コンテンツ種別写真動画複数枚｢#PR｣つき投稿 関連投稿国 指定なし台湾 香港 日本 ドイツ アメリカ合衆国 イタリア スペイン オーストラリア 関連都道府県 指定なし 並び替え投稿日順 ライク数順 コメント数順 エンゲージメント率順 ×アカウント未登録では最新の動画20件のみ閲覧可能です。Yamaguchi Seasonal 2025 坂本龍一＋YCAM「Forest Symphony」 会期：2025年8月8日(金)〜11月30日(日) 会場：常栄寺 開場時間：10:00〜16:30 休場日：火曜日(祝日の場合は翌日)、8月11日(月・祝)、9月24(水)、11月2日(日)・3日(月・祝) 入場料：無料(常栄寺の拝観料は別途必要) . Yamaguchi Seasonal 2025 Ryuichi Sakamoto + YCAM “Forest Symphony” Period: August 8th, Friday - November 30th, Sunday Location: Joei-ji temple (Yamaguchi prefecture) Hour: 10:00 - 16:30 Closed: Tuesdays, Aug 11 (Mon/Holiday), Sep 24 (Wed), Nov 2 (Sun) & 3 (Mon/Holiday) Admission: Free (Requires Joei-ji temple admission) #skmtnews #ryuichisakamoto #坂本龍一 #YCAM #forestsymphony2025/06/24に公開常栄寺雪舟庭園 日本 山口県https://www.instagram.com/explore/tags/skmtnews#skmtnewshttps://www.instagram.com/explore/tags/ryuichisakamoto#ryuichisakamotohttps://www.instagram.com/explore/tags/坂本龍一#坂本龍一https://www.instagram.com/explore/tags/YCAM#YCAMhttps://www.instagram.com/explore/tags/forestsymphony#forestsymphony0.62%2,6482SKMT | dig 🌕 Boku no Kakera (ぼくのかけら) from Left Handed Dream (1981) Listen via link in bio The opening track of Sakamoto’s third solo album marks a turning point. Built around taiko drums, gagaku instruments, Prophet-5 synthesizer, and the Roland TR-808, the piece moves with an open, unforced rhythm. Toward the end, Sakamoto’s quiet voice can be heard repeating: “あげるよ ぼくのかけら ありがとう きみのかけら” (“This—a piece of me. Arigato—a piece of you.”) “Boku no Kakera” signals Sakamoto’s break from Western pop conventions. The album pursued what he called “festive music”—deliberately avoiding funk rhythms in favor of an indigenous percussive sound that abandons techno in search of something less codified, more fluid, and grounded in non-Western sensibilities. Recorded between Studio ‘A’ in Tokyo and Roundhouse Studio in London during the summer of 1981, “Left Handed Dream” was released in different versions for Japanese and international markets. #skmtdig #ryuichisakamoto #bokunokakera #lefthandeddream2025/06/11に公開- 指定なしhttps://www.instagram.com/explore/tags/skmtdig#skmtdighttps://www.instagram.com/explore/tags/ryuichisakamoto#ryuichisakamotohttps://www.instagram.com/explore/tags/bokunokakera#bokunokakerahttps://www.instagram.com/explore/tags/lefthandeddream#lefthandeddream2.0%8,57726SKMT | dig 🌑 flumina (2011) By fennesz + sakamoto Listen via link in bio. The collaboration between Fennesz and Sakamoto started with an hour-and-a-half improvisation when they first met. In addition to the duo’s albums and live performances, Fennesz also participated as a guitarist on Sakamoto’s solo tours. Ryuichi talked about his sound in the past - (Translated excerpts from Ryuichi’s writing and interviews) “Originally, ‘cendre’ was started purely for our joy, so I wasn’t thinking about anything in particular. ‘Cendre’ is romantic overall, isn’t it? For the piano, I’m freely playing broadly in that area, from my own Romanticism to Impressionism. With Carsten (in comparison to collaboration with file exchange), I’m sending him material with the premise that he will cook it, and the musical time will be fragmented; it becomes a non-traditional flow of time. With Fennesz, he first sends 3-4 minute pad-like sounds. I loop that a few times and improvise piano over it. In that sense, when I play piano over pads Fennesz created, it’s linear time, even though the location is different. In that respect, it’s closer to traditional music.” “Among electronica artists, there are probably people who don’t read sheet music, but since he’s originally a guitarist, he’s incredibly sensitive to pitch. I think he might have perfect pitch. For example, he instantly matches the pitch perfectly, even when creating noise in response to the piano I’ve played. That ability is amazing. I don’t think there’s anyone else quite like that.” @_fennesz Photo by @giuseppe.laspada #skmtdig #skmtnews #ryuichisakamoto #fennesz #flumina2025/05/28に公開- 指定なしhttps://www.instagram.com/explore/tags/skmtdig#skmtdighttps://www.instagram.com/explore/tags/skmtnews#skmtnewshttps://www.instagram.com/explore/tags/ryuichisakamoto#ryuichisakamotohttps://www.instagram.com/explore/tags/fennesz#fenneszhttps://www.instagram.com/explore/tags/flumina#flumina1.39%5,94520「MOViE MOViE Life is Art 光影藝術祭2025」 6/6 - 29/6 現正售票中! 坂本龍一 | Playing the Orchestra 2014 Ryuichi Sakamoto | Playing the Orchestra 2014 15.6 (Sun), 5:00pm | PREMIERE ELEMENTS 22.6 (Sun), 3:00pm | MOViE MOViE Cityplaza . 坂本龍一：東京旋律（4K修復版） Tokyo Melody: A Film about Ryuichi Sakamoto (4K Restoration) 7.6 (Sat), 7:55pm | 百老匯電影中心 *15.6 (Sun), 5:15pm | PREMIERE ELEMENTS *設映後分享 嘉賓：黃志淙（資深電台DJ、樂評人及策展人） 購票即到 Get your tickets Link in Bio Repost • @moviemoviehk #skmtnews #ryuichisakamoto #坂本龍一 #playingtheorchestra #tokyomelody #MMFest #LIFEISART光影藝術祭 #香港首映2025/05/24に公開- 指定なしhttps://www.instagram.com/explore/tags/skmtnews#skmtnewshttps://www.instagram.com/explore/tags/ryuichisakamoto#ryuichisakamotohttps://www.instagram.com/explore/tags/坂本龍一#坂本龍一https://www.instagram.com/explore/tags/playingtheorchestra#playingtheorchestrahttps://www.instagram.com/explore/tags/tokyomelody#tokyomelodyhttps://www.instagram.com/explore/tags/MMFest#MMFesthttps://www.instagram.com/explore/tags/LIFEISART光影藝術祭#LIFEISART光影藝術祭https://www.instagram.com/explore/tags/香港首映#香港首映0.81%3,4674Repost • @filmforumnyc ONE NIGHT ONLY! On Wednesday, May 28, the Young Film Forum (YFF) Archive Dive and @queerart present LOVE IS THE DEVIL, John Maybury’s mesmerizing 1998 FF premiere, starring Sir Derek Jacobi as Francis Bacon alongside Daniel Craig and Tilda Swinton. “Do I possess some inner destructive demon, or is it simply that love is the devil?” – Francis Bacon One of the 20th century’s greatest painters, Francis Bacon, was at the height of his celebrity during London’s swinging ‘60s. Jacobi (I, CLAUDIUS; HAMLET) gives a searing performance as the fiercely cruel artist whose passion for his work is nearly exceeded by his obsession with George Dyer (a pre-Bond Daniel Craig in a breakthrough role) — a darkly handsome petty thief who becomes his lover and the model for many of his most renowned paintings. Maybury, a close associate of Derek Jarman, recreates the British demi-monde of artists, rent boys, and bar flies who fed Bacon’s controversial, tortured artistic vision. THE YFF ARCHIVE DIVE is a new screening series curated from FF’s rich 54-year history of first-run premieres. The series introduces important, challenging works and underseen masterpieces to members in their 20s and 30s. Learn about YFF at filmforum.org/yff. This screening is open to the general public - tickets available now at filmforum.org #skmtnews #ryuichisakamoto #loveisthedevil #movie2025/05/23に公開Film Forum アメリカ合衆国 https://www.instagram.com/explore/tags/skmtnews#skmtnewshttps://www.instagram.com/explore/tags/ryuichisakamoto#ryuichisakamotohttps://www.instagram.com/explore/tags/loveisthedevil#loveisthedevilhttps://www.instagram.com/explore/tags/movie#movie0.58%2,5026The Estate of Ryuichi Sakamoto stands firmly with Brian Eno in this call - as Ryuichi himself would have done. @brianeno @microsoft #noviolence #nowar #stopgenocide #freepalestine #endapartheid #worldpeace2025/05/22に公開- 指定なしhttps://www.instagram.com/explore/tags/noviolence#noviolencehttps://www.instagram.com/explore/tags/nowar#nowarhttps://www.instagram.com/explore/tags/stopgenocide#stopgenocidehttps://www.instagram.com/explore/tags/freepalestine#freepalestinehttps://www.instagram.com/explore/tags/endapartheid#endapartheidhttps://www.instagram.com/explore/tags/worldpeace#worldpeace4.84%20,540262Congratulations Ryuichi. We are proud of you. . #MusicAwardsJapan #BestClassicalAlbum #MAJ2025 #awards #skmtnews #opus #ryuichisakamoto #坂本龍一2025/05/22に公開- 指定なしhttps://www.instagram.com/explore/tags/MusicAwardsJapan#MusicAwardsJapanhttps://www.instagram.com/explore/tags/BestClassicalAlbum#BestClassicalAlbumhttps://www.instagram.com/explore/tags/MAJ2025#MAJ2025https://www.instagram.com/explore/tags/awards#awardshttps://www.instagram.com/explore/tags/skmtnews#skmtnewshttps://www.instagram.com/explore/tags/opus#opushttps://www.instagram.com/explore/tags/ryuichisakamoto#ryuichisakamotohttps://www.instagram.com/explore/tags/坂本龍一#坂本龍一1.53%6,51151SKMT | dig 🌕 0320 from flumina (2011) By fennesz + sakamoto Listen via link in bio Ryuichi Sakamoto and Christian Fennesz first met in 2002 during Fennesz’s New York tour. Sakamoto invited Fennesz to visit his studio, where they spent a day creating music, sharing meals, and enjoying drinks. Their immediate connection made future collaboration a natural next step. The 2005 live EP ‘Sala Santa Cecilia’ marked the debut of their recorded output, followed by their popular studio album ‘Cendre’ (2007). The duo expanded their musical relationship with ‘Flumina’ (2011), an ambitious two-disc collection showcasing their unique approach. This project originated during Sakamoto’s Japanese tour, where he deliberately performed piano improvisations in a different key during rehearsals of his 24-show run. This systematic approach covered the complete Western tonal framework—all 12 major and 12 minor keys—with a Fennesz collaboration already in mind. After completing the tour, Sakamoto processed these recordings before sharing them with Fennesz, who transformed the compositions with his electronic treatments, guitar work, and synthesizers. The album’s tracks correspond to the recording dates of Sakamoto’s original compositions, beginning with a piece in the key of C major. The two artists later reunited in New York to finalize the album with engineer Fernando Aponte at The Studio. The outcome is a unique electro-acoustic ambient collection grounded in Sakamoto’s systematic tonal exploration. ‘Flumina’ offers calm, meditative listening with expansiveness reflecting its water-themed cover art. Discover Fennesz’s “Mosaic” (2024) album, a continuation of his signature sonic world, driven by his grief for Ryuichi. https://fenneszreleases.bandcamp.com/album/mosaic #skmtdig #skmtnews #ryuichisakamoto #fennesz #flumina2025/05/12に公開- 指定なしhttps://www.instagram.com/explore/tags/skmtdig#skmtdighttps://www.instagram.com/explore/tags/skmtnews#skmtnewshttps://www.instagram.com/explore/tags/ryuichisakamoto#ryuichisakamotohttps://www.instagram.com/explore/tags/fennesz#fenneszhttps://www.instagram.com/explore/tags/flumina#flumina0.68%2,9166Little Buddha directed by Bernardo Bertolucci music by Ryuichi Sakamoto 4K restored version now screening at IFC in NY! @ifccenter Repost • @kinolorber Drawing on Buddhist history to weave a metaphor about the tragedy of Tibetans in exile, LITTLE BUDDHA is Bernardo Bertolucci’s stunning religious tour-de-force starring Chris Isaak, Bridget Fonda, and Keanu Reeves. The new 4K restoration of LITTLE BUDDHA opens in theaters at @ifccenter! Link in bio. #skmtnews #4k #littlebuddha #BernardoBertolucci #ryuichisakamoto2025/05/12に公開IFC Center アメリカ合衆国 https://www.instagram.com/explore/tags/skmtnews#skmtnewshttps://www.instagram.com/explore/tags/4k#4khttps://www.instagram.com/explore/tags/littlebuddha#littlebuddhahttps://www.instagram.com/explore/tags/BernardoBertolucci#BernardoBertoluccihttps://www.instagram.com/explore/tags/ryuichisakamoto#ryuichisakamoto0.31%1,31610. Tokyo Melody: A Film about Ryuichi Sakamoto June 13, 2025 Screening in Taiwan! 4K Restored version, 40th Anniverasary 坂本龍一：東京旋律 2025.6.13 台灣上映! 40週年 4K修復版 . Repost • @jointmovies 坂本龍一：東京旋律 𝑻𝒐𝒌𝒚𝒐 𝑴𝒆𝒍𝒐𝒅𝒚: 𝑨 𝑭𝒊𝒍𝒎 𝒂𝒃𝒐𝒖𝒕 𝑹𝒚𝒖𝒊𝒄𝒉𝒊 𝑺𝒂𝒌𝒂𝒎𝒐𝒕𝒐 𝟒𝟎週年𝟒𝐊修復版 𝟏𝟗𝟖𝟎年代最前衛都市／教授巔峰時期創作實驗 「我正在做的事，和那些只為了音樂而創作的音樂不同。」 —— 坂本龍一 @skmtgram 「窺見大師音樂哲思」— 𝐴𝑠𝑖𝑎𝑛 𝑀𝑜𝑣𝑖𝑒 𝑃𝑢𝑙𝑠𝑒 「映照非凡藝術靈光」— 𝐶𝑖𝑛𝑒𝑚𝑎 𝐷𝑎𝑖𝑙𝑦 𝑈𝑆 我正在做的事，和那些只為了音樂而創作的音樂不同 1984年，政治狂熱年代翩逝，日本高踞資本強國之列，商業運轉迅疾。坂本龍一觀察道：「異常與雜訊，將成為新的文化觀點。」彼時，他正處於創作轉捩點——與細野晴臣、高橋幸宏共組的電子樂團 YMO 席捲全球後暫告落幕，同時期，他亦為大島渚《俘虜》譜出歷久不衰的經典配樂。深受1980年代東京都市脈動啟發，坂本盡展超越常規、挑戰界限的音樂哲思，也體現在他同年錄製的個人專輯《音樂圖鑑》。畫上時尚妝容的「教授」，於鏡頭前細述百年一遇的創意挑戰，向觀眾揭示一場超越想像的音樂革命。 本片由法國國家視聽研究院於2023年完成4K修復，2025年重返世人眼前。這是一場橫跨四十年的邀請，不只是對實驗音樂的深刻凝視，更是對實驗時代的一則註解。 - 🎬 精彩預告｜bit.ly/4k9XFiv 🎟 超值預售｜敬請期待🗼 #TokyoMelody #ryuichisakamoto #坂本龍一 #東京旋律 #4k #elizabethlennard2025/05/10に公開- 指定なしhttps://www.instagram.com/explore/tags/TokyoMelody#TokyoMelodyhttps://www.instagram.com/explore/tags/ryuichisakamoto#ryuichisakamotohttps://www.instagram.com/explore/tags/坂本龍一#坂本龍一https://www.instagram.com/explore/tags/東京旋律#東京旋律https://www.instagram.com/explore/tags/4k#4khttps://www.instagram.com/explore/tags/elizabethlennard#elizabethlennard2.76%11,82145YMO 1979 TRANS ATLANTIC TOUR LIVE ANTHOLOGY Out now! Visit the link in bio to watch ‘Behind the Mask’ live at The Greek Theatre! #ymo #yellowmagicorchestra #haruomihosono #yukihirotakahashi #ryuichisakamoto @alfamusic19692025/05/02に公開- 指定なしhttps://www.instagram.com/explore/tags/ymo#ymohttps://www.instagram.com/explore/tags/yellowmagicorchestra#yellowmagicorchestrahttps://www.instagram.com/explore/tags/haruomihosono#haruomihosonohttps://www.instagram.com/explore/tags/yukihirotakahashi#yukihirotakahashihttps://www.instagram.com/explore/tags/ryuichisakamoto#ryuichisakamoto5.48%23,46895Repost • @rockdelux Christian Fennesz ha vertido en “Mosaic” la versión más expansiva y plácida de su sonido. Es un álbum que difumina la frontera entre las cenefas de guitarra y la factura digital de atmósferas y texturas, marcado por la muerte y el legado de Ryuichi Sakamoto. @_fennesz lo grabó mientras preparaba la reedición por el vigésimo aniversario de “Venice”, una de las cimas de su catálogo, fundamental para entender el enorme alcance del artista afincado en Viena en la deriva de la música experimental de las últimas décadas. Juan Monge habló con el austriaco antes de su actuación el próximo martes, 29 de abril, en los @teatroscanal de Madrid. Lee la entrevista en nuestro link en @rockdelux bio 📸 @carsten.nicolai #Fennesz #ChristianFennesz #Ambient #MúsicaElectrónica #RyuichiSakamoto2025/04/29に公開- 指定なしhttps://www.instagram.com/explore/tags/Fennesz#Fenneszhttps://www.instagram.com/explore/tags/ChristianFennesz#ChristianFenneszhttps://www.instagram.com/explore/tags/Ambient#Ambienthttps://www.instagram.com/explore/tags/M#Mhttps://www.instagram.com/explore/tags/RyuichiSakamoto#RyuichiSakamoto1.13%4,834342025/04/28に公開- 指定なし4.65%19,87497SKMT | dig 🌑 War & Peace (Aoki Takamasa Remix) from Bricolages (2006) Listen via link in bio Following his 2004 album “CHASM”, Sakamoto invited 13 electronic artists to reimagine a track of their choice. “Bricolages” presents these reinterpretations by Sakamoto’s past collaborators, including Alva Noto, Fennesz, and Cornelius. Ryuichi’s words from the magazine “SOTOKOTO” 2002: “After the 9/11 terrorist attacks, I couldn’t make sounds or listen to music for about a month. Shamefully, despite being a musician, when my family and friends were in danger, music was the last thing on my mind. What I realized was very simple: music requires peace. A world that needs music to heal sadness is misguided. As Jobim said, music is love. To enjoy music, we need a world without conflict. Unfortunately, such times have only existed momentarily in human history. America is bombing other countries and deploying ground forces based on “evidence” so uncertain it could never hold up in court. All of this is extremely irrational, and the freedom and human rights that many people sacrificed themselves to win are in danger. A few people are getting away with doing whatever they want. What on earth is happening? The world is becoming a police state. Freedom of speech has disappeared. It’s an abnormal world. Without freedom of speech, people with different views cannot exchange opinions and pursue what is right. When verbal struggle is impossible, only power struggles flourish. Power means military force and money. They ignore laws and logic themselves while binding the people with laws. Laws have become the private property of those in power rather than serving everyone’s benefit. My modest hope is that more people will reduce their dependence on fossil energy and switch to a self-sufficient energy supply from nature. This would reduce the enormous interests “they” gain from oil and other sources. Since food and water are also controlled, these too need to be made self-sufficient. What’s urgently needed is not a large “empire” but a network of small, self-sufficient regions.” Photo by Yurie Nagashima #skmtdig #ryuichisakamoto #noviolence #stopgenocide #freepalestine2025/04/27に公開- 指定なしhttps://www.instagram.com/explore/tags/skmtdig#skmtdighttps://www.instagram.com/explore/tags/ryuichisakamoto#ryuichisakamotohttps://www.instagram.com/explore/tags/noviolence#noviolencehttps://www.instagram.com/explore/tags/stopgenocide#stopgenocidehttps://www.instagram.com/explore/tags/freepalestine#freepalestine3.17%13,61626Repost • @goo_choki_par This tribute movie was inspired by a 2003 New Balance commercial featuring Ryuichi Sakamoto, filmed in New York. In this movie, he just keeps walking to the music “Ngo.” We wanted to express that his works and ideas will continue forever. @skmtgram @newbalance Newbalance Ngo tribute movie Movie Director: @mmkw_design (DRAWING AND MANUAL) Art Direction: GOO CHOKI PAR Director of Photography: @tajjiemax Special thanks: @kyotaro_photo #skmtnews #ryuichisakamoto #坂本龍一 #newbalance2025/04/20に公開- 指定なしhttps://www.instagram.com/explore/tags/skmtnews#skmtnewshttps://www.instagram.com/explore/tags/ryuichisakamoto#ryuichisakamotohttps://www.instagram.com/explore/tags/坂本龍一#坂本龍一https://www.instagram.com/explore/tags/newbalance#newbalance0.66%2,8335SKMT | dig 🌕 War & Peace from CHASM (2004) Listen via link in bio 🔗 “In 2004, after a nearly nine-year gap from ‘Smoochy,’ (1995) Sakamoto released ‘Chasm’ in a world transformed by 9/11.” For Sakamoto, who published the book in Japan “非戦 (NO WAR) sustainability for peace”, a statement of principles advocating against the Iraq War (which was justified with all kinds of flowery rhetoric), releasing a work that spoke about ‘Chasm = deep crack, gap’ was probably inevitable. Long-time friend and collaborator Arto Lindsay transformed Ryuichi’s reflections on war and peace concerning the Iraq War into a series of probing questions. Sakamoto then invited 20 diverse people living in New York—varying in occupation, race, and age—to give voice to these questions as the song’s lyrics. Two decades later, as conflicts and aggression continue across the globe, Sakamoto’s questions about war and peace have become increasingly urgent, reminding us that peace remains elusive. Lyrics: Is war as old as gravity? If I love peace do I have to love trees? Are there animals that like peace and animals that like war? Is peace quiet? Is making war an instinct we inherited from our hunting or farming ancestors? Were farmers the first warriors? Do we love without thinking? Do we do the right thing without thinking? When children fight with their brothers and sisters are they learning how to make war? How do we test the limit of our bodies without war? Why do they compare war to a man and peace to a woman? Peace is unpredictable. Why is war so exciting? War is the best game and the worst life. Is peace the hardest work? Is peace a time of tension? What are the different kinds of victory, in a war, in a race? Is despair a solution? Why is it dangerous to say “never forget”? #skmtnews #skmtdig #ryuichisakamoto #warandpeace #chasm #noviolence #stopgenocide #freepalestine #endapartheid #worldpeace2025/04/13に公開- 指定なしhttps://www.instagram.com/explore/tags/skmtnews#skmtnewshttps://www.instagram.com/explore/tags/skmtdig#skmtdighttps://www.instagram.com/explore/tags/ryuichisakamoto#ryuichisakamotohttps://www.instagram.com/explore/tags/warandpeace#warandpeacehttps://www.instagram.com/explore/tags/chasm#chasmhttps://www.instagram.com/explore/tags/noviolence#noviolencehttps://www.instagram.com/explore/tags/stopgenocide#stopgenocidehttps://www.instagram.com/explore/tags/freepalestine#freepalestinehttps://www.instagram.com/explore/tags/endapartheid#endapartheidhttps://www.instagram.com/explore/tags/worldpeace#worldpeace2.04%8,72927Repost • @tagswkgpty ・・・ Exclusive pre-sale starts today. A DAY WITH RYUICHI SAKAMOTO TAJIMA KAZUNALI × TAGS WKGPTY Releasing on April 19, 2025 Sat. Exclusive pre-sale starts on April 12 Sat. at TRADING MUSEUM COMME des GARÇONS. @trading_museum 田島一成撮影の坂本龍一の写真集「A DAY WITH RYUICHI SAKAMOTO」とTAGS WKGPTYがコラボレーションした商品がTRADING MUSEUM COMME des GARÇONSにて4月12日より販売開始! @tajjiemax @tajimakazunali #ryuichisakamoto #坂本龍一 #tajimakazunali #tagswkgpty #tshirt2025/04/13に公開- 指定なしhttps://www.instagram.com/explore/tags/ryuichisakamoto#ryuichisakamotohttps://www.instagram.com/explore/tags/坂本龍一#坂本龍一https://www.instagram.com/explore/tags/tajimakazunali#tajimakazunalihttps://www.instagram.com/explore/tags/tagswkgpty#tagswkgptyhttps://www.instagram.com/explore/tags/tshirt#tshirt0.72%3,08911坂本龍一 | 音を視る 時を聴く 東京都現代美術館 Ryuichi Sakamoto | seeing sound hearing time Museum of Contemporary Art Tokyo 2024.12.21-2025.3.30 昨日 (3/30/2025)、無事に展覧会が終了しました。 34万人を超えるお客さまが来場くださり、 今年開館30周年を迎えた東京都現代美術館の 企画展歴代一位の来館者数となりました。 展覧会の評価は動員数が示すものではないと思っていますが、あらゆる世代の多くの方々が国内外からおみえになり、 坂本の作品世界を東京都現代美術館という時空間で展開できたことを心からうれしく思います。 コラボレーションしてくださった アーティストの皆さま、 設営のみならず会期中もメンテナンスのために奔走くださったteam skmtの皆さま、 規模の大きな展覧会の制作に物心でご協賛、 ご協力くださいました関係各位、 美術館の皆さま、主催者のみなさま、 そして何よりも、この展覧会にいらしてくださった皆さまに心からお礼を申し上げます。 ありがとうございました。 坂本龍一マネジメント . 坂本龍一 | 音を視る 時を聴く 東京都現代美術館 Ryuichi Sakamoto | seeing sound hearing time Museum of Contemporary Art Tokyo 2024.12.21 – 2025.3.30 The exhibition drew to a close yesterday (3/30/2025) after an unprecedented run. With over 340,000 visitors, it became the most attended special exhibition in the 30-year history of the Museum of Contemporary Art Tokyo. While we believe that the value of an exhibition is not defined solely by visitor numbers, we are sincerely grateful that so many people—from all generations, and from both Japan and abroad—came to experience the world of Ryuichi Sakamoto's work in this unique space and time. We would like to extend our heartfelt thanks to all the artists who collaborated on the exhibition, and to team skmt (our technical and production team), who dedicated themselves not only to the installation but also to its daily maintenance throughout the exhibition period. We are also deeply grateful to our sponsors and partners, our collaborators and supporters, the entire staff at the Museum of Contemporary Art Tokyo, the organizers, and above all, to each and every visitor who came to experience this exhibition. Thank you so much. As we now begin the final phase of de-installation and packing, we appreciate everyone's continued support in ensuring a smooth conclusion. Ryuichi Sakamoto Management . 撮影 : 浅野豪 / 福永一夫 / 平間至 Photo: Takeshi Asano / Kazuo Fukunaga / Itaru Hirama #skmtnews #坂本龍一 #ryuichisakamoto #seeingsoundhearingtime #音を視る時を聴く2025/03/31に公開東京都現代美術館 日本 東京都https://www.instagram.com/explore/tags/skmtnews#skmtnewshttps://www.instagram.com/explore/tags/坂本龍一#坂本龍一https://www.instagram.com/explore/tags/ryuichisakamoto#ryuichisakamotohttps://www.instagram.com/explore/tags/seeingsoundhearingtime#seeingsoundhearingtimehttps://www.instagram.com/explore/tags/音を視る時を聴く#音を視る時を聴く2.79%11,95340SKMT | dig 🌑 Glenn Gould Gatherings (2018) by Ryuichi Sakamoto, Alva Noto + Nilo, Fennesz, Francesco Tristano Listen via link in bio Ryuichi Sakamoto first encountered avant-garde contemporary music at Sogetsu Hall while in elementary school at one of Yuji Takahashi's concerts. This same venue, well-known for hosting avant-garde performances, is where Sakamoto curated the Glenn Gould Gathering (GGG), creating a vibrant cultural exchange between global and Japanese perspectives. Sakamoto created two installations for the GGG. By placing microphones in a water basin at Isamu Noguchi's "Stone Garden" at the Sogetsu Hall entrance, the dripping water sounds from a suikinkutsu were blended with music in real time. The second installation featured footage captured in Canada by Zakkubalan of people and places connected to Gould, with Shiro Takatani designing the visual composition and Satoshi Hama handling programming. The concert portion of the gathering featured four artists—Ryuichi Sakamoto, Alva Noto + Nilo, Christian Fennesz, and Francesco Tristano—"remodeling/reworking" Gould's music. Sakamoto described the performance structure as similar to renga (Japanese linked poetry), with each artist taking the lead while others provided accompaniment, creating a tapestry of individual expressions and interpretations of Gould's works. Shiro Takatani's striking visuals were projected on a large screen behind the performers, with the finale featuring all four artists performing together, transcending the traditional genres of classical, electronic, contemporary, and techno music. This celebration perfectly honored Gould's legacy, who was not only a classical musician but also a media artist who utilized various mediums. Sakamoto brilliantly deconstructed the late Gould's music, embodying how artistic works continue to live on and transform through the artists and people they inspire—exemplifying the saying "Ars longa vita brevis" (Art is long, life is short). Photo by Masaya Takagi #skmtnews #skmtdig #ryuichisakamoto #glenngould #bach2025/03/29に公開草月会館 日本 東京都https://www.instagram.com/explore/tags/skmtnews#skmtnewshttps://www.instagram.com/explore/tags/skmtdig#skmtdighttps://www.instagram.com/explore/tags/ryuichisakamoto#ryuichisakamotohttps://www.instagram.com/explore/tags/glenngould#glenngouldhttps://www.instagram.com/explore/tags/bach#bach1.08%4,65452025/03/28に公開- 指定なし5.6%23,692390<前へ1234567...24>次へ×インフルエンサーコンテンツCSVダウンロードフォロワー総数、フォロワー増減数、エンゲージメント数、エンゲージメント率ダウンロード※ データには投稿ID, キャプション, LIKE数, コメント数の他、投稿日, 投稿URL, Reel再生数, Reel動画尺, スクリーンネーム, 名前, 自己紹介, フォロワー数, ユーザーURLが含まれます。 コンテンツをCSVでダウンロード
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