コンテンツ種別写真動画複数枚｢#PR｣つき投稿 関連投稿国 指定なしアメリカ合衆国 香港 イタリア スペイン オーストラリア 日本 関連都道府県 指定なし東京都 並び替え投稿日順 ライク数順 コメント数順 エンゲージメント率順SKMT | dig Adagio from “Beauty” by Ryuichi Sakamoto Listen “Adagio” via link in bio🔗 Beauty is Ryuichi Sakamoto’s eighth solo album, initially released in 1989/1990, the first album on Virgin America worldwide. The album was produced with many diverse guest musicians, including Brian Wilson (Beach Boys), Robbie Robertson (The Band), Robert Wyatt (Soft Machine), Youssou N’Dour, Arto Lindsay, etc. Beauty is notable for its “collage of styles” that range from rock, techno, and classical to African; about half of the songs on the album are cover songs, including two Okinawan folk songs, the Rolling Stones’ “We Love You,” Foster’s “Romance,” and today’s dig, Samuel Barber’s “Adagio.” Before the term “Globalization” came into general use, Sakamoto proposed the term “Outer-National” as a counter-concept to “Inter-National” for the album motif. The work evokes an image of a new individual, a new way of being, where individuals connect beyond nations and nationalities. Sakamoto further explains that in this world, each individual will travel the world as a “merchant.” #skmtdig #skmtnews #ryuichisakamoto #adagio #beauty2024/06/23に公開- 指定なし#skmtdig#skmtnews#ryuichisakamoto#adagio#beauty1.91%7,75944SKMT | dig Comica (2002) by Ryuichi Sakamoto Listen to “Comica” via link in bio Japanese astronaut and the first director of Miraikan, Mamoru Mohri, gave a message to Ryuichi when he passed away. “In 2000, we experimented in space comparing Ryuichi Sakamoto’s music. Afterward, he correctly guessed the song that resonated with me while watching the Earth from space. Geo-Cosmos expresses the Earth as it is now through video. I asked him if one could also express the current observation of the Earth through music. Sensitive to the global environment, Ryuichi proposed music that could digitalize nature by placing sensors all over the world and connecting them through a computer. It was the world’s first real-time music played by the Earth through cutting-edge science and technology. We are sending our condolences and gratitude.” Mamoru Mohri, First director of Miraikan (National Museum of Emerging Science and Innovation) photo © Miraikan #skmtdig #skmtnews #ryuichisakamoto #mamorumohri #comica2024/06/15に公開- 指定なし#skmtdig#skmtnews#ryuichisakamoto#mamorumohri#comica1.03%4,18813SKMT | dig “DAWN” from “Comica” (2002) From the launch of Miraikan (The National Museum of Emerging Science and Innovation) in 2001 until 2013, Ryuichi Sakamoto’s music played in a corridor called the oval bridge surrounding Geo Cosmos (a sphere in the museum that projects a realistic vision of Earth, expressed in a digital format). Ryuichi created installation music in four parts: DAWN, DAY, SUNSET, and NIGHT. The music was innovative in that it was generated in real-time by meteorological data such as temperature, sunshine, wind speed, and solar radiation measured at Miraikan. The museum’s first director, Mamoru Mohri, also known as the first Japanese astronaut, had a close relationship with Sakamoto in many ways, including conducting an experiment to listen to Sakamoto’s music selected by Mohri in space during his second space flight. The album Comica (2002) contains recordings of Ryuichi’s generative installation music and additional works from 2001. Listen to DAWN via link in bio! #skmtnews #skmtdig #ryuichisakamoto #comica #DAWN2024/06/07に公開- 指定なし#skmtnews#skmtdig#ryuichisakamoto#comica#DAWN0.9%3,6808SKMT | dig The title “Esperanto” refers to an artificial language invented by Ludovico Zamenhof. The album’s overall composition reflects Sakamoto’s comment that it is “imaginary ethnic music.” The album incorporates so-called techno music techniques, such as introducing Fairlight CMI and sampling sources into ethnic music, aiming for a new musical structure that is not pop. The many pauses and quiet sounds that appear in the work are intended to represent the rustling of dancers’ clothes and the sound of the floor. Listen to Esperanto via link in bio 🔗 The video footage is from Molissa Fenley’s choreographed performance “ESPERANTO” at Endo Memorial Hall in Tokyo on November 23rd, 1985. “ESPERANTO” Music by Ryuichi Sakamoto Players: Ryuichi Sakamoto, YAS-KAZ Dancers: Molissa Fenley Silvia Martins Scottie Mirviss Jill Diamond Elizabeth Benjamin Costumes by Jean-Paul Gaultier #skmtnews #skmtdig #ryuichisakamoto #molissafenley #esperanto2024/05/30に公開- 指定なし#skmtnews#skmtdig#ryuichisakamoto#molissafenley#esperanto0.64%2,59511Ryuichi Sakamoto “12” T-shirts May edition On the 28th of every month, commmons will start accepting orders for “12” T-shirts. The “RS” logo will be quietly printed near the heart on the inner front side. Ryuichi Sakamoto’s name and the month number will be printed on the inner back side of the T-shirt. The T-shirt will also display a large print of Sakamoto, selected from Sakamoto’s archive. Due to the large number of overseas orders, we will split the order start time into two slots to accommodate time differences. Orders for the May edition will begin on May 28th. Please note that this T-shirt cannot be mass-produced because it is created one by one by hand using a unique printing method. We have secured a production line and are preparing to deliver to everyone who wants to purchase. Still, if the number of orders exceeds the limitation of manufacturers, we need to cease accepting orders. Thank you very much for your understanding. *Please note before considering your purchase, the position of the inner printings may be shifted due to differences in the unique printing method. ■Ryuichi Sakamoto “12” T-shirts May edition Order acceptance open: ① May 28th (Tuesday) 12:00~ (JST) ② May 28th (Tuesday) 24:00~ (JST) *To better accommodate time differences, we have set a limit on the number of orders accepted per session. Order acceptance close: June 3rd (Monday) 18:00 (JST) Website for orders: (link in bio) https://commmonsmart.com/pages/ryuichi_sakamoto_12_tshirts *We will stop accepting orders if the quantity exceeds the limit. *It is expected to arrive in early to mid-June. A portion of the proceeds from the sales of this T-shirt will be donated to “TREES FOR SAKAMOTO,” a platform for tree planting. @trees_for_skmt #坂本龍一 #ryuichisakamoto #skmtnews #12tshirt2024/05/26に公開- 指定なし#坂本龍一#ryuichisakamoto#skmtnews#12tshirt0.33%1,3398SKMT | dig 🌕 "A Carved Stone" from "Esperanto" (1985) Composed for a performance by New York avant-garde choreographer Molissa Fenley. Produced and performed by Sakamoto with contributions from Arto Lindsay and Japanese percussionist Yas-Kaz, "Esperanto" is a fascinating instrumental work. Listen to "A Carved Stone" via link in bio 🔗 "Musically, Sakamoto used a lot of sampling. There is a wide variety of music to choose from, but unlike what is known as hip-hop, the technique aims to be 'ethno,' even if it is techno. The concept of "Esperanto" has a strong element of ethnic musical primitivism. The single that came out earlier also uses the same music and is more pop-like. "High-tech ethno-music"" that takes into account Debussy's and Stravinsky's ballet music, Satie's theatre music and other lineages" -(Excerpt from an album review in Steady Magazine's October issue.) Ryuichi often expressed, "I sometimes regret not pursuing the path I opened with Esperanto. If I had, I could've been a more interesting artist." #skmtnews #ryuichisakamoto #坂本龍一 #SKMTDIG #esperanto @molissafenley2024/05/23に公開- 指定なし#skmtnews#ryuichisakamoto#坂本龍一#SKMTDIG#esperanto0.8%3,22816SKMT | dig In August 1986, Ryuichi had three short weeks at The Wool Hall Studio in England to write and produce Virginia Astley’s album, “Hope In A Darkened Heart.” Ryuichi performed and recorded the base instrumentals for six tracks on the album. The backing track for ‘Some Small Hope’ was sequenced on the Fairlight 3, the synth pad from the Prophet 5, and the ‘woodwind’ (shakuhachi flute) sections originating from the Emulator II. Additionally, Ryuichi scratched the strings of the piano with his fingers in the studio, captured by engineer Tony Phillips, and included in the final mix. Ryuichi’s equipment: Emulator II, Fairlight 3 (with Fairlight 1 sounds disc), Prophet 5, AKAI S-900, Yamaha DX7-2, Computer. Listen to the full album via link in bio. 1, 2 - Photo by Ryuichi Sakamoto 3, 4 - Photo by Masaki Sekijima From Sessions at The Wood Hall Studio, England Sources: Virginia Astley website https://www.virginiaastley.com/disc/albums/html/hope.html David Nibloe’s interview with Masaki Sekijima, 2019 https://sylvianvista.com/2019/10/11/some-small-hope/ #skmtnews #ryuichisakamoto #坂本龍一 #SKMTDIG #virginiaastley #hopeinadarkenedheart2024/05/16に公開- 指定なし#skmtnews#ryuichisakamoto#坂本龍一#SKMTDIG#virginiaastley#hopeinadarkenedheart5.81%23,64531Ryuichi Sakamoto의 MIDI 녹음으로부터의 훌륭한 음원을 드디어 디지털에서 즐기실 수 있습니다! 坂本龍一의 소중한 카탈로그가 기다려온 디지털 배포가 시작되었습니다! “Esperanto”, “THE ARRANGEMENT”, “Coda”, “Hidariude no Yume”, “Ongaku Zukan -2015 Edition-“ 등 많은 명반이 Melon, FLO, Bugs, NAVER VIBE 등의 음악 스트리밍 서비스에서 이제 공개되었습니다! 전 세계에서 사랑받는 사운드를 바로 지금 확인해보세요! https://stlink.to/RyuichiSakamoto-forKorea_ . . . You can finally enjoy the recordings from Ryuichi Sakamoto’s MIDI releases digitally in South Korea! Ryuichi Sakamoto’s valuable catalog is now available for streaming! Numerous masterpieces such as “Esperanto,” “THE ARRANGEMENT,” “Coda,” “Left Handed Dream,” and “Ongaku Zukan -2015 Edition-“ are now available in distribution services such as Melon, FLO, Bugs, NAVER VIBE, etc. Check out tunes loved all over the world! Streaming / download link available via link in bio. #skmtnews #류이치사카모토 #坂本龍一 #ryuichisakamoto2024/05/16に公開- 指定なし#skmtnews#坂本龍一#ryuichisakamoto1.41%5,72938UTAU by Taeko Onuki & Ryuichi Sakamoto will be available on vinyl from @commmons_official on July 3rd! Also 『UTAU LIVE IN TOKYO 2010 A PROJECT OF TAEKO ONUKI & RYUICHI SAKAMOTO』will be released on Blu-ray with bonus content! Pre-order from link in bio 🔗 . . . Repost • @commmons_official 【アナログ&Blu-ray化!!】 大貫妙子&坂本龍一による二作品がアナログとBlu-rayになって7/3に再発売決定！ 大貫妙子＆坂本龍一 『UTAU』アナログ化！ 2010年にリリースされたコラボレーション・アルバム初アナログ化！ 坂本龍一の過去の楽曲に大貫妙子が新たに詞をつけたもの、以前のふたりでの共同作品、童謡の「赤とんぼ」、そして新曲「a life」で構成されている。ピアノと歌だけというシンプルな表現だからこそ、1970年代初期から続くふたりの豊かな歴史が伝わってくる。本編はもちろん、即興を含む坂本龍一の演奏のみをまとめたボーナス・ディスクも完全収録。 『UTAU LIVE IN TOKYO 2010 A PROJECT OF TAEKO ONUKI & RYUICHI SAKAMOTO』Blu-ray化！ 2010年10月から12月にかけて行われた大貫妙子との『UTAU』日本ツアーからツアー終盤の12月10、11日の東京国際フォーラム公演の模様を収録。長期間のツアーの最後に近いだけにふたりの演者の息は合い、リラックスした演奏と歌ながら、毎公演即興演奏を入れた「Flower」などところどころで緊張感も。『UTAU』のアルバムには入っていない両者のソロ曲なども織り交ぜた貴重な記録であり、同時に楽しい映像作品。 さらに2010年11月18日からスタートした大貫妙子＆坂本龍一「UTAU TOUR 2010」の会場で販売していたツアーパンフレットに収録の2009年12月に行われた「Ryuichi Sakamoto Playing the Piano featuring Taeko Onuki」の東京国際フォーラムでのライヴから大貫妙子との共演楽曲の「色彩都市」「Tango」「突然の贈りもの」「風の道」を映像特典として収録。 アナログ盤、Blu-rayのご予約はプロフィール欄のリンクをご覧ください。 #大貫妙子 #坂本龍一 #ryuichisakamoto #skmtnews #utau #taekoonuki2024/05/14に公開- 指定なし#大貫妙子#坂本龍一#ryuichisakamoto#skmtnews#utau#taekoonuki1.19%4,82312Ryuichi Sakamoto | Opus - in Italy Screenings begin on May 17th! Repost • @mescalitofilm RYŪICHI SAKAMOTO | OPUS: il film-testamento sul leggendario compositore inizia il suo tour il 17 maggio inaugurando il @pianocitymilano Artista poliedrico e autore di colonne sonore indimenticabili, Ryuichi Sakamoto scompare prematuramente nel 2023, ma non prima di lasciarci un ultimo grande regalo: un concerto solista in cui rivisita i pezzi più belli della sua carriera in compagnia del prolungamento della sua anima, il pianoforte. Diretto dal figlio Neo Sora, RYŪICHI SAKAMOTO | OPUS sarà un’occasione imperdibile per celebrare l’eredità del grande maestro giapponese in occasione dei più importanti festival italiani dedicati alla musica. 📌 Scopri le date del tour su www.mescalitofilm.com Presentato e distribuito in Italia da @nexo_digital e Mescalito Film in collaborazione con @ponderosa_music_art e con il sostegno dei media partner @radiocapitalitaly e @mymovies.one @skmtgram #ryuichisakamoto #ryuichisakamotoopus #skmt_opus #skmtnews #alcinema #mescalitofilm2024/05/09に公開Italy イタリア #ryuichisakamoto#ryuichisakamotoopus#skmt_opus#skmtnews#alcinema#mescalitofilm0.66%2,67828SKMT | dig 🌑 “Some Small Hope” From the album “Hope In A Darkened Heart” (1986) by Virginia Astley Ryuichi Sakamoto was the primary producer, arranger, and mixer of the album, as well as played keyboards. Ryuichi and Virginia co-wrote “Some Small Hope”, which also features a duet with David Sylvian. Listen to “Some Small Hope” via link in bio. ‘All those dreams lie unfulfilled All those lives that pass us by Careless thoughts torment my lonely soul But my trust is still pure Why must all the days be dark Can no one escape their fears Could we ever fill such a sad despair With just one small hope.’ Lyrics by Virginia Astley © 1986 Warner Chappell Music Ltd #skmtnews #ryuichisakamoto #坂本龍一 #SKMTDIG #somesmallhope #virginiaastley #davidsylvian2024/05/08に公開- 指定なし#skmtnews#ryuichisakamoto#坂本龍一#SKMTDIG#somesmallhope#virginiaastley#davidsylvian0.82%3,31324Ryuichi’s garden piano returning to nature in April, 2024. . Photo by Todd Eckert #skmtnews #ryuichisakamoto #piano #nature2024/05/04に公開- 指定なし#skmtnews#ryuichisakamoto#piano#nature5.33%21,615125SKMT | dig When BTTB (Back To The Basics) was first released in 1998, the limited edition included a 3.5” floppy disc containing the MIDI data of Sakamoto’s performance, along with piano scores. By utilizing instruments that accept midi, fans could play the data of Sakamoto’s performance on their own keyboards, synthesizers, and other midi-equipped devices. *It was recommended to use the YAMAHA MU100 or similar gear for the most precise playback at that time. Listen to BTTB via link in bio In his liner notes for the 20th anniversary of BTTB in 2018, author Haruki Murakami wrote: “Personal and intimate music—somebody (an anonymous somebody) sitting alone in front of the school piano early in the morning, weaving a melody, exploring harmonies. Music that gradually fills a space with high ceilings that contains the wafting presence of rain. But music that leaves gaps where necessary.” #skmtdig #skmtnews #ryuichisakamoto #BTTB #harukimurakami2024/05/03に公開- 指定なし#skmtdig#skmtnews#ryuichisakamoto#BTTB#harukimurakami1.72%6,99916ホームレスの人の社会的自立を応援する 『THE BIG ISSUE日本版』 最新号（478号 / 5月1日発売）では、坂本龍一大特集！ ***** ビッグイシュー日本版 478 号（5月1日号） 【表紙・スペシャル企画】坂本龍一 昨年3月28日に永眠された坂本龍一さんは、1978 年のデビュー以来“教授”の愛称で親しまれ、音楽家としても一人の人間としても、世界中に大きな影響を与えてきた。 「ビッグイシュー」の表紙・スペシャルインタビューにも、これまで２回登場いただいた（106 号、236 号）。 今回のスペシャル企画では、その音楽性だけでなく、坂本さんが社会的活動によって残したレガシーにも迫る。 まずは、闘病中の坂本さんが最後の力を振り絞って演奏した、最初で最後の長編コンサート映画について、監督の空音央さんに話を聞いた。 また、「次の世代に美しいバトンを渡したい」と、脱原発、森林保全、被災地支援など、多岐にわたる社会的活動に力を注いできた坂本さんと活動をともにした方々に話を聞いた。 ビッグイシューの販売場所: https://www.bigissue.jp/buy/ ***** “THE BIG ISSUE Japanese edition” supports the social independence of homeless people. The latest issue (No. 478 / May 1st release) includes a special feature on Ryuichi Sakamoto! (*Written and sold in Japanese) ***** THE BIG ISSUE Japanese Edition No. 478 (May 1st issue) Featuring Ryuichi Sakamoto Ryuichi Sakamoto passed away on March 28th of last year. Since his debut in 1978, he has been affectionately known as “Professor” and has inspired the world greatly as a musician and a person. He has been interviewed and appeared on the cover of “The Big Issue” twice previously (No. 106 and 236). In this project, we will explore Sakamoto’s musicality and the legacy he left behind through his social activities. First, we spoke to the director, Neo Sora, about Sakamoto’s last full-length concert film, in which he performed with dwindling strength while battling illness. The issue also covers interviews with people who have worked with Sakamoto. Sakamoto focused on various social activities, such as nuclear power phase-out, forest preservation, and supporting disaster-affected areas. Sakamoto said, “I want to pass a beautiful baton to the next generation.” THE BIG ISSUE sales locations: (in Japan only) https://www.bigissue.jp/buy/ ***** #skmtnews #ryuichisakamoto #坂本龍一 #thebigissue2024/05/02に公開- 指定なし#skmtnews#ryuichisakamoto#坂本龍一#thebigissue1.54%6,27213In the spring of 2019, Ryuichi placed a piano in his NYC backyard and left it exposed to the elements to observe how the piano would return to nature. The piano blended with the seasons for several years before relocating to an artist friend’s garden in Upstate NY. These photos show the piano’s transformation and beauty as it returns to nature. photo by: 1. Neo Sora 2.3.4. KAB America Inc. 5.6. Bill Kirstein #skmtnews #ryuichisakamoto #naturepiano2024/05/01に公開- 指定なし#skmtnews#ryuichisakamoto#naturepiano6.92%28,12498Ryuichi Sakamoto | Opus Screenings open in Spain on April 26th. Repost • @elasticafilms 26 de abril viernes llega este acontecimiento musical a la cartelera. #Opus, la despedida del maestro Ryuichi Sakamoto. Una película-concierto para gozar y conmovernos en una sala de cine. 🎹🩵🎹 En breve anunciaremos preestrenos y pases especiales. Con @enfilmin #skmtnews #ryuichisakamoto #ryuichisakamotoopus #skmt_opus2024/04/26に公開Spain スペイン #Opus#skmtnews#ryuichisakamoto#ryuichisakamotoopus#skmt_opus1.09%4,41042Ryuichi Sakamoto | Opus Theatrical schedule in Australia “Ryuichi Sakamoto | Opus” in more cities and regions via link in bio! #skmtnews #ryuichisakamoto #ryuichisakamotoopus #skmt_opus2024/04/25に公開Australia オーストラリア #skmtnews#ryuichisakamoto#ryuichisakamotoopus#skmt_opus0.94%3,79433SKMT | dig 🌕 “reversing” from “BTTB” Initially, it was recorded for and included only on the international release of Sakamoto’s 1998 album “BTTB”. However, when releasing the 20th-anniversary re-mastered version, Sakamoto chose his preferred track list to officially include “reversing” on “BTTB”. The solo piano work focuses on rhythm and frequently alternates between odd meters. Listen to “reversing” via link in bio. From Ryuichi’s commentary on “BTTB”: “I had been thinking somehow that “BTTB” would be my first and last album of just piano. But I now feel that I would like to do another if the opportunity comes up. There are many piano lovers in Japan, and maybe it’s because a lot of them actually play the piano, but my piano pieces are widely accepted. That makes me sincerely happy. Furthermore, I think that the piano will be with me for the rest of my life. It certainly is the instrument that is closest to me, an extension of my body.” - Ryuichi Sakamoto #skmtnews #ryuichisakamoto #坂本龍一 #SKMTDIG #reversing #BTTB2024/04/24に公開- 指定なし#skmtnews#ryuichisakamoto#坂本龍一#SKMTDIG#reversing#BTTB1.21%4,92620“Ryuichi Sakamoto Official score store” has released a piano score of “Opus” from BTTB (1998). On this site, Ryuichi Sakamoto’s official scores are sold in two types: digital data in PDF and print-on-demand. The print-on-demand version is carefully finished by bellows printing for each order and delivered in a score case designed by Rikako Nagashima. Please visit link in bio for purchase. “Opus” “Opus” was composed for the piano album BTTB (1998) and included as the first song. This song was played at the end of Ryuichi Sakamoto’s first and last full-length concert film, “Ryuichi Sakamoto | Opus.” It will join the official score for the first time to commemorate the movie’s release. ※This score is the original 1998 version. “Ryuichi Sakamoto | Opus” - Theatrical release in Japan Pre-release at 109 Cinemas Premium Shinjuku on April 26th, wider release in Japan starting on May 10th https://www.bitters.co.jp/opus/ Theater information for worldwide regions: https://www.sitesakamoto.com/opus/ . . . 坂本龍一のオフィシャル楽譜サイト『Ryuichi Sakamoto Official score store』に、本日「Opus」BTTB (1998)のピアノ譜が登場しました。 このオフィシャル楽譜サイトでは、坂本龍一のオフィシャルスコアを、PDFのデジタルデータとプリント・オン・デマンドの2種類で販売しています。 プリント・オン・デマンド版は、ご注文ごとに蛇腹印刷で丁寧に仕上げ、長嶋りかこ氏デザインのスコアケースに入れてお届けします。 楽譜の購入はプロフィール欄のリンクよりご覧ください。 “Opus” 1998年に発表したピアノ・アルバム『BTTB』のために作曲し1曲目に収録された作品。 坂本龍一の最初で最後の長編コンサート映画「Ryuichi Sakamoto | Opus」では、エンディングで演奏され、この楽曲で締めくくられています。 今回、映画の公開を記念しオフィシャルスコアサイトに初登場。 *このスコアは1998年版です。 映画「Ryuichi Sakamoto｜ Opus」 日本：4月26日 109シネマズプレミアム新宿にて先行公開、5月10日国内一般公開 https://www.bitters.co.jp/opus/ 各国・地域の公開情報： https://www.sitesakamoto.com/opus/ #skmtnews #ryuichisakamoto #ryuichisakamotoscorestore #坂本龍一2024/04/19に公開- 指定なし#skmtnews#ryuichisakamoto#ryuichisakamotoscorestore#坂本龍一1.16%4,72612SKMT | dig While composing for “The Fortress”, Ryuichi enlisted several musicians from around the world to craft his vision. Ryuichi traveled to Korea to record with musicians and an ensemble playing traditional instruments and to Seattle, WA (USA) to record with a large string orchestra. He worked remotely with The Frantic Percussion Ensemble (with whom he also worked on ‘The Revenant’), and worked with NY musician Weston Olencki recording Trombone. Ryuichi also played an instrument called “Spinet”(a type of harpsichord), which predates the piano and is contemporary to the period in which the film takes place. Samulnori Hanullim (Traditional Korean Percussion Ensemble) - Kim Hyangsoori Kwon Seolhoo Lee Junhyoung Park Sunggun Jeon-ga: Cho Uisun Piri: Byun Woo Rim Daegeum: Kang Byong Ha Ajaeng: Kim So Yeun String Section: The Northwest Sinfonia Concert Master: Mikhail Shmidt Conductor: Ryuichi Sakamoto Frantic Percussion Ensemble: Daniel Orthey Gunnar Kötke Jonathan Szegedi Henning Ahlrichs Trombone: Weston Olencki Although this dig focuses on the piece “Chilbok”, we invite you to check out the rest of the score as it was so difficult to choose only one piece. Listen to The Fortress (OST) via link in bio. photo: © 2017 Kab Inc. #skmtnews #ryuichisakamoto #坂本龍一 #SKMTDIG #chilbok #TheFortress2024/04/18に公開- 指定なし#skmtnews#ryuichisakamoto#坂本龍一#SKMTDIG#chilbok#TheFortress1.56%6,32421<前へ123456...15>次へ×インフルエンサーコンテンツCSVダウンロードフォロワー総数、フォロワー増減数、エンゲージメント数、エンゲージメント率ダウンロード※ データには投稿ID, キャプション, LIKE数, コメント数の他、投稿日, 投稿URL, Reel再生数, Reel動画尺, スクリーンネーム, 名前, 自己紹介, フォロワー数, ユーザーURLが含まれます。 コンテンツをCSVでダウンロード
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