://www.instagram.com/explore/tags/THECONVERSATION#THECONVERSATIONhttps://www.instagram.com/explore/tags/UNFORGIVEN#UNFORGIVENhttps://www.instagram.com/explore/tags/GeneHackman#GeneHackmanhttps://www.instagram.com/explore/tags/HKIFF#HKIFFhttps://www.instagram.com/explore/tags/香港國際電影節#香港國際電影節0.3%1090【#電影節發燒友 5/6/7月】《黃葉舞青風》：法國新浪潮之風 【#CineFan May/Jun/Jul】FALLING LEAVES: Unabashedly French New Wave-like Vibe #伊奧塞里安尼 首部長片《#黃葉舞青風》拍成於1966年，於第比利斯電影節上映後即被擱置，兩年後方於康城影展登場，並摘下影評人聯盟獎。一個簡樸故事，描繪理想主義青年在國營釀酒廠初出茅廬，拒絕同流合污，與盲從體制隨波逐流的好友形成強烈對比。影片非但全無蘇聯主流電影陳腐之氣，更吹拂着法國新浪潮之風，雖暗諷為求達標不顧一切的官僚文化，但追逐愛情、浪蕩街頭的青春朝氣與叛逆姿態，更看得人心神一爽。電影於蘇聯十月革命50周年一年前推出，而被青年揭發品質欠佳的酒桶名為49號（碰巧酒也是紅色！），共黨對號入座認定是對其嘲諷，一句「愚蠢的象徵」，已足令影片在國內遭禁映；片中國家機器的荒謬情節，竟與現實巧妙迴響。 #OtarIosseliani's feature-length debut, #FALLINGLEAVES, made in 1966, was shelved almost immediately after a special screening at the Tbilisi International Film Festival. Only until 1968 was it screened at Cannes, where it won the FIPRESCI prize. It is a simple story about an idealistic young man starting out at a state-run wine collective, who refuses to conform to the mediocrity of the factory, in contrast to his friend who toes the state line. Unlike the official cultural doctrine of social realism, the film is layered in a fresh, unabashedly French New Wave-like vibe; despite an undertone satirising Soviet ineptitude and corruption, its images and sounds feel more like a celebration of youthful energy, romance and an individual's resistance to oppression. The film came out a year before the Soviet Union's50th anniversary of the October Revolution, the spoiled wine barrel had No. 49 painted on it, and the wine itself was red (!). 'Some stupid symbolism' as the authority regarded it was enough for the film to be banned in Georgia. Ironically, the absurdity of the Soviet machine depicted in FALLING LEAVES was echoed in real life. ———————————————————————— 🎬電影節發燒友 CineFan May/Jun/Jul🎬： https://cinefan.hkiff.org.hk/period/2025/may-jun-jul-2025 #HKIFF #香港國際電影節：https://www.hkiff.org.hk/ #CineFan #電影節發燒友：https://cinefan.hkiff.org.hk/2025/05/12に公開- 指定なしhttps://www.instagram.com/explore/tags/電影節發燒友#電影節發燒友https://www.instagram.com/explore/tags/CineFan#CineFanhttps://www.instagram.com/explore/tags/伊奧塞里安尼#伊奧塞里安尼https://www.instagram.com/explore/tags/黃葉舞青風#黃葉舞青風https://www.instagram.com/explore/tags/OtarIosseliani#OtarIosselianihttps://www.instagram.com/explore/tags/FALLINGLEAVES#FALLINGLEAVEShttps://www.instagram.com/explore/tags/HKIFF#HKIFFhttps://www.instagram.com/explore/tags/香港國際電影節#香港國際電影節0.33%1180【#電影節發燒友 5/6/7月】伊奧塞里安尼短片集 【#CineFan May/Jun/Jul】Otar Iosseliani Short Film Collection #伊奧塞里安尼 在蘇聯國立電影學院求學時期曾拍攝多部短片，輕盈跳脫、幽默諷刺的電影語言早見端倪。《#水彩畫》裏一對貧賤夫婦追趕打罵之際誤闖美術館，乍見自家破屋成為畫作，平凡生活的荒誕感引人發噱，貧富差距的暗諷亦盡在不言中。 《#四月》仿傚默片形式雕塑愛情小品，寫年輕情侶遷入摩登洋房，簡樸生活竟因一張華美椅子頓然生變。影片全無對白，唯一「對白」是兩人因滿室傢俬雜物而吵嘴（註：片中外語對白並無任何字幕，此乃導演原意），雖聽不明但看得懂，貫徹只以精巧聲音設計牽引一喜一怒的絕妙心思，溫柔擁抱積葵大地最擅長的聲音與節奏魔法，對物質主義的嘲諷更令人會心微笑。 移居法國，未開拍《月神的寵兒》前，伊奧塞里安尼先交出短片《#黑白電影七小章》，捕捉初到巴黎的第一印象，作為一闋精巧練習曲。拼貼紀錄片段，以近乎民族學的目光靜觀巴黎萬花筒般眾生流轉，咖啡館、小狗與穿皮草婦女看來妙趣無窮，聲音設計實驗尤令人耳目一新。 During his studies at VGIK, #OtarIosseliani made several short films that launched an ambitious style – audaciously simple yet charmingly funny and sarcastic. A portrait of a quarreling couple who finds a painting of their own house in an art museum, #AQUARELLE introduces an absurdist humour in daily life, and an irony of the gap between the rich and the poor. Taking the form of a silent film, #APRIL crafts a sketch of young love whose relationship gets worse as their possessions increase. The only ‘dialogue’ in this almost wordless film is a quarrel between the couple over their flat cluttered with furniture (Note: it is the director’s intention not to provide subtitles for the dialogue), which is meant to be understood not by what they say but by what they imply. Like Jacques Tati, Iosseliani uses sounds as an integral part of the comedy. Underscoring each scene with an ironic snatch of music and the comic effect of modified sounds, APRIL effortlessly creates a fable on consumerism through a short romance drama. After moving to France, Iosseliani made #SEVENPIECESFORBLACKANDWHITECINEMA before he started working on FAVOURITES OF THE MOON. He tried to capture on film his first impressions of Paris and the people who inhabit it. In this black-and white etude, the director combines documentary footage that demonstrates his ethnological gaze on his new environment in Paris – café, dogs, women in fur coats - with elements of fiction and an experimental sound collage, offering an amusing gaze on the vibrant city life.2025/05/09に公開- 指定なしhttps://www.instagram.com/explore/tags/電影節發燒友#電影節發燒友https://www.instagram.com/explore/tags/CineFan#CineFanhttps://www.instagram.com/explore/tags/伊奧塞里安尼#伊奧塞里安尼https://www.instagram.com/explore/tags/水彩畫#水彩畫https://www.instagram.com/explore/tags/四月#四月https://www.instagram.com/explore/tags/黑白電影七小章#黑白電影七小章https://www.instagram.com/explore/tags/OtarIosseliani#OtarIosselianihttps://www.instagram.com/explore/tags/AQUARELLE#AQUARELLEhttps://www.instagram.com/explore/tags/APRIL#APRILhttps://www.instagram.com/explore/tags/SEVENPIECESFORBLACKANDWHITECINEMA#SEVENPIECESFORBLACKANDWHITECINEMA0.31%1100【#電影節發燒友 5/6/7月】紀念梅齊德琳誕生一百周年 【#CineFan May/Jun/Jul】Celebrating Mai Zetterling’s 100th Anniversary of Birth #梅齊德琳 是瑞典女性主義電影先驅，17歲出道，以精湛演技打響名堂。演而優則導，於1964至1968年間執導首作《#相敬如賓》及《#不快樂的女孩》，挑戰歐洲當時依然保守的性別觀念，成為女性抗爭先驅。高舉女性自主的旗幟外，她的電影不乏政治意味，呼應二十世紀歐洲的動盪狀態。作品的敘事結構不拘一格，象徵手法匠心獨運，尤以細膩刻劃女性微妙心理狀態見稱，讓慾望大膽解放，意識前衛超越時代。比比安德遜、哈里特安德遜、古內爾林德布洛姆等英瑪褒曼御用女星坐鎮，攝影、美指等幕後班底亦是一時之選。今年適逢梅齊德琳誕生一百周年，Cine Fan精選其首兩部劃時代傑作，讓影迷在銀幕重溫其膽色與才氣。 A pioneer of Swedish feminist cinema, #MaiZetterling began her professional career at the age of 17, launching herself to stardom with her remarkable performances. The actress-turned-director made her directorial debut with #LOVINGCOUPLES and #THEGIRLS, completed in the period 1964–68. Outrageous and groundbreaking, her films are known for challenging fiercely demeaning patriarchy, while at once politically incendiary, reflecting the turbulent state of 20th-century Europe. With their audacious narrative structures, their elaborate use of symbolism, her works are distinguished by their psychological treatments and sexual candour, well ahead of her time. Assembling many of Ingmar Bergman’s favourites – Bibi Andersson, Harriet Andersson, Gunnel Lindblom – and some of the finest Swedish crew, she anchored her adventurous filmmaking with high production values. Revisiting the two classic films on the 100th anniversary of Zetterling's birth, you’ll appreciate how fearlessly transgressive she was in the fight for women’s empowerment. ———————————————————————— 🎬電影節發燒友 CineFan May/Jun/Jul🎬： https://cinefan.hkiff.org.hk/period/2025/may-jun-jul-2025 #HKIFF #香港國際電影節：https://www.hkiff.org.hk/ #CineFan #電影節發燒友：https://cinefan.hkiff.org.hk/2025/05/07に公開- 指定なしhttps://www.instagram.com/explore/tags/電影節發燒友#電影節發燒友https://www.instagram.com/explore/tags/CineFan#CineFanhttps://www.instagram.com/explore/tags/梅齊德琳#梅齊德琳https://www.instagram.com/explore/tags/相敬如賓#相敬如賓https://www.instagram.com/explore/tags/不快樂的女孩#不快樂的女孩https://www.instagram.com/explore/tags/MaiZetterling#MaiZetterlinghttps://www.instagram.com/explore/tags/LOVINGCOUPLES#LOVINGCOUPLEShttps://www.instagram.com/explore/tags/THEGIRLS#THEGIRLShttps://www.instagram.com/explore/tags/HKIFF#HKIFFhttps://www.instagram.com/explore/tags/香港國際電影節#香港國際電影節0.09%330【#電影節發燒友 5/6/7月】向真赫曼致敬 【#CineFan May/Jun/Jul】A Tribute to Gene Hackman 「從沒有『真赫曼型』，真赫曼獨一無二 。」這是湯漢斯對這位偉大演員的稱譽。荷里活的「硬漢」不少，但 #真赫曼 的「硬」卻是別具一格──《密探霹靂火》裏躁動的紐約幹探，嫉惡如仇同時放縱暴虐，英雄與反英雄集於一身；《#豪情蓋天》裏的小鎮警長，高山不動地以威逼恫嚇手段威權執法；《#烈血暴潮》裏的FBI有勇有謀更有柔腸，以非常手段離間計，還死者一個公道。同是警探角色，真赫曼賦予三種不同面相，每每充滿人性缺憾，但那種為求正義將一切置諸度外的剛烈率性，總教人心頭一爽，暗自為他喝采。 真赫曼固然是勇猛警探的表表者，但在《#同是天涯淪落人》演繹於社會邊緣流浪的小人物，撇脫豪邁，愛劈酒愛溝女亦重情義，同樣精彩絕倫。來到《#竊聽大陰謀》化身老派私家偵探，凝重沉穩戒心處處，無人能解的疏離與寂寞，毫無表演痕跡，足以震懾全場。 Cine Fan精選了真赫曼主演的四部代表作，向這位年初去世的一代影帝致敬。 ‘There has never been a “Gene Hackman Type,'" Tom Hanks wrote. ‘There has only been Gene Hackman.’ There are many ‘tough guys’ in Hollywood, but none are as hard as the late #GeneHackman was – he can be a vicious, bigoted New York cop in THE FRENCH CONNECTION; a town’s sadistic, loathsome sheriff in #UNFORGIVEN; and a brave, resourceful yet tender FBI agent in #MISSISSIPPIBURNING. While frequently playing the role of a police officer, Hackman gave different portrayals of his characters – no lack of human flaws, yet they are honest and true human beings, who are ready to put everything aside for the sake of justice. His power, determination, obsession and even nastiness have called for admiration and applause. Besides tough detectives, Hackman was also convincing as a city drifter in #SCARECROW, wrestling with his fractured identity; or a shy, reclusive surveillance expert steeped in desperate isolation and solitude in #THECONVERSATION. The brilliant Hackman left an indelible impact on Hollywood with his innumerable, iconic roles. Cine Fan features four of Hackman’s iconic works as a tribute to the revered actor of our generation, who passed away earlier this year. ———————————————————————— 🎬電影節發燒友 CineFan May/Jun/Jul🎬： https://cinefan.hkiff.org.hk/period/2025/may-jun-jul-2025 #HKIFF #香港國際電影節：https://www.hkiff.org.hk/ #CineFan #電影節發燒友：https://cinefan.hkiff.org.hk/2025/05/06に公開- 指定なしhttps://www.instagram.com/explore/tags/電影節發燒友#電影節發燒友https://www.instagram.com/explore/tags/CineFan#CineFanhttps://www.instagram.com/explore/tags/真赫曼#真赫曼https://www.instagram.com/explore/tags/豪情蓋天#豪情蓋天https://www.instagram.com/explore/tags/烈血暴潮#烈血暴潮https://www.instagram.com/explore/tags/同是天涯淪落人#同是天涯淪落人https://www.instagram.com/explore/tags/竊聽大陰謀#竊聽大陰謀https://www.instagram.com/explore/tags/GeneHackman#GeneHackmanhttps://www.instagram.com/explore/tags/UNFORGIVEN#UNFORGIVENhttps://www.instagram.com/explore/tags/MISSISSIPPIBURNING#MISSISSIPPIBURNINGhttps://www.instagram.com/explore/tags/SCARECROW#SCARECROWhttps://www.instagram.com/explore/tags/THECONVERSATION#THECONVERSATIONhttps://www.instagram.com/explore/tags/HKIFF#HKIFFhttps://www.instagram.com/explore/tags/香港國際電影節#香港國際電影節0.14%500【#第49屆香港國際電影節】香港名家講座：焦點影人古天樂 - 精華片段重溫 🎬 【#HKIFF49】Face to Face with Louis Koo, Filmmaker in Focus - Highlights video 🎬 HKIFF49的焦點影人，是對香港影壇舉足輕重的 #古天樂 。這位屢獲殊榮的影帝，不單演技出眾，更致力推動本地影業發展，貢獻卓越。在其代表作之一《#殺破狼貪狼》放映後，他出席於香港文化中心大劇院舉行的香港名家講座，與主持人 #游學修 及一眾影迷會面暢談。 HKIFF honours #LouisKoo as this year’s Filmmaker-in-Focus for his outstanding performances and dedication to fostering the growth of local cinema. After the screening of #PARADOX, one of his most iconic works, the star actor-turned-producer took the stage at the Hong Kong Cultural Centre Grand Theatre, engaging in an inspiring Face to Face session with the moderator, actor #NeoYau, and the public. ———————————————————————— 🎬電影節發燒友 CineFan May/Jun/Jul🎬： https://cinefan.hkiff.org.hk/period/2025/may-jun-jul-2025 #HKIFF #香港國際電影節：https://www.hkiff.org.hk/ #CineFan #電影節發燒友：https://cinefan.hkiff.org.hk/2025/05/02に公開- 指定なしhttps://www.instagram.com/explore/tags/第49屆香港國際電影節#第49屆香港國際電影節https://www.instagram.com/explore/tags/HKIFF49#HKIFF49https://www.instagram.com/explore/tags/古天樂#古天樂https://www.instagram.com/explore/tags/殺破狼貪狼#殺破狼貪狼https://www.instagram.com/explore/tags/游學修#游學修https://www.instagram.com/explore/tags/LouisKoo#LouisKoohttps://www.instagram.com/explore/tags/PARADOX#PARADOXhttps://www.instagram.com/explore/tags/NeoYau#NeoYauhttps://www.instagram.com/explore/tags/HKIFF#HKIFFhttps://www.instagram.com/explore/tags/香港國際電影節#香港國際電影節https://www.instagram.com/explore/tags/CineFan#CineFanhttps://www.instagram.com/explore/tags/電影節發燒友#電影節發燒友0.32%1160【#第49屆香港國際電影節】新秀電影競賽 (世界) ─ 最佳女演員得獎感言 【#HKIFF49】Young Cinema Competition (World) - Best Actress Acceptance Speeches 《#陌生的溫柔》的佐治卡巴斯及 #漢娜舒古拉，分別奪得火鳥大獎新秀電影競賽（世界）的最佳男女演員獎。兩人雖然無法親自前來電影節領獎，卻共同送上得獎感言。 Georges Khabbaz and #HannaSchygulla won the Best Actor and Best Actress awards at the Firebird Young Cinema Competition (World) for their distinguished performances in #Yunan. They share their thank you messages with the audience! ———————————————————————— 🎬電影節發燒友 CineFan May/Jun/Jul🎬： https://cinefan.hkiff.org.hk/period/2025/may-jun-jul-2025 #HKIFF #香港國際電影節：https://www.hkiff.org.hk/ #CineFan #電影節發燒友：https://cinefan.hkiff.org.hk/2025/04/30に公開- 指定なしhttps://www.instagram.com/explore/tags/第49屆香港國際電影節#第49屆香港國際電影節https://www.instagram.com/explore/tags/HKIFF49#HKIFF49https://www.instagram.com/explore/tags/陌生的溫柔#陌生的溫柔https://www.instagram.com/explore/tags/漢娜舒古拉#漢娜舒古拉https://www.instagram.com/explore/tags/HannaSchygulla#HannaSchygullahttps://www.instagram.com/explore/tags/Yunan#Yunanhttps://www.instagram.com/explore/tags/HKIFF#HKIFFhttps://www.instagram.com/explore/tags/香港國際電影節#香港國際電影節https://www.instagram.com/explore/tags/CineFan#CineFanhttps://www.instagram.com/explore/tags/電影節發燒友#電影節發燒友0.08%280【#第49屆香港國際電影節】新秀電影競賽 (世界) ─ 最佳男演員得獎感言 【#HKIFF49】Young Cinema Competition (World) - Best Actor Acceptance Speeches 《#陌生的溫柔》的 #佐治卡巴斯 及漢娜舒古拉，分別奪得火鳥大獎新秀電影競賽（世界）的最佳男女演員獎。兩人雖然無法親自前來電影節領獎，卻共同送上得獎感言。 #GeorgesKhabbaz and Hanna Schygulla won the Best Actor and Best Actress awards at the Firebird Young Cinema Competition (World) for their distinguished performances in #Yunan. They share their thank you messages with the audience! ———————————————————————— 🎬電影節發燒友 CineFan May/Jun/Jul🎬： https://cinefan.hkiff.org.hk/period/2025/may-jun-jul-2025 #HKIFF #香港國際電影節：https://www.hkiff.org.hk/ #CineFan #電影節發燒友：https://cinefan.hkiff.org.hk/2025/04/30に公開- 指定なしhttps://www.instagram.com/explore/tags/第49屆香港國際電影節#第49屆香港國際電影節https://www.instagram.com/explore/tags/HKIFF49#HKIFF49https://www.instagram.com/explore/tags/陌生的溫柔#陌生的溫柔https://www.instagram.com/explore/tags/佐治卡巴斯#佐治卡巴斯https://www.instagram.com/explore/tags/GeorgesKhabbaz#GeorgesKhabbazhttps://www.instagram.com/explore/tags/Yunan#Yunanhttps://www.instagram.com/explore/tags/HKIFF#HKIFFhttps://www.instagram.com/explore/tags/香港國際電影節#香港國際電影節https://www.instagram.com/explore/tags/CineFan#CineFanhttps://www.instagram.com/explore/tags/電影節發燒友#電影節發燒友0.17%593【#電影節發燒友 5/6/7月】一笑人間萬事 ─ 伊奧塞里安尼的抽象喜劇 【#CineFan May/Jun/Jul】Of Levity and Humanity–The Otar Iosseliani Retrospective 以「一笑人間萬事」來形容 #伊奧塞里安尼 的抽象喜劇，只因他的作品每每輕靈敏銳、幽默暗諷，流露着中國詩人名士常見的人生態度，是一份自信與自傲，以及洞若觀火、看透世情的大度與從容。 來自格魯吉亞的導演伊奧塞里安尼一直站於電影主流之外，外觀上彷彿遊戲人間、漫不經意，內裏蘊含對社會、歷史、文化、藝術以至電影的洞察與反思。電影裏人物如繁星，多線敘事為主，憑藉靈巧聲音節奏、交錯時空剪接，形成獨特的內在韻律。恍如尚雷諾亞的如詩似畫、積葵大地的精闢節奏、布紐爾的荒誕諷刺集於一身，其電影語言卻自成體系，獨一無二。 是次精選其九部經典長片及三部短片，涵蓋蘇聯及法國時期的傑作。揶揄官僚文化的《#黃葉舞青風》及凸顯城鄉差異的《#田園樂韻》雖在國內被禁，卻在海外揚威；諷刺人性不改、歷史重演的《#月神的寵兒》及《#三世唔修》、批判文明破壞的《#然後有了光》以及悼念過去美好的《#最後的蝴蝶》，皆於威尼斯影展屢獲殊榮；他更憑《#遊戲星期一》獲柏林影展最佳導演銀熊獎。 節目詳情可瀏覽https://cinefan.hkiff.org.hk/zh 。門票現於城市售票網公開發售。 ‘Of levity and humanity’ best describes #OtarIosseliani’s abstract comedies, which are always light, sensitive, with a sense of humour and irony, evoking a way of life and a way of seeing the world – convivial, sublime, with whimsical humanity. The Georgian filmmaker stood apart from the mainstream, leaving an indelible imprint on the cinematic landscape. Regarded as the true heir to Jean Renoir, Jacques Tati, and Luis Buñuel, his cinema is infused with poetic realism, comic rhythm, and subversive vision, yet the Iosseliani universe is distinctive on its own. Relaxed and laid back, the profound levity of his cinema serves as an ode to life freed from dogma, yet evoking contemplations on society, history, culture and even cinema itself. His kaleidoscopic characters weave the episodic narrative through their movements, creating a unique rhythm of its own that blends the gentle absurdist humour with the leisurely pace to form his inimitable, idiosyncratic fables. The retrospective showcases nine feature films and three short films, covering his most original works from the Soviet and French periods. Although banned in the USSR, #FALLINGLEAVES and #PASTORALE gained recognition in international festivals. Four of his most important works - #FAVOURITESOFTHEMOON and #BRIGANDSCHAPTERVII, both mocking the perennial follies of humanity; #ANDTHENTHEREWASLIGHT and #CHASINGBUTTERFLIES, meditating on modern civilisation and the lost past - won prestigious awards at Venice. With #MONDAYMORNING, he received the Silver Bear for Best Director at Berlinale.2025/04/30に公開- 指定なしhttps://www.instagram.com/explore/tags/電影節發燒友#電影節發燒友https://www.instagram.com/explore/tags/CineFan#CineFanhttps://www.instagram.com/explore/tags/伊奧塞里安尼#伊奧塞里安尼https://www.instagram.com/explore/tags/黃葉舞青風#黃葉舞青風https://www.instagram.com/explore/tags/田園樂韻#田園樂韻https://www.instagram.com/explore/tags/月神的寵兒#月神的寵兒https://www.instagram.com/explore/tags/三世唔修#三世唔修https://www.instagram.com/explore/tags/然後有了光#然後有了光https://www.instagram.com/explore/tags/最後的蝴蝶#最後的蝴蝶https://www.instagram.com/explore/tags/遊戲星期一#遊戲星期一https://www.instagram.com/explore/tags/OtarIosseliani#OtarIosselianihttps://www.instagram.com/explore/tags/FALLINGLEAVES#FALLINGLEAVEShttps://www.instagram.com/explore/tags/PASTORALE#PASTORALEhttps://www.instagram.com/explore/tags/FAVOURITESOFTHEMOON#FAVOURITESOFTHEMOONhttps://www.instagram.com/explore/tags/BRIGANDSCHAPTERVII#BRIGANDSCHAPTERVIIhttps://www.instagram.com/explore/tags/ANDTHENTHEREWASLIGHT#ANDTHENTHEREWASLIGHThttps://www.instagram.com/explore/tags/CHASINGBUTTERFLIES#CHASINGBUTTERFLIEShttps://www.instagram.com/explore/tags/MONDAYMORNING#MONDAYMORNING0.14%490【#第49屆香港國際電影節】尤荷古奧斯曼連名家講座 - 精華片段重溫 🎬 【#HKIFF49】Face to Face with Juho Kuosmanen - Highlights video 🎬 HKIFF49熱烈歡迎 #尤荷古奧斯曼連 首度來港，並於新作《#沉默狂想三部曲》放映後舉行名家講座。古奧斯曼連分享自己在苦苦籌備出道作《擂台下最好的時光》時，發現自己正失去拍電影的調皮和樂趣，於是開始嘗試以默片為媒介，創作一些不這麼嚴肅、甚至帶點愚蠢的故事，並完成《沉》的首個篇章。 HKIFF49 warmly welcomes #JuhoKuosmanen's first visit to Hong Kong. Attending a Face to Face session after the screening of #THESILENTTRILOGY, Kuosmanen shared his struggles when preparing his debut feature back in 2012. He found himself losing the playfulness and joy in filmmaking because everything became so serious. He then began experimenting with silent films as a medium, creating stories that were less serious, even a bit silly, and completed the first story of THE SILENT TRILOGY. ———————————————————————— 🎬電影節發燒友 CineFan May/Jun/Jul🎬： https://cinefan.hkiff.org.hk/period/2025/may-jun-jul-2025 #HKIFF #香港國際電影節：https://www.hkiff.org.hk/ #CineFan #電影節發燒友：https://cinefan.hkiff.org.hk/2025/04/29に公開- 指定なしhttps://www.instagram.com/explore/tags/第49屆香港國際電影節#第49屆香港國際電影節https://www.instagram.com/explore/tags/HKIFF49#HKIFF49https://www.instagram.com/explore/tags/尤荷古奧斯曼連#尤荷古奧斯曼連https://www.instagram.com/explore/tags/沉默狂想三部曲#沉默狂想三部曲https://www.instagram.com/explore/tags/JuhoKuosmanen#JuhoKuosmanenhttps://www.instagram.com/explore/tags/THESILENTTRILOGY#THESILENTTRILOGYhttps://www.instagram.com/explore/tags/HKIFF#HKIFFhttps://www.instagram.com/explore/tags/香港國際電影節#香港國際電影節https://www.instagram.com/explore/tags/CineFan#CineFanhttps://www.instagram.com/explore/tags/電影節發燒友#電影節發燒友0.16%580【#電影節發燒友 5/6/7月】苦樂相生 人生百味 ─ 邁克李回顧展 【#CineFan May/Jun/Jul】Sweet Lie, Bitter Truth–The Cinema of Mike Leigh #邁克李 新作《狂媽日記》剛於HKIFF49登場，大師不單老馬有火，更是火候十足，已達爐火純青的境界。這位英國導演出道之時，作品已透闢對社會現實的敏銳觀察，對低下層人物的刻劃更是細緻入微。鏡頭下的人物雖不乏性格缺陷、身心失衡、關係糾纏、苦苦掙扎；拍攝前的反複排練，讓演員進入角色即興發揮，產生自然的磨擦衝突，從而捕捉人性最真實、社會最深刻的寫照，成了邁克李只此一家的風格，也成就了不少演員榮登影帝影后寶座。 是次專題精選其十部經典作，由次作《#與此同時》開始，涵蓋邁克李最具代表性的作品，包括勇奪康城影展最佳導演獎的《#赤裸裸》、繼而榮獲康城金棕櫚獎的《#秘密與謊言》，以及威尼斯最佳電影金獅獎的《#地下觀音》。《#甜蜜生活》裏人生一點也不甜蜜，《#前程似錦》實際是「前程似咁」，《#折翼天使》更是一無所有的荒涼光景，即使《#光之畫家泰納先生》也盡是不可耐與無可奈。是的，人生多苦，但邁克李在困頓中總不失幽默與憐憫，於黑暗中未忘留下點點希望。 節目詳情可瀏覽https://cinefan.hkiff.org.hk/zh 。門票現於城市售票網公開發售。 #MikeLeigh's latest work, HARD TRUTHS, screened at HKIFF49, is a testimonial to his mastery in social realism and dark comedy. Since his early days, the legendary English filmmaker has begun to craft his nuanced and empathetic portrait of the working class, often flawed, disillusioned characters grappling with the demands of everyday life and entangled relationships, while reflecting both the socio-political and existential obstacles that leave them in dire situations. His method for creating narratives that rely on repeated rehearsals and actors’ improvisations to manufacture characters and conflict in an organic manner has become a signature feature of his work. Many actors and actresses also won accolades through his films. This 10-film retrospective takes the audience on a cinematic journey through Leigh's career, presenting his sophomore feature #MEANTIME alongside style-defining, award-winning works such as #NAKED, for which he won the Cannes Best Director award, #SECRETS&LIES, which won the Palme d'Or, and #VERADRAKE, recipient of the Venice Golden Lion for Best Film. Reality is not sugar-coated in #LIFEISSWEET; the future looks pessimistic in #HIGHHOPES; life has little to hold on to in #ALLORNOTHING; and even in #MRTURNER, the famous painter also has to navigate challenges on his own terms. Life is bitter, but Leigh inhabits his films with a register of tragicomic despair, never slipping into miserabilism. He plumbs the darkest depths of the human condition without ever losing hope.2025/04/28に公開- 指定なしhttps://www.instagram.com/explore/tags/電影節發燒友#電影節發燒友https://www.instagram.com/explore/tags/CineFan#CineFanhttps://www.instagram.com/explore/tags/邁克李#邁克李https://www.instagram.com/explore/tags/與此同時#與此同時https://www.instagram.com/explore/tags/赤裸裸#赤裸裸https://www.instagram.com/explore/tags/秘密與謊言#秘密與謊言https://www.instagram.com/explore/tags/地下觀音#地下觀音https://www.instagram.com/explore/tags/甜蜜生活#甜蜜生活https://www.instagram.com/explore/tags/前程似錦#前程似錦https://www.instagram.com/explore/tags/折翼天使#折翼天使https://www.instagram.com/explore/tags/光之畫家泰納先生#光之畫家泰納先生https://www.instagram.com/explore/tags/MikeLeigh#MikeLeighhttps://www.instagram.com/explore/tags/MEANTIME#MEANTIMEhttps://www.instagram.com/explore/tags/NAKED#NAKEDhttps://www.instagram.com/explore/tags/SECRETS#SECRETShttps://www.instagram.com/explore/tags/VERADRAKE#VERADRAKEhttps://www.instagram.com/explore/tags/LIFEISSWEET#LIFEISSWEEThttps://www.instagram.com/explore/tags/HIGHHOPES#HIGHHOPEShttps://www.instagram.com/explore/tags/ALLORNOTHING#ALLORNOTHINGhttps://www.instagram.com/explore/tags/MRTURNER#MRTURNER0.24%870【hkiffs sharing】 【#第49屆香港國際電影節】奇華餅家 - 香港國際電影節節目夥伴 【#HKIFF49】Kee Wah Bakery – HKIFF49 Festival Partner 奇華餅家紮根香港八十七年，一直秉承著「用心製餅，以質取勝」的經營宗旨，自設廠房，百分百香港製造，致力保留香港地道風味小食。時至今日奇華餅家已是享譽中外的餅食企業品牌，奇華手信禮品更成為本地及遊客的送禮首選。 了解更多：https://keewah.com/hk/ For over 80 years, Kee Wah Bakery has celebrated Hong Kong’s culinary legacy through time-honored recipes passed down through generations. Every product is crafted in our Hong Kong factory, where traditional methods meet unwavering dedication to quality. Each creation carries a taste of history, a legacy cherished by locals and shared with the world. Today, Kee Wah Bakery stands as a globally beloved emblem of Chinese baking and the quintessential Hong Kong souvenir. Discover the taste of heritage at keewah.com/hk #HKIFF49 #KeeWahBakery #奇華餅家2025/04/23に公開- 指定なしhttps://www.instagram.com/explore/tags/第49屆香港國際電影節#第49屆香港國際電影節https://www.instagram.com/explore/tags/HKIFF49#HKIFF49https://www.instagram.com/explore/tags/KeeWahBakery#KeeWahBakeryhttps://www.instagram.com/explore/tags/奇華餅家#奇華餅家0.11%410【#第49屆香港國際電影節】觀眾票選大獎結果揭盅！ 【#HKIFF49】Audience Choice Award Results Unveiled! 多謝各位影迷踴躍投票支持！HKIFF49觀眾票選大獎自開幕以來反應熱烈，多部本地薑表現神勇持續佔據十大位置，而不少影展佳作亦後勁凌厲，得到識貨的影迷而集氣成功，紛紛上榜。 賽果終於出爐：泰國導演查亞諾布帕拉科的喜劇《#關於我和鬼變成家人的那封利是》，莫非真的結合了陰陽兩界的念力，大熱勝出成為冠軍！HKIFF49閉幕電影、達約翰侯格勞執導的《#性愛夢之做夢》亦不負柏林金熊獎之名，最後關頭躍登亞軍！和路達沙利斯的奧斯卡得獎作《#至死方休》感動了無數香港觀眾，榮獲季軍！恭喜所有得獎電影，觀眾的支持，是所有電影人的最大鼓舞！ 再次感謝大家捧場，為心愛電影投下神聖一票！HKIFF50暫定於2026年4月1日至12日舉行。約定你，明年一起慶祝五十周年！ Thanks all for your votes and support! HKIFF49 Audience Choice Award has received a great response since its opening and the competition was fierce. Several local productions have been taking the top 10 positions all along, while some award-winning international hits later became close rivals, as cinephiles pull their socks up. Finally, the result is out! The highly popular and outrageously hilarious Thai comedy #THEREDENVELOPE, directed by Chayanop Boonprakob, takes No. 1 as expected! #DREAMSSEXLOVE, Dag Johan Haugerud’s Berlinale Golden Bear winner and HKIFF49 Closing Film, wins second position, while Walter Salles’ Oscar-winning #IMSTILLHERE, which touches all who watched it, comes third. Congratulations to all the winners! Audience support is always the most important to all filmmakers! Thanks again for your participation. HKIFF50 will take place from 1 to 12 April 2026. See you next year on our 50th anniversary! ———————————————————————— 🎬電影節發燒友 CineFan May/Jun/Jul🎬： https://cinefan.hkiff.org.hk/period/2025/may-jun-jul-2025 #HKIFF #香港國際電影節：https://www.hkiff.org.hk/ #CineFan #電影節發燒友：https://cinefan.hkiff.org.hk/2025/04/22に公開- 指定なしhttps://www.instagram.com/explore/tags/第49屆香港國際電影節#第49屆香港國際電影節https://www.instagram.com/explore/tags/HKIFF49#HKIFF49https://www.instagram.com/explore/tags/關於我和鬼變成家人的那封利是#關於我和鬼變成家人的那封利是https://www.instagram.com/explore/tags/性愛夢之做夢#性愛夢之做夢https://www.instagram.com/explore/tags/至死方休#至死方休https://www.instagram.com/explore/tags/THEREDENVELOPE#THEREDENVELOPEhttps://www.instagram.com/explore/tags/DREAMSSEXLOVE#DREAMSSEXLOVEhttps://www.instagram.com/explore/tags/IMSTILLHERE#IMSTILLHEREhttps://www.instagram.com/explore/tags/HKIFF#HKIFFhttps://www.instagram.com/explore/tags/香港國際電影節#香港國際電影節https://www.instagram.com/explore/tags/CineFan#CineFanhttps://www.instagram.com/explore/tags/電影節發燒友#電影節發燒友1.39%4943【#第49屆香港國際電影節】里奧卡哈斯名家講座 - 精華片段重溫 🎬 【#HKIFF49】Face to Face with Leos Carax - Highlights video 🎬 #里奧卡哈斯 被譽為最能代表法國電影風格的當代導演之一，承傳法國新浪潮的神髓氣息，樹立暗黑浪漫主義的獨特格調。向高達致敬的新作《#里奧不是卡哈斯》既是自我回顧亦是前瞻，依然故我遊走於夢幻、詩意與寓言之間。假香港文化中心大劇院舉行的名家講座，卡哈斯與主持人電影研究學者林瀚光展開一場精彩答問。他談及電影只有一百多年歷史，是較新的藝術媒介，需要思考如何去再創造——再創造自己、再創造愛、再創造電影。他的作品多關注社會邊緣人物，他們經常奔跑，試圖逃避；在其鏡頭下，愛可讓人違抗地心吸力，高飛遠去。 Regarded as one of contemporary cinema's most distinctive French filmmakers, the maverick #LeosCarax embodies the enduring influence of the Paris-based New Wave movement. A tribute to Godard, his latest work, #ITSNOTME, is loaded with cryptic personal references poised between dream, fable, and poem. In the Face to Face session held at the Hong Kong Cultural Centre Grand Theatre, Carax talked with film researcher Derek Lam. He mentioned that cinema, with a history of just over 100 years, is a relatively new form of arts, and it needed to be reinvented - reinventing yourself, reinventing love, and reinventing cinema. His work focused on outsiders and outcasts, who are always running away, trying to escape; under his camera, love can escape gravity, and lovers can fly away. ———————————————————————— 🎬電影節發燒友 CineFan May/Jun/Jul🎬： https://cinefan.hkiff.org.hk/period/2025/may-jun-jul-2025 #HKIFF #香港國際電影節：https://www.hkiff.org.hk/ #CineFan #電影節發燒友：https://cinefan.hkiff.org.hk/2025/04/22に公開- 指定なしhttps://www.instagram.com/explore/tags/第49屆香港國際電影節#第49屆香港國際電影節https://www.instagram.com/explore/tags/HKIFF49#HKIFF49https://www.instagram.com/explore/tags/里奧卡哈斯#里奧卡哈斯https://www.instagram.com/explore/tags/里奧不是卡哈斯#里奧不是卡哈斯https://www.instagram.com/explore/tags/LeosCarax#LeosCaraxhttps://www.instagram.com/explore/tags/ITSNOTME#ITSNOTMEhttps://www.instagram.com/explore/tags/HKIFF#HKIFFhttps://www.instagram.com/explore/tags/香港國際電影節#香港國際電影節https://www.instagram.com/explore/tags/CineFan#CineFanhttps://www.instagram.com/explore/tags/電影節發燒友#電影節發燒友0.14%520【#HKIFF49每日影訊 | Day 12】HKIFF49以《性愛夢之做夢》亞洲首映圓滿閉幕 【Festival Daily】HKIFF49 Concluded with DREAMS (SEX LOVE) Asian Premiere 為期12天的第四十九屆香港國際電影節，由 #達約翰侯格勞 的柏林影展金熊獎得獎作《#性愛夢之做夢》亞洲首映作結，於今晚劃上圓滿句號！恭喜所有火鳥大獎的得獎者，我們亦衷心感謝所有電影人與觀眾的參與，及對電影節的支持！HKIFF50暫定於2026年4月1日至12日舉行。約定你，明年一起慶祝五十周年！ HKIFF49 concluded tonight with the Asian premiere of #DREAMSSEXLOVE, #DagJohanHaugerud’s Berlinale Golden Bear for Best Film winner. We extend our congratulations to all Firebird Award winners, and our deepest gratitude to all filmmakers and audiences for your participation and generous support! HKIFF50 will take place from 1 to 12 April 2026. See you next year on our 50th anniversary! ———————————————————————— 🎬電影節發燒友 CineFan May/Jun/Jul🎬： https://cinefan.hkiff.org.hk/period/2025/may-jun-jul-2025 #HKIFF #香港國際電影節：https://www.hkiff.org.hk/ #CineFan #電影節發燒友：https://cinefan.hkiff.org.hk/2025/04/21に公開- 指定なしhttps://www.instagram.com/explore/tags/HKIFF49每日影訊#HKIFF49每日影訊https://www.instagram.com/explore/tags/達約翰侯格勞#達約翰侯格勞https://www.instagram.com/explore/tags/性愛夢之做夢#性愛夢之做夢https://www.instagram.com/explore/tags/DREAMSSEXLOVE#DREAMSSEXLOVEhttps://www.instagram.com/explore/tags/DagJohanHaugerud#DagJohanHaugerudhttps://www.instagram.com/explore/tags/HKIFF#HKIFFhttps://www.instagram.com/explore/tags/香港國際電影節#香港國際電影節https://www.instagram.com/explore/tags/CineFan#CineFanhttps://www.instagram.com/explore/tags/電影節發燒友#電影節發燒友1.47%5262<前へ123456...32>次へ×インフルエンサーコンテンツCSVダウンロードフォロワー総数、フォロワー増減数、エンゲージメント数、エンゲージメント率ダウンロード※ データには投稿ID, キャプション, LIKE数, コメント数の他、投稿日, 投稿URL, Reel再生数, Reel動画尺, スクリーンネーム, 名前, 自己紹介, フォロワー数, ユーザーURLが含まれます。 コンテンツをCSVでダウンロード
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